Posts

2025 Study Architecture Student Showcase - Part I

Welcome to the 2025 Study Architecture Student Showcase!
Over the summer, we asked architecture faculty around the world to celebrate graduating students whose work embodies excellence in architectural education. The submitted theses, projects, and capstones reflect the various skills and concepts that are taught in architecture schools. With the Fall semester in full swing, we are excited to share these outstanding projects with you over the next few weeks.
With topics ranging from Infrastructure and Equity to Sustainability and Housing, each project has the power to inspire current and future architecture students. Tune in every Tuesday and Thursday to browse a collection of outstanding student work.
Today’s showcase features projects that explore different elements of education. From Pre-K through 8th-grade Montessori schools to university campuses and vocational schools, these designs capture the variety of educational venues. Each project provides design solutions that address diverse student needs, community well-being, safety, learning conditions, and more.

Transforming Trios: Typologies for Adaptive Education, Safety, and Community by Sheen Wang,  BS Architecture ‘25
University of Virginia | Advisor: Mona El Khafif

At Hutchison Beach Elementary in Panama City Beach, Florida, students adapt how they learn in response to their changing environment. Situated in a coastal, tourist-centered community along the Gulf of Mexico, the school frequently endures hurricanes and severe storms. With no dedicated community centers, schools here serve as storm shelters—often without enough space to meet demand.

This presents a unique design opportunity. The school’s campus includes numerous portable classrooms, originally meant as temporary solutions to overcrowding. Typically built at minimal cost, these structures are often uncomfortable and unsafe. But at Beach Elementary, there’s a shift: these portables are being reimagined as flexible, collaborative spaces where students and teachers co-create their learning environments to foster joy and exploration.

In a place defined by constant change, this thesis asks: How can a new, adaptive typology for portable classrooms support education, shelter, and community in one modular space? How can it integrate with existing school structures while engaging the surrounding landscape? How might these units aggregate both horizontally and vertically to form larger spaces?

This thesis proposes modular, adaptive structures that meet programmatic needs—education, safety, and community—while responding to the site’s outdoor uses, from wetlands to playgrounds to sports fields. The architectural skin of each module supports both interior and exterior use, enabling hybrid, temporary programming that flexes with the rhythms of the school and environment.

Instagram: @sheen.w_, @monaelkhafif

Descubre Cultural Academy by  Leonardo Sánchez Jiménez, B.Arch ’25
Universidad Anáhuac Querétaro | Advisors: Guillermo Márquez, Patricia Cutiño & Jorge Javier

This architectural project is part of the development of cultural spaces as a tool for strengthening the social fabric and preserving intangible heritage in historic urban contexts. The proposal seeks to contribute to the access and dissemination of artistic expression, fostering community participation and dialogue between tradition and contemporaneity. This type of intervention is essential in areas with heritage value, as it promotes the sustainable use of the built environment, activates cultural and social dynamics, and strengthens local identity, all in alignment with urban development and cultural conservation policies.

Through an analysis of the project’s intentions for the community, a concept was developed that seeks to encompass the actions, artistic expression, and experiences that the project is expected to generate and provide to its users. The words discovery and rediscovery are defined as the act of finding, identifying, or exploring something that was ignored or went unnoticed; in the case of rediscovery, it is the same, but something that was thought to be forgotten, hidden, or undervalued. These terms imply not only the revelation of unknown or rediscovered aspects but also a new appreciation or perspective on what has been rediscovered. It is a process that combines memory and innovation, inviting us to reinterpret and value elements of the past in a contemporary context. It goes hand in hand with the type of user who experiences it, whether local or outside the neighborhood.

However, it is possible to create a route that allows both locals and outsiders to gain an insight into these spaces, with the aim of awakening curiosity and passion for the neighborhood’s identity and tradition, thanks to elements that frame specific spaces in the context, as well as plays of heights, levels, and terraces that allow for distinct views that perhaps is not commonly appreciated as they should be.

Instagram: @leosanj05, @asili.arq, @arquitectura_anahuac, @arqwave

The 5-Minute School by Anoushka Sarkar, BS Architecture ‘25
University of Virginia | Advisor: Mona El Khafif

Set in Fairhill, Philadelphia – a neighborhood affected by historic disinvestment in education, high vacancy rates, and limited public infrastructure, “The 5-Minute School” explores how education can be embedded into the everyday fabric of the city. Rather than designing a single school building, the project proposes a network of public learning spaces within a 5 to 10 minute walking and biking radius, transforming vacant urban lots into active, community-driven educational sites.

