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2024 Study Architecture Student Showcase - Part XV

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Part XV of the 2024 Study Architecture Student Showcase highlights various intersections of the natural and built environments. The featured projects provide design solutions that address various environmental elements and ecosystems. Scroll down to learn more!

Lake Meredith Aquatic Research Institute by Carlos Cepeda Gomez, B.S. in Architecture ‘24
Washington University in St. Louis | Advisor: Zahra Safaverdi

Lake Meredith Aquatic Research Institute is a center that investigates water management, desalination, and local biodiversity in a man-made reservoir near Amarillo, in the Texas Panhandle. The lake contends with geological challenges from the Ogallala aquifer, Permian salt basin, and climate change. These features have caused diffusion points across the American arid regions, where the aquifer erodes the salt basin, forming brine pockets that then percolate into the water system through artesian pressure.

Salinification, lax water regulations, desertification efforts, and climate change effects have made the water reliance on the lake unreliable. During the emergency 2010-2014 drought, the lake dropped from 105 feet to a record low of 25 feet.

A diverse team of biologists, engineers, geologists, ecologists, and other specialists reside and collaborate at the institute. They engage local communities to educate them about the research conducted on-site while interacting with each other and the lake. The institute’s focus, systems, and research directions are decided sociocratically ensuring inclusivity, effective governance, and equity.

The Institute’s center around water, geology, and erosion was determined via an importance matrix—using six data sets affecting the lake’s surroundings: Weather, Salinity, Human Factors, Biodiversity, Water Levels, and Geology. The data sets and intersections were translated into a three-dimensional spider chart study. The concluding “blobs” created through data analysis were used through Boolean operations to develop an architectural language.

The building reflects its function, interior programming, and residents’ ethos, resulting in a blend of efficient, desalination, and scientific areas that develop research to protect the reservoir’s ecology. Its geological, cavernous structures diverge from contemporary architecture, allowing scientists to make eco-political statements on humanity’s abusive relationship with nature and advocating for dismantling systems of eco-exploitation and resource mismanagement. They address environmental catastrophes and innovative architecture and reconceptualize governance systems. The Institute’s community and purpose channel the scientists’ energy into activism, policy-making, and technological development, rather than self-radicalization, within the context of post-colonial and capitalistic frameworks.

This study focuses on water, sedimentation, and erosion, utilizing locally sourced materials to address local issues, enhance the local environment, and redefine the relationship between humans, nature, and architecture promoting intersectionalism between justice, equity, and environment.

Stó:lō Relationalities: Exploring Infrastructures of Climate Adaptation along the Fraser River by Wilson Tian Zhi Jiang, M. Arch ’24
Carleton University | Advisor: Jake Chakasim

This thesis confronts the issue of climate-induced flooding along Stó:lō, or the Fraser River in British Columbia. In November of 2021, the Sumas Prairie near Chilliwack flooded, creating what the agricultural minister Lana Popham described as the “largest agricultural disaster in BC.”  Many instances of flooding predate 2021, notably in 1894 and 1948, more recorded in Dirk Septer’s 2007 report Flooding and Landslide Events Southern British 1808-2006, and as old as 12,000 years ago. A conventional modern response to flooding is to build infrastructures like dykes that preserve the economic function of the land, perpetuating a colonial relationship to land dependent on technical, extractive processes which overlook existing cultural connections essential to climate adaptation. For its First Nations, Stó:lō has always been a formidable force, an interconnected ecosystem over 1300 kilometres long and home to migrating salmon for 9,500 years. Land sovereignty, defined through Indigenous cultural practices and ecologies, becomes a framework for approaching climate adaptation and decolonization, built on marginalized narratives from Indigenous and non-indigenous communities. The methodology follows three phases – encountering, entangling, and engaging – of indigeneity from a Chinese-Canadian perspective.

Encountering Stó:lō – Mapping exercises from the scale of the river to regional story maps. Macroscopic drawings document themes of climate, community, and infrastructure. Story maps of  ‘touch-down points’ document oral histories and anecdotes on architecture, infrastructure, and migrant labour.

Entangling Stó:lō – Explorations of embodied knowledge of Stó:lō by making, weaving, and interpreting. Initialized with a cedar basket-making workshop in Seattle, Washington, followed by weaving exercises on a custom-built Salish loom. This section concludes with a ‘Weirloom’ apparatus that interprets Coast Salish and Chinese Canadian history through craft.