At the center of the proposal is the site of the former Fairhill Elementary School, closed since 2013, reimagined as a multi-generational learning center with wings dedicated to food and ecology, the arts, technology, fitness, and early childhood education. The design is structured on a 20’x20′ modular grid system with interchangeable roof and façade components, allowing for flexibility, sensory variation, and user autonomy.

Radiating from the main hub are six “satellite” sites, including a rain pavilion, art park, solar garden, edible walkway, bike kitchen, and outdoor movement plaza. Each [site] offers hands-on, multi-generational, and place-specific educational opportunities. These sites are connected by a walkable and bikeable loop, which weaves through the neighborhood and links together existing community assets like libraries, rec centers, and social service organizations.

“The 5-Minute School” reimagines education as something lifelong, all around us, and capable of transforming neighborhoods into more vibrant, walkable, and healthy communities.

Anoushka received the Faculty of Architecture Award for Design Excellence for her yearlong work, including this thesis project. 

Instagram: @anoushkasarkar, @monaelkhafif

AMUSEMENT PARK by James Herlihy, Jack McGowan & Anthony Meli, M.Arch ’25
University at Buffalo | Advisor: Jin Young Song

South Korea faces the growing challenge of vertical schools, where even children as young as 2 to 5 years old attend regular classes followed by up to four additional hours at private institutions. These facilities often keep students until the late evening, intensifying stress for families and fueling social inequalities. Private educational institutions have become symbols of South Korea’s hyper-competitive educational culture, also affecting real estate markets and the urban landscape. In response, this project reimagines the vertical school as a socially engaging and visually vibrant space. Inspired by theme parks, the building emphasizes circulation and spontaneous social interactions across all floors. The façade design directly relates to both the building’s interior spaces and the vivid colors of the surrounding urban signage. Using a unitized curtain wall system, the façade incorporates angled fins, expansive windows, and transparent glass walls. A variety of fin typologies encourages playful engagement from both inside and outside the building, creating dynamic focal points. On the front elevation, glass and fins are strategically arranged to emphasize circulation routes, program elements, and to transform the building’s appearance between day and night.

This project was featured in “Cram Urbanism And Vertical Learning Space,” an international symposium and exhibition in Seoul, South Korea. 

Instagram: @arcmeli02, @jinyoung___song

University of Providence Campus and Community Visioning by Harrison Bluestein, Andrew Rosenberg, Kiki Simmons & Nick Tournour, M.Urban Design & B.Arch. ’25
University of Miami | Advisor: Joanna Lombard

Nearly 100 years ago, the Sisters of Providence, the Ursuline Sisters, the Catholic Bishop of Great Falls and the Great Falls community began to integrate their educational vision with the unique ministries that had developed from the earliest years of the Sisters of Providence’s founding of a hospital and school in 1892 and 1894, respectively. Building on this early relationship of shared commitment to an academic and community-based education, the University of Miami Urban Design studio opened with analysis of the current form, historic architecture, as well as the social and physical context of the campus and Great Falls community to explore the potential for the physical campus to plan for a future that expresses the founding mission of integration and advancement and contributes to the future flourishing of university and the community of Great Falls. The student teams worked in collaboration with University of Providence leadership, faculty and students to develop prototypes for how the physical environment could most effectively frame and support the campus and community in the coming decades.

Studio-based multidisciplinary investigations and collaborations with leading professionals and a continuity of communication throughout the semester enabled rapid response as ideas were proposed, analyzed, developed and refined. This dynamic exploration was conducted with the Providence St. Joseph Health and University of Providence team members, as well as Great Falls advisers, resulting in a penultimate presentation at the end of the semester, after which the work was organized into a slide presentation that can be utilized by the University of Providence.

Instagram: @hb23_, @andrewrosenberg7, @u_soa

Pathways to Possibilities: Montessori, re-imagined and expanded for every path in life by Melanie Nin, B.Arch ’25
Kennesaw State University | Advisor: Robin Puttock

“Pathways to Possibilities” explores the importance of establishing a Montessori Pre-K through 8th-grade school for a large population of children, highlighting the unique challenges they face in accessing an education that meets their fundamental needs. By incorporating Montessori design principles and learning theories, the proposed school aims to create an inclusive, supportive environment that fosters self-directed learning, creativity, and social engagement. It advocates expanding the Montessori model to a larger school that fosters an inclusive environment that supports diverse students’ needs.

Thesis Question:

How can Montessori learning theory and design principles be implemented in a large-scale public school to provide an innovative school in Norcross, GA, that expands the accessibility of Montessori education to a larger community?

Problem:

Students face several challenges when trying to attend Montessori schools, including cost, lack of information, cultural and language barriers, and limited access.

Solution:

To expand the current Montessori model into a vibrant, inclusive learning community where every child can grow and thrive.

Hypothesis:

Designing flexible learning spaces that follow the 10 Montessori Principles while optimizing space efficiency.

Click here to learn more.

This project was selected as a Thesis Semi-finalist (Top 20 of 90+).

Instagram: @melaniespov, @robinzputtock

Crosswing Hall: a Biophilic Student Hub for Well-Being and Connection by Marianna Sanchez, B.Arch ’25
Kennesaw State University | Advisor: Robin Puttock

Crosswing Hall stands as a vibrant intersection of connection, community, and growth at Kennesaw State University’s Marietta campus. Inspired by the convergence of diverse paths and ideas, the name symbolizes both the physical design of the building—marked by angular, wing-like forms—and its purpose as a space where students and alumni come together. As a central hub, Crosswing Hall fosters interdisciplinary exchange, reduces anxiety through thoughtful design and natural elements, and cultivates lasting connections that extend beyond graduation. By providing an environment where students feel supported, engaged, and at home, Crosswing Hall strengthens campus pride, encourages meaningful relationships, and ensures that every visitor—whether a first-year student or returning alum—feels part of the university’s ongoing story.

Click here to learn more.

This project was selected as a Thesis Semi-finalist (Top 20 of 90+).

Instagram: @msg2002, @robinzputtock

Uvalde Strong: Youth and Community Center by Eric Grossman, M.Arch ’25
Academy of Art University | Advisor: Eric Reeder

The proposed Youth and Community Center in Uvalde, Texas, aims to address two tragic questions: the nature of social isolation and its ties to violence, and the nature of community healing.

On May 24th, 2022, 19 elementary school students and 2 teachers were murdered by an 18-year-old active shooter at the Robb Elementary School. The shooting directly affected 21 families and indirectly several more. Uvalde is a small town where people know each other. An uncle of one of the victims stated, “If the shooter was involved and was able to be active and play, maybe this wouldn’t have happened.” A few months later, on September 9th, 2022, two teenagers of 16 and 18 years were shot in an alleged drug deal at the same site.

Drugs and gang affiliations may also be causing increased youth gun violence, in addition to social isolation. Currently, the Uvalde area hosts few mental health resources and facilities. According to US News, “The only mental health center in the area — just blocks from Robb Elementary — was seldom used or discussed, raising worries about the lack of awareness regarding signs and symptoms of mental illness and the stigma surrounding seeking help.”

Grieving together through recreation and community has helped Uvalde begin to heal. The parents of one victim started an organization that hosts wilderness retreats for victims’ families and survivors. Residents also come together in social media groups where they can share mental health resources and express their grief. 

By bringing in places to gather as families and as a community along with being able to play, we may be able to foster more inclusion in school environments. A recreation center, community center, and place to gather can give these kids an opportunity to engage in play and change their direction. A chance to compete in sports and be a part of a team can lead children through self-discovery. Through play, children can interact with others in a positive environment. Social interaction and civic engagement can trigger some of the solutions for these issues through organized activities. The proposal is a Youth and Community Center that can facilitate these activities.

Click here to learn more. 

This proposal received the Graduate School of Architecture Prize for Outstanding Thesis Project.

Instagram: @ericreeder.architect

School of Roots by Eva Shaw, M.Arch ’25
Academy of Art University | Advisor: Eric Reeder

Sustainability must lead our educational efforts to address the planet’s pressing challenges. While complex, the issue can be met with intention and thoughtful design. This elementary school teaches sustainability through direct exposure and lived experience. Targeting elementary-aged students is intentional—Piaget’s Concrete Operational Stage marks a critical period when children form logical ideas from concrete experiences. At this stage, space and time are vital in shaping thought, making the built environment especially influential. 

“School of Roots” embraces this developmental window to cultivate future stewards of the land. Designed with a rotating visiting schedule, it serves as a learning model for other schools and opens to the public when not in use, broadening its educational impact. Located in a dense urban area in Berkeley, California, the site minimizes sprawl and transportation needs, with direct access to public transit. This ensures both environmental responsibility and community accessibility. The building includes flexible workspaces, demonstration labs, and dining areas. Its strong emphasis is on outdoor learning, which reconnects users with nature. School of Roots is a foundational effort to align education with planetary health. Engaging children at their most formative stage offers a hopeful path toward a sustainable future.

Click here to learn more. 

This design was awarded the 2025 Spring Show Prize for Outstanding M.Arch Thesis Project.