Engaging Stó:lō – Design of a socio-ecological infrastructure over a creek near the Musqueam Cultural Center in Musqueam territory. Its program builds on the shared history of two marginalized groups on Musqueam-Chinese farms, synthesizing earlier research. The resulting structure combines indigenous basketry with an underlying beam-woven structure common to traditional Chinese bridges with a continuous space for exhibits and resting spaces, reminding users of entangled histories of place, cultural connections to water, and a fluid relationship to water and climate change.

This project won Carleton University’s 2024 OAA Guild Medal and was nominated for the Canadian Architect Student Award of Excellence.

Instagram: @wilson.tz.jiang, @jakechakasim

On the Edge: A Climate Adaptive Park for Battleship NC Memorial by Josh Gogan, Maggie Kroening & Stella Wang, M. Arch & B. Arch ‘24
North Carolina State University | Advisors: Andrew Fox & David Hill

On the Edge proposes a redesign for the parklands surrounding the Battleship North Carolina. The reimagined site celebrates a challenging narrative of place that reveals and highlights multifaceted histories while embracing infiltrating water. The new park transcends physical composition, serving as a dynamic memorial space connecting people, time, ecology, and climate through the goals of integration, adaptability, preservation, and restoration. The design proposes numerous site-specific community amenities, including a visitor center, a moveable tidal pavilion, a memorial bridge, and a hybrid shoreline. The result is a destination park that adapts to water as the climate and site shift, allowing the memorial to withstand the test of time.

Battleship Park in Wilmington, NC presents a contrast between the natural and built environment. Through our experience and analysis of the site, we asked ourselves as designers how this could adapt to consider people, time, ecology, and climate more cohesively for the greater community of Eagles Island. On the Edge explores Battleship Park as a space of education through experiences of integration, adaptation, preservation, and restoration. The site’s adjacency to the USS NC and views to Wilmington highlight the need to convert the current parking lot into five additional acres of park space. The new design elevates portions of the site by five feet and depresses areas for water to escape, allowing the site to embrace water over time with the construction of wetlands and rain gardens. Hydrologic remembrances are revealed at points along the path, staining the timber elements to remind visitors of sea level rise. At moments where the path converges, existing memorials are placed to provide contemplation. Within these explorations, users will engage with the site’s native species; encouraging the prosperity of the site as it continues to change. Native plantings act as wildlife attractions, softening edge conditions and generating educational opportunities. 

Over time, sea level rise and climate conditions will infiltrate the site. On the Edge allows users to experience the amenities of the park and the Battleship as water overtakes. 

This project won the 2023 National ASLA Award of Excellence in Student Collaboration, the 2024 North Carolina ASLA Student Award of Excellence in General Design, and the 2023 AIA Aspire Student Design Award. 

Instagram: @kroening.3dm, @davidhillarch, @stellawang_2 

High Seas, Low Lands: When Water Creates Spaces by Aya Youssef, B. Arch ’24
American University of Beirut | Advisor: Trevor Patt

Understanding the relationship between architecture and climate change necessitates a detailed scientific comprehension of their causality. Collaborating with the National Geographic Society, this initiative explores how architecture can mitigate climate change impacts through innovative building practices. Central to this approach is the integration of biorock technology, a process that forms solidified building materials underwater using mineral accretion. This technique not only produces materials with a zero carbon footprint but also harnesses the ocean as a novel construction medium.

Biorock technology leverages natural electrochemical processes to precipitate minerals from seawater, creating strong, durable materials akin to limestone. This environmentally friendly method significantly reduces carbon emissions traditionally associated with concrete and steel production. Furthermore, the biorock structures support marine ecosystems, promoting coral growth and enhancing biodiversity.

The design process is inherently adaptive, taking into account site-specific environmental and geographic conditions. This allows for procedural iterations, ensuring each project is tailored to its unique context. The result is architecture that harmonizes with its surroundings, minimizing ecological disruption and maximizing sustainability.

At its core, this approach is both planet and human-centered, emphasizing the importance of ecological balance and human well-being. By utilizing the sea as a construction medium, this initiative opens up new possibilities for sustainable architecture that not only reduces carbon footprints but also contributes positively to marine environments. This paradigm shift in building design signifies a promising step towards addressing climate change, showcasing how innovative architectural practices can lead to sustainable and resilient built environments.

This project was recognized as the Best Degree Project of 2023/2024.