Instagram: @evashaw_architecture, @ericreeder.architect

Designing for Tomorrow: Elevating Learning and Shaping Growth by Vira Grace Williams, B.Arch ’25
Belmont University | Advisors: Tom Lowing & Dennis Daniels

As I considered my approach to this project, I reflected on O’More College’s place within Belmont University. Though it has been part of Belmont for only seven years—and its architecture program for just five—it stands as the only architecture school in Middle Tennessee. While O’More has already been shaped by Belmont’s broader vision, the university now has a unique opportunity to define a design school that sets itself apart—not just regionally, but nationally. One of the key ways O’More differentiates itself is through its mission-driven approach to design education. The question this proposal is trying to answer is: how can this renovation and expansion strengthen that identity and help position the program as a leader in design education?

One of Belmont’s 2030 initiatives is a commitment to whole-person formation—a strategic focus on academic, emotional, social, and spiritual development. This idea resonates deeply with me as I reflect on my own education. The question, then, is how the building itself can reinforce this vision while strengthening O’More’s institutional identity.

 At its core, this project is about the student experience. Design fields—whether architecture, interior design, or fashion—are often defined by long hours, intense deadlines, and constant pressure. The existing O’More building, while rich in history and character, has reached a point where expansion is not just an opportunity but a necessity. Through analyzing the Hitch building and drawing from personal experience, it was clear that the lack of spatial variety, accessibility, and common areas limited interaction between cohorts, while poor daylighting and ventilation increased energy demands. These challenges helped shape the design approach: addressing the gaps in the current spaces while creating a healthier, more supportive learning environment—one where students want to stay, work, and grow.

Architecturally, this vision takes shape through quiet areas, collaborative commons, or breakout pods. This allows the building to support social interaction and individual well-being—both essential to whole-person formation. While the project provides the necessary studios, classrooms, and presentation spaces, its true priority is ensuring that students have spaces that accommodate different working styles. By aligning the physical environment with the values of care, well-being, and connection, this addition ensures that O’More is a place where students are supported not only as designers, but as whole people.

Instagram: @vira_semkiv_design, @omore.architecture

Village for Children by Zake Bjontegard, B.Arch ’25
University of Texas at Austin | Advisor: Nichole Wiedemann

Situated near the southern border of Senegal, the Nursery School repositions early childhood education toward a community-oriented model that leverages the resilience of local materials and techniques. The school mimics vernacular village structures through careful positioning, aggregation, and a focus on interstitial space. 

In turn, the grounds form a child-centered micro-village where young children can explore a sense of freedom and agency within a managed system. The askew masses showcase a necklace of indistinguishable “hut-like” classrooms positioned around a central courtyard encased in bamboo. Each classroom shares an educational play space with a neighboring classroom, as well as direct access to the free-play courtyard. 

The model of learning emphasizes flexibility, allowing the school to adjust connections and spaces depending upon the needs of local youth. Upon approach, the profile of the complex resembles a neighborly system of material and assembly—diffusing into the surrounding context of thatch and earth. Children are encouraged to feel a sense of familiarity with the shapes, forms, and textures of the complex, embracing conservation in the pursuit of innovation. 

The project utilizes two major local materials: rammed earth and bamboo. The rammed earth wraps the perimeter of the complex, presenting itself outwardly as a depiction of privacy and strength. In contrast, a softer bamboo inner membrane gives way to looser, more permissive thresholds between classes and age groups. The construction and building of these materials are possible through local techniques—not significantly different from the construction of the traditional Senegalese home. 

In all, the Nursery School works to preserve the sensitive traditions of rural Senegal while capitalizing on the potential for subtle modifications—both in architecture and within the broader early childhood education system.

This project was submitted to the Kaira Loora Competition.

Instagram: @zakebjontegard, @nicholewiedemann

Inside Out – Outside In by Nguyen Thanh Minh, D.Arch ’25
University of Hawaiʻi at Mānoa | Advisor: Yasushi Ishida

“Inside Out – Outside In” is a K-12 vertical school design that creates a biophilic learning environment through modular classroom spaces that support faster construction and easy adaptability to meet future education needs. The blending of interior and exterior allows the design to get a natural flow that helps the students learn, grow, and live in harmony with the environment. 

The green pockets are located throughout different levels of the buildings to welcome natural elements such as sunlight, fresh air, and greenery, which allows students to feel the presence of nature in every part of their learning experience. The green pockets can also become areas for relaxation, exploration, and social interaction. 

“Inside Out–Outside In” reimagines the vertical K–12 typology within urban Honolulu. It challenges the traditional single-corridor model by creating dynamic, layered learning environments organized around the extended open-air green pockets. These green zones act as continuous outdoor extensions of each classroom cluster, creating additional outdoor space for learning activities.

The first principle of the design is “Design for Well-being.” The project was developed to support students’ physical, mental, and emotional health. Brise soleil manages sunlight and glare, while open corridors and operable walls promote natural ventilation. The landscape in the center becomes learning gardens, and soft vegetative buffers attract students to gather under shades, fostering calm, comfort, and sensory richness.

The second principle is “Design for Change”. It is evident in the modular classroom configuration and flexible partitions. As education evolves, the building can accommodate new changes, enrollment fluctuations, or even entirely different age group needs without major structural intervention.

The school is designed to serve all students of different ages, from elementary to high school, with tailored experiences. Ensuring that it’s secure, and has playful outdoor areas for younger children and flexible zones for older students. Together, these spaces create a vertical learning landscape that nurtures collaboration, and connection to the natural world.

This project was nominated for the AIA Honolulu People’s Choice Awards 2025. 

Instagram: @archawaii

Restoring Vocation by Mason Burress, M.Arch ’25
Washington University in St. Louis | Advisor: Donald N. Koster, AIA

“Restoring Vocation” is a response to the self-initiated research and design proposal fulfilling the degree project requirements for the first-professional Master’s degree program in the Graduate School of Architecture & Urban Design at Washington University in St. Louis. [This studio’s work] is the architectural response to the intentional, programmatic, and situational project brief developed through in-depth research into a specific transect of the St. Louis Region conducted during the previous semester. 

Once a center for hands-on learning, North St. Louis was home to several vocational schools that equipped students with practical skills in woodworking, metalworking, welding, fashion, auto mechanics, and the MEP (mechanical, electrical, and plumbing) trades, among others. However, since the mid-1960s, these institutions have steadily disappeared. Restoring Vocation seeks to bring the spirit of vocational education back — by establishing a new affiliate school designed to work in concert with the four major high schools in the surrounding area as a celebration of the trades. 

The new educational facility expresses its practical mission by honoring familiar industrial typologies. The structure is mass timber and the building’s north-facing sawtooth skylights are designed to maximize natural light within the vocational classroom spaces and shops. Adaptable workshops are organized along a linear spine that doubles as a collaborative large project working space and primary circulation. The building’s structure and systems are intentionally exposed to serve as an instructive tool for learning. 

This project received the 2025 Graduate School of Architecture & Urban Design Degree Project Award.

Instagram: @masonburress.arch

Convergence – DAS Transformed by Evelyn Foster & Marko Jovanovic, B.ArchSc ’25
Toronto Metropolitan University | Advisor: John Cirka

The TMU campus is currently a space to pass through, not to inhabit. “Convergence” aims to reimagine this by proposing more than just a new Architecture Building; it is a vision for a lively public realm. At its core is the transformation of Kerr Hall into a vibrant central square, with the new building framing a key path from Dundas Square. Human-scaled programming and public space activate Church Street, drawing visitors into a generous social area at the south entrance. This space leads to “The Square,” a multi-purpose atrium for lectures, presentations, and casual interaction, anchoring the building’s layout. Circulating through the building concludes with the sixth-floor space, a celebratory space under a CLT roof, flooding with natural light. At this point, the visitors have reached the pinnacle of the new Architecture building, and are invited to look out over the campus and city beyond.

Click here to learn more. 

This project was selected as an Honourable Mention – Bold Visions Transforming Futures.

Instagram: @ev.shoob, @marko.jovanovic.29, @lisalandrum.arch

It Takes a Village by Evan Cage, M.Arch ’25
Morgan State University| Advisors: Carlos Reimers & Howard Mack

“It Takes a Village” investigates the role of architecture in fostering intergenerational learning and cultural continuity, especially within historically rich, yet systemically underserved, communities like Mid-City, New Orleans. Research into social sustainability, community-based education, and the spatial marginalization of elders and youth reveals a critical need: the environments where we learn, grow, and gather often fail to reflect the full richness of our identities or support the passing down of lived wisdom. This project responds to that need by proposing a new model for educational and community spaces—one that elevates legacy-building through shared experience, cultural exchange, and intentional spatial design. By connecting elders and youth in a four-story, dual-building community center organized around arts, storytelling, culinary traditions, language, and civic engagement, It Takes a Village challenges conventional notions of schooling and reclaims education as a lifelong, communal journey.

This project received the Outstanding Architectural Design Award. 

Instagram: @sosmoov3, @reimerscarlos, @h_mack

Stay tuned for Part II!

2023 Study Architecture Student Showcase - Part III

This week the 2023 Student Showcase takes a broad look at buildings and parks on university campuses. We look at a couple of design build projects completed by architecture students as well as adaptive reuse designs and new builds that aim to evolve architectural education curriculum through wellness and sustainability. Shifting gears slightly we also feature a video game that inspires architecture learning, after all campus should be a space that encourages enjoyment while learning.