Instagram: @ard_aub

BREAKWATER – Breaking the Cycle by Adrian Mora, M. Arch ’24
University of Maryland, College Park | Advisors: Julie Gabrielli, Brian Kelly & Marcus Cross

A significant portion of the world’s population is concentrated along coastlines. Climate change has produced hazardous environmental conditions that threaten coastal populations, including many poor, vulnerable communities. The built and natural environment within this diverse boundary zone must be redeveloped as a self-resilient system that can protect its inhabitants from climate-induced hazards. 

This project acts as a testbed for the ecological urban renewal of the Baseco Compound, a high-density urban neighborhood located on an artificial island within Manila Bay. An underutilized lot adjacent to the island’s beach and a small mangrove nursery has been transformed into a series of urban spaces defined by three distinct modules inspired by vernacular stilt housing. The modules also feature traditional and experimental construction techniques being pioneered in the Philippines, including structural bamboo, recycled plastic cladding and bamboo-reinforced concrete. Two residential modules, the Bahay Patayo and the Bahay Kublihan, explore different configurations of two-bedroom units that offer varied levels of density. The Kapwa Community Center module will serve as the new focal point for the neighborhood, providing multi-functional amenity spaces for public use and shelter during emergencies. 

The renewal of the built environment will be coupled with the restoration of the natural mangrove forests that previously occupied Manila Bay. The new buffer zone will also create an adaptable living barrier that will mitigate the impact of storms and flooding on the community and the rest of the Baseco Compound. The proposal will provide amenities that promote activities to support the neighborhood’s self-resilience and environmentalism within the urban context. Establishing a critical connection between new residents and the emerging grove will encourage active stewardship of the local environment.

This project won the UMD Architecture Thesis Award.

Instagram: @amora.art.photos, @umdmappschool

Building Biodiversity: Architectural Interventions for Mangrove Restoration and Community Engagement by Emily Bigelow, M. Arch ’24
Lawrence Technological University | Advisor: Scott Shall

Biodiverse ecosystems play a critical role in maintaining the health of the world. They help to combat climate change, prevent natural disasters, and mitigate the spread of diseases among other benefits. Mangrove ecosystems are biodiverse habitats that provide more important benefits including carbon sequestration, water filtration, and coastal erosion mitigation.

However, these habitats are frequently threatened by human development and construction practices that prioritize speed and profit over sustainability. Current conservation strategies, which involve regional-scale coexistence, struggle to address this issue because the demand for more human settlements remains higher than the demand for wildlife preservation. As more ecosystems are compromised by urban landscapes, the regional balance between the two shifts in favor of humans at the expense of the environment.

These problems are worsened by the imposition of building strategies that are foreign to a climate region. This practice not only reduces occupant comfort and increases energy demands, but also disrupts natural processes like the flow of water and predation patterns. Vernacular architecture, on the other hand, has an intimate relationship with the surrounding environment and has been adapted to provide comfort within the given conditions. These practices can provide insider knowledge of the local climate and ecosystem to produce new developments that aid in restorative projects rather than harming them.

This thesis seeks to find a symbiotic development strategy, wherein architectural interventions benefit biodiverse ecosystems along with human constituents. It explores innovative and indigenous strategies for urban integration with mangrove ecosystems which reduce habitat destruction and promote restoration. This project recommends a transformative strategy for urban development that makes use of indigenous building techniques and ecological principles to guarantee a symbiotic coexistence of mangrove ecosystems and human infrastructure.

This project won the CoAD Chairs Award, 2024. 

Instagram: @emilybigelow_designs, @scott_shall

Disrupting the Global Supply Chain in Architecture – A Hyper-local Approach to the Built Environment by Frangiscos Hinoporos, M. Arch ’24
Carleton University | Advisor: Sheryl Boyle

The building industry has come to rely heavily on the global supply chain with materials such as concrete, glass and steel becoming ubiquitous. From manufacture to construction, these materials adversely contribute to climate change. This thesis embraces a circular economy and uses data and design to inform how a hyper-local materials ecosystem for construction could be achieved locally; proposing how, over the next century, steps towards circularity can be achieved in Ottawa. By establishing hyper-local supply chains that only use materials local to the region, the goal of this thesis is for Ottawa to become minimally reliant on the global supply chain. Local materials in this case are defined as materials extracted from the Ottawa area and ones extracted from existing built structures. Through experimentation, prototyping, design, and research this thesis explores concepts and presents a design proposal that enables Ottawa’s future to become unshackled from the global supply chain.

This thesis is separated into three distinct parts. Part I envisions a Regenerative Building Center that helps facilitate the move away from the Global Supply Chain. Situated on the footprint of a soon-to-be-demolished public works building in Ottawa, the design utilizes the existing foundation as well as other building components to create a center that espouses the ideas that this thesis stands for, bio-based local materials, radical reuse, design for disassembly and more.