We hope you enjoy this week’s collection of student work and come back next week for a new installment.

Commensalis by Dakota Witte and Dylan Moyano, B.Arch ’23
Washington State University | Advisor: Vahid Vahdat

Commensalism is a biological relationship between two organisms in which one benefits while the other derives neither a benefit nor harm. Here at Washington State University, creating relationships amongst the design disciplines is challenging at the very least. Students are expected to become masters of their own curriculum, however in design, we are also expected to share knowledge with our cousin disciplines. This ideology has become a greater necessity as miscommunications between designers and builders create complications in the design process. The origin of these obstacles can be attributed to our academic backgrounds. A lack of communication can be attributed to the traditional academic architecture practiced amongst universities.

Our goal in this project was to innovate this narrative and create both a physical and psychologically alternative to the educational practice of design. We set out to create a commensalism between design disciplines and the academic system. Our site was located on the South end of WSU’s campus. As a prime location, we began creating an academic building for both engineers and architects. The unfamiliar organism’s veins stretch and pull through the natural scenery. Initially seeming like something out of the Twilight Zone, further innovation within our environment gives a drastic alternative to the organism as it begins to create flower beds and public benches that surround the structure. Exterior cladding of our structure uses traditional red brick to pay respect to the surrounding architecture of campus.

We felt it was important to iterate that our intentions are not to change higher education itself, but rather change the systems we have been using for hundreds of years. To show this, the organism has begun to encompass the exterior of the structure changing its shape as it begins spreading throughout campus. The interior of Commensalis creates a mix of both public and private spaces with a heavy emphasis on interdisciplinary collaboration. This first level is home to a large museum space meant to display the projects of various students. The second and third levels of the structure also hold multiple public and private seating areas to encourage a variety of study methods.

Instagram: @dakota.witte, @dgm.design2022, @3rdscript

ArchiLounge by Neroly Mora, Daniel Gribben, Michael Anzalone, Kayla Dawson, Kianna Ladue, Julia Dorr, Abby Lumpkin, Nate Simpson, Lauren Trippiedi, Charles Vasas, Joe Walsh, Serene Martens, M.Arch ’23 and B.S. Arch ’23
Norwich University | Advisor: Tolya Stonorov

Our typical SoA+A design build program has an outward, community focus – this is based on our belief that architecture can help people through providing solutions to society’s problems. This year, however, I was able to teach a design build studio that had a special opportunity to look inwards and focus on our own SoA+A community.

The ArchiLounge design build studio focused on the design and fabrication of the student lounge in Chaplin Hall as well as an overall look on how we could bring our current branding into the building. The studio reimagined and redefined what was needed and proposed an innovative, material rich, dynamic solution. This began with an outreach effort to the entire SoA+A community to determine what program the space should encompass. As part of the lounge, the studio incorporated a memorial to Donovan Kurt, a beloved architecture student who tragically passed in 2022.

The studio’s main focus was on investigating and redesigning the student lounge in Chaplin. This began by understanding how to draw as builts, a tool used in most architecture offices. We conducted a model-focused precedent study and a Surface + Joint study with an emphasis on digital fabrication, both in terms of the joint and overall spaces. We worked with our digital fabrication tools: 3D Printers, CNC router and laser cutters and a CNC router workshop was taught after our initial research. The bulk of the studio involved a heavy investigation into materiality and making. We poured concrete, worked with fabric, wood and metal. While each student had an area of study and is developing expertise, it was my intention that each student contribute to all aspects of the project through group discussions. In order for these group discussions to be successful it was imperative that the studio have an atmosphere of open dialogue. While we discussed and critiqued ideas, we made sure that we were not excluding people from contributing to this process. Working across the table was also an opportunity for all of the studio to learn more about how we all solve problems. I worked many hours outside of studio to try to ensure a successful group environment. This studio had the most cohesive group dynamic that I have experienced in my 11 years of teaching.

The design build process is a ground breaking pedagogy that encourages students to problem solve, think together, and make real design innovations in the field. Students learned that their drawings had real meaning and tangible implications. The studio had extensive community engagement as we worked with the SoA+A students, faculty and staff. Community-focused work in design build studios consistently demonstrates that holding community activism as a goal, yields a rich student experience as a result. I believe that this impact is two-fold: 1) students gain confidence because they are entrusted to design and build a real project and thereby achieve results outside of their comfort zone and 2) they are able to see concretely how their own work can help the community.