Part II explores materials, locality, and supply chains, going in-depth on broader global scales as well as focusing on Ottawa. In this part, a rough account of potential materials diverted from landfill in the Ottawa area is taken, and local availability is assessed.

The last part, Part III imagines speculative futures, in the form of 3 distinct typologies each one 25, 50, and 100 years into the future. Here a future that is gradually less and less reliant on the Global Supply Chain is imagined, to the point where minimal reliance is required and Ottawa’s architectural ecosystem is fully circular and self-sufficient.

This project won the Maxwell Taylor Prize, through Carleton University’s Azrieli School of Architecture and Urbanism. It was also awarded the CAGBC Scholarship for Sustainable Design and Research, through the RAIC Foundation

Instagram: @frankhinoporos, @csaltarchitecture, @carleton_architecture

Aquatic Bio-Park: Harmonizing Public Space and Water Treatment by Andrew Hertz, M. Arch ’24
New York Institute of Technology | Advisors: Marcella Del Signore & Evan Shieh

The relationship between water and the built environment continues to challenge designers. Water, although an obstacle in design, is a defining element among many urban environments; it influences ecology, building typography, social equity, social gathering and economy. Sao Cristovao of Rio de Janeiro, Brazil is no exception. 

The Aquatic Bio-Park is designed to serve the community of Sao Cristovao. Rivers emanating from the mountains to the west merge with the city’s urban systems and canals and out to the Guanabara Bay to the east. The canals carve through the urban fabric, often running parallel to major roads, highways, and places of gathering and commercialism. While rich in culture and industry, Sao Cristovao’s inequities, access to urban systems and green space burden the community and environment.  

The bio-park addresses the challenges of inequity, access to water, purification of water bodies, urban heat, and so on. While confronting these issues, the bio-park also celebrates the local culture, ecology, and the utility of water. Using three different grounds: the lowest ground treats the canal water, which is channeled into the site, and purified through simulated marshlands through multiple filtration stages. The highest ground provides the public with open space, vegetation supported by the processed water, and visual connections to the filtration ponds below. Lastly, the middle ground merges the public space with water treatment. Bridging across the ponds creates a physical connection and understanding of the processes of filtration. At the destination of all grounds, whether water treatment, park or spectacle, they unify. At this point of celebration, the results of the journey are on full display: flourishing vegetation, purified water, and a place to gather, observe and learn. These grounds taper off into the urban landscape extending public space into the site. 

Throughout Sao Cristovao, there are numerous canals and implementation opportunities. Different canals carrying varying quantities of water can adjust the scale of each bio-park, as required. Servicing multiple areas throughout the region would theoretically reduce the urban heat concentration, provide public space and clean water, all while celebrating the culture and ecology of the local community. 

Instagram: @marcelladelsi, @ev07

Building Resilience: Innovative Architectural and Planning Strategies for Ecological Restoration in Qinghai’s Deserted Landscapes by B. Arch ’24
Rhode Island School of Design | Advisors: Junko Yamamoto & Leeland McPhail

This thesis explores the interplay between architectural innovation and planning strategies for ecological restoration in Qinghai, China, a high-altitude grassland region severely impacted by desertification. The area, primarily dependent on herding, faces challenges from overgrazing, over-cultivation, and sparse rainfall, which threaten the livelihoods of pastoralists and lead to conflicts over resources like land and water. The study proposes integrated architectural and planning approaches focused on sustainable land management and resilient infrastructure development to mitigate these threats and ensure stable, sustainable habitats for local communities. Particularly, the research emphasizes cultivating two resilient plant species, Saxaul (Haloxylon ammodendron) and Cistanche Deserticola, which are well-suited to harsh climates. It details how tailored architectural solutions enhance planting efficiency and safety, accelerating ecological restoration and improving community living conditions. The findings provide a blueprint for addressing similar environmental challenges globally, demonstrating that merging ecological science with architectural and planning ingenuity is crucial for enhancing community resilience and socio-economic development and mitigating the impacts of desertification and climate change.

This project was recognized as a Thesis Award Nominee.

Instagram: @innerpeacechuan, @junkoyamamoto_, @risdarch

Stay tuned for the final installment, Part XVI!

2024 Study Architecture Student Showcase - Part XIV

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Architecture plays a large role in the restoration and preservation of buildings. The projects featured in Part XIV of the 2024 Study Architecture Student Showcase focus on revitalizing spaces. 

Today, we look at various sites, including areas impacted by natural disasters, former industrial zones, federal buildings, and more. Each project blends old and new, demonstrating the ability to recover and reclaim using architecture and design.

Reclaiming Antakya: Post Disaster Community Recovery for Resilient Futures by Zeynep Dila Demircan, M. Arch ‘24
University of Maryland | Advisor: Ken Filler

The earthquakes that struck Southwestern Turkey and Northern Syria in February 2023 caused extensive damage, ranking among Turkey’s worst disasters in its history. The city of Antakya, especially, suffered severe destruction in its center, resulting in significant losses of lives, culture, and history.

This thesis presents a comprehensive plan to recover and reclaim Antakya’s center, enhancing community resilience through proactive design strategies. It focuses on a specific urban block, a key commercial, residential, and administrative hub across the Asi River and the historical district. The proposal outlines a multi-phased approach to transform this urban block, starting from the post-disaster period and concluding with its complete redevelopment. The phases include recovery, reclamation, reconstruction, and reconnection.

For the recovery phase, temporary shelter and gathering spaces are provided for residents within the grove area existing on the site, while efforts to engage stakeholders in the recovery process begin. Reclamation involves reforming the cleared area based on existing and new street systems, integrating new public streets and courtyards that make up the green infrastructure. Reconstruction involves rebuilding the site in smaller blocks, starting from the middle section and expanding to the upper and lower sections. The reconnection phase focuses on finalizing building blocks and reintegrating them into the larger context. 

This includes the creation of a new urban plaza and the introduction of programs aimed at fostering cultural and social resilience, as well as commemorating the earthquake through a memorial space within a community center. The proposal introduces two main building types: The Block, a mixed-use structure with a courtyard for residents, and The Hub, a community center featuring public spaces, a museum, gathering areas, and studios for local crafts practices.

In essence, this thesis aims to not only reconstruct Antakya’s physical infrastructure but also to cultivate resilient communities through place-making strategies. It endeavors to revitalize cultural and social life while fostering trust and collaboration, ultimately laying the groundwork for a robust and resilient future.

This project won the UMD Architecture Thesis – Director’s Award and the ARCC 2023-2024 King Student Medal for Excellence in Architectural + Environmental Design Research.

The Topographical Reactivation by Yanbo Zhu, M. Arch ’24
University of Waterloo | Advisors: Mohamad Araji & Shiyu Wei

Community Center Design at Kitchener

This design features three keywords: nature, history, and topography.

  1. NATURE: The site is located in the center of Kitchener, with the expansive Victoria Park to the south. However, due to roadways and parking areas interrupting the flow, it’s challenging for this landscape to permeate the site effectively. Simultaneously, with a site area of 15,000 square meters and a required building area of only 1,500 square meters according to the project brief, the strategy involves integrating small-scale structures with the landscape to address the issue of the site’s excessive scale.
  2. HISTORY: Within the site, there is an abandoned Charles bus terminal, with its main hall building well-preserved, but the historical elements of its platforms, bus lanes, and connecting corridors are poorly maintained. In the design, preserving the original waiting hall while removing other elements yet continuing its multi-linear spatial configuration is a critical historical stance.
  3. TOPOGRAPHY: On the eastern side of the site, there is an elevation difference of nearly four meters. In the design, a planted roof is utilized to seamlessly connect, allowing individuals to enter the building from the roof. Simultaneously, the height difference is employed to create outdoor stepped activity areas or sloped gardens. Additionally, to respect historical architecture, a partial sunken approach is employed in spaces like the art gallery and lecture hall, forming various topographical experiences.

This project won the Edward Allen BTES Award and the Second Prize SOPREMA Award. 

Instagram: @yanbo_zhu

Amending the Capitol by Garrett Krueger, M. Arch ‘24
Virginia Tech | Advisors: Susan Piedmont-Palladino, Paul Emmons & Scott Archer

The United States Capitol Building has long been an iconic symbol of the American government and democracy worldwide. Despite this, the United States has had many major events since 1892, and the Capitol has not had any representation of those events.

One example of stalled symbols of change is the number of representatives in the House. Since 1913, the House of Representatives in Congress has had 435 representatives, despite the population more than tripling since then. Many have had the idea to increase this number and expand the House. This idea gives an opportunity to design a new, larger chamber for the House to meet in. This thesis proposes a new chamber to redefine the architecture of the Capitol Building and symbolize the century of history that has yet to be represented in the Capitol.