Through the design build experience, students shape a personal, more inclusive, definition of the architectural process and its tangible social and economic impacts. Working with the team of 12 architecture students was fantastic, but also challenging. The students were consistently motivated and worked cohesively to produce a beautiful building. Students repeatedly described these design build courses as some of the most valuable of their architecture education.

Instagram: @eaglewolf_14, @_juliadorr_, @abbylmpkn, @stonorovworkshoparchitects, @norwichdesignbuild

Voiland College Student Center by Chenlu Zhang and Luke Nye, B.S. Arch ’23
Washington State University | Advisor: Vahid Vahdat

In this project, we used a variety of software to build a workflow (rhino, revit, enscape, photoshop, to ensure a high level of finished product quality in a limited time.

The link between creativity and schooling has always been a difficult relationship to explain. In the fields of architecture, engineering, and creation, a heavy amount of creativity is required. Creativity requires boundaries to be broken and order not to interfere, which is a direct counter to that of modern education. As a result of the inherit divide between these elements of education and creativity, “Discrete Rectagular” replicates this relationship in the physical structure.

A cavity-shaped, complex organic structure is present next to solid traditional interior rooms. This cavity shape represents creativity as the solid routine structures represent the order that is required in education. For the spaces to work well together, we decided that the organic shape should hold most of the lounging area required in this site while the traditional rooms should be responsible for the more practical uses of the building. This division of labor further defines the relationship between creativity and order. To not disrupt the shape of the entire site, we modified the existing architectural topologies which in turn influence the structure giving it it’s shape. The loadbearing columns at the base of the organic structure are connected to the structure which displaces the overall weight. A lightweight steel was used for the skin (scaffolding with curtain wall glass) of the building which increases the sense of breathing.

The conventional practice of introducing the outdoor environment is not adopted, but the shell through its transparency is used to release the interior space of the whole building giving a spectacle to engage with. Furthermore, the main entrance is equipped with a similar organic shape to continue this spectacle and desire to be inside. The whole building is made of white light material and metallic material so that its square volume floats in place and disappears. The organic structure is heavily used for lounging as we want to challenge the existing academic architecture typology but not change it completely. Hence we chose to use this alternative style.

Instagram: @clzpurplem, @3rdscript

KCAI DoARC by Jessie Grieser, Kendall Hartley, Halima Moore and Abriana Wilson, B.S. Design, ’23
University of Nebraska-Lincoln | Advisor: Peter Olshavsky, Ph.D.

If education involves “values made flesh,” then what values will be incarnate by the year 2050? To think through the entanglements of this question, third year architecture students were asked to design of a Department of Architecture (DoARC) building on the Kansas City Art Institute campus in Kansas City, MO. This effort started from the basis that design education is changing. Our architectural lives, and the education that prepares us to live them well, should aim at our being someone and not just acting professionally.

This 30,000 sq. ft. project, rethought architectural education through curriculum, pedagogy, and the agency of architecture. This new project on the famed arts campus was approached through wellness in connection with sustainable systems. The department was divided into four and one-half levels to support the programmatic needs of its social life. The east and west edges of the building were rounded to create unique campus spatial conditions and maximize view across the Kansas City arts district. The layering of program enables students, faculty and staff to have quality light and in views on three sides. Subtractive gestures on the building’s face to create exterior green spaces and sheltered entrance conditions. Entrances were placed on campus side (facing the quad) and public side (facing Nelson-Atkins Museum) on two different levels to respond to the existing site’s ten foot east-west slope. The facade was develop with white brick to connect to the existing masonry on campus, while the long southern face used glazing and metal paneling to control atmospheric lighting, prevailing winds for natural ventilation, and manage solar heat gain to reduce energy consumption. The external landscape was developed to establish a new social place on a campus that was lacking quality outdoor spaces. Permeable pavers, bio-swales, and native plantings helped managed run-off from the sloped quad while creating a quality natural environment in which student could occupy on the southern end of the intimate arts campus.

Instagram: @jess_grieser, @kendallhartley_, @polshavsky

Cultural Kitchen by Emily Pressprich, Austin Bass, Brandon Garza, Caitlin Truong, David Alvarez, Ian Green, Taylor Sanville, Ivan Cherniske, Kana Takagi, Maddie Crane, Marianne Fitzwilliam, Morocco Branting, Pamela Aymar, Patrick Norton, Radha Iyer and Yessenia Islas, M. Arch ’23
University of Washington | Advisor: Steve Badanes, Jake LaBarre and Miriam Gee

Designed and built by 16 students in the spring quarter of 2023, the World Cultural Kitchen is a gathering and cooking space for visitors, volunteers, and student workers at the UW farm, a 1.5 acre urban farm and educational center on the University of Washington campus. The Cultural Kitchen will be used for cooking and farming demos by the UW Farm, celebrations that are hosted at the adjacent Center for Urban Horticulture, and as a unique meeting place for visitors to the nearby walking trails of the Union Bay Nature area.

The design is a consensus-based group project, working with both graduate and undergraduate architecture students (2 of which are construction management double majors) to create a beautiful and durable structure to meet the needs of the client within an 11 week quarter. After refining a loose program, the class presents their schematic design to the client and then works to develop a construction document set which incorporates client feedback that is appropriate for a tight budget and even tighter construction schedule. By week five, they are building and testing project elements, developing their construction skills, and refining details to preassemble the project elements in studio. The final weeks of the studio involve project layout, site prep, reassembly, and finally a celebratory ribbon cutting as the project gets turned over to the client.

Instagram: @emilypressprich, @aust1n_bass, @caitlinche, @ivancherniske, @crane_maddie, @morocco.branting, @pameaymar, @patrick_norton, @jacoblabarre, @build_lightly, @co.everything, @NeighborhoodDesignBuildStudio

Bubble Rumble by Kathy Bi, Clytie Mak, Tien Pham and Yuzhou Wang, M.Arch ’23
University of California, Los Angeles | Advisor: Feghali Yara

Bubble Rumble is an educational platform-game that draws inspiration from Archigram’s Seaside Bubbles and City Pop aesthetics. Players ascend platforms, progressing from daytime to nighttime, encountering architectural and artistic moments. Trigger questions provide architectural knowledge, emphasizing learning through play. Bespoke tiles, derived from Archigram’s iconic imagery, give Bubble Rumble a distinctive visual language.

Drawing inspiration from Archigram’s groundbreaking designs, we have developed a set of distinctive tiles that add a visually captivating and unique element to our game. These tiles play a pivotal role in the gameplay experience, and comprehending their functionality is essential for fully immersing oneself in the enjoyment of the game.

Instagram: @feghali.yara

Humb.LED by Trenton Scott, B.Arch ’23
Tuskegee University | Advisor: Roderick Fluker and Dr. Carla Jackson Bell

The design proposal seeks to strengthen community-university relations by developing a public park which links two existing sites significant to each: Tuskegee University campus stadium and a Tuskegee community park and recreational center. Both facilities are enhanced and expanded architecturally and promote sports participation and fitness in bringing together members of each community. The shared spatial programming also provides opportunities for the university to strengthen its recruitment pipeline locally and community engagement for students and faculty.

Instagram: @carla_jackson_bell

 

Head Heart Hands by Tyler Littes, B.Arch ’23
Tuskegee University | Advisor: Roderick Fluker and Dr. Carla Jackson Bell

The project explores the aesthetic implications for a new campus living learning center in the context of the existing historic district of Tuskegee University. Space, program, and material use combine to form an inviting and comforting living environment for students – allowing them to feel empowered to achieve their full educational potential. Symbolically the project employs the themes of head, heart, and hand in addressing student needs, and linking to Tuskegee’s founding, the campus, and the teaching philosophy of Booker T. Washington.

Instagram: @carla_jackson_bell

PASSAGE by Gabriel Valdez, B.Arch ’23
The University of Texas at Austin | Advisor: Nichole Wiedemann

Inspired by the latent potential of old alleys throughout the increasingly dense West Campus, the design introduces another alley, an informal and lively pedestrian passage, that unites a range of people and programs. The strategy helps to resituate a longstanding religious institution, who owns the property, and introduce student living and services. While the base is shaped by mixed-use and church functions creating a public sphere, the residential towers are shaped by views and light. Suggestive of the larger pedestrian network in the neighborhood, the PASSAGE creates a social landscape through intermingling and movement.

Instagram: @nicholewiedemann

Lighthouse Christian Study Center by Alyssa Lee, M.Arch ’23
California Baptist University | Advisor: Dr. Matthew Niermann

The Lighthouse Christian Study Center is on a college campus acting as a beacon of light and hope within its community. The beacon draws faithful people into the unified structure to experience transcendence through the use of light. The Center contains three primary live, study, and worship spaces.

Each significant space displays organized connectivity within a unified form. The gleaming exterior is complemented by an outdoor plaza, cafe, and prayer garden support student life and vibrancy. The post and lintel structure incorporates sun-shading twisting vertically oriented louvers along tall glazed facades. The dynamism of each aluminum louver gives a sense of movement to those passing by and through the building, with further liveliness provided by the varying effect of daylight through the vertical strokes of the facade.

Instagram: @cbuarch

Stay tuned for the next installment of 2023 Student Showcase!