The idea of making a new expansion to the iconic Capitol Building comes with challenges. This thesis was done amid historic turmoil and record lows in productivity in the House. This thesis also begs the question of whether the building that Congress meets in can be part of the solution. The House Chamber, when completed, had no electric lighting, let alone C-SPAN cameras and smartphones in every lawmaker’s pocket. This new extension aims to provide Congress with a workplace designed to address the difficulties it faces in keeping itself in order. As a whole, this thesis is about the idea of representing change. The nature of a democratic government is one of changing ideas and laws, and this project seeks to have the Capitol Building embody that aspect. Thomas Jefferson himself is known for saying rejecting change is like “requiring a man to wear still the coat which fitted him when he was a boy.” Congress needs a new coat. 

This project won the WAAC Crystal Award. 

Instagram: @vt_waac

Life, Death, and the Eternal Recurrence of Architecture by Geri Roa Kim & Kelvin Hu, B. Arch ’24
Pratt Institute | Advisors: Adam Elstein, Frank Gesualdi & Ashley Simone

Life, Death, and the Eternal Recurrence of Architecture proposes building anew as a form of preservation. Situated along the Arakawa River Island in Tokyo, this project is a story of a building that has grown over time since 1946. The building undergoes successive replication and revision every few years, each edition is built next to its predecessor, eventually becoming an endless, linear, horizontal skyscraper that constantly reinvents itself through time. 

This architectural approach, rooted in preservation, provides a tangible way to experience changes that normally unfold over centuries. Architecture, then, becomes a device to register time.

This project won the Best Degree Project of 2023/2024.

Instagram: @g.eroaii, @kelv.hu

Unbound Beirut: Reimagining Boundaries & Transforming Realities by Sima Fayad, B. Arch ’24
American University of Beirut | Advisor: Makram Al Kadi

This architectural thesis culminates in transforming Beirut’s iconic dome, The Egg, located in Solidere, into a multifaceted public space. It seamlessly integrates medical, educational, and cultural uses through a harmonious fusion of virtual and physical elements. This design transcends Solidere’s boundaries, fostering interaction among diverse user groups within a dynamic environment. Symbolizing Beirut’s resilience and revival, The Egg blends history with a vibrant future, redefining spatial inhabitation by bridging physical and virtual realms.

At its core, this thesis explores the intersection of physical and virtual spaces, emphasizing the enduring significance of tangible structures while delving into the growing realm of digital environments. It investigates how architects can utilize digital technology to craft emotionally and socially resonant spaces that transcend traditional boundaries. Envisioning a future where architecture integrates seamlessly with digital elements, the study challenges architects to reimagine spatial design.

The introduction lays the foundation by recognizing the pivotal role of physical spaces in our spatial understanding, positioning the thesis at the confluence of the tangible and intangible. As digital technologies increasingly influence our physical reality, this thesis calls on architects to incorporate digital elements such as virtual reality and internet connectivity into their designs. It highlights how these once futuristic concepts are now essential tools for creating visually striking, functional, and socially impactful architectural spaces. 

The thesis examines the redevelopment of Beirut’s downtown area, specifically focusing on The Egg, a striking dome in the Solidere district. This site symbolizes Beirut’s resilience and revival post-war, embodying the city’s enduring spirit while highlighting the economic barriers that modern urban landscapes can create. The Egg stands as a testament to Beirut’s cultural heritage, illustrating how architecture can blend the past with a vibrant future, bridging physical and virtual realms to redefine our concept of inhabiting space.

Instagram: @ard_aub

PENINSULAR PAPER CO. by Chase Dietrich, B.S. Arch ’24
Lawrence Technological University | Advisor: Masataka Yoshikawa

The project, PENINSULAR PAPER CO., began with an in-depth site analysis. The design was initially inspired by the natural gathering spots surrounding the existing building. This project aims to renovate and expand the existing structure, guided by the logic of these natural gathering points and the acute angles they form. The contemporary vision for the building’s renovation leverages these convergent points, ensuring the new design seamlessly integrates with the environment while enhancing functionality and aesthetic appeal. By focusing on these natural elements, the project promises a harmonious blend of old and new, creating a revitalized space that respects its historical context and serves modern needs.

This project won the Lawrence Technological University Chair’s Award.

Instagram: @chase.a.dietrich, @masataka.yoshikawa

Steamtown Revival by Mason Ramsey, James Gentilesco & Dalton Metzger, B. Arch ’24
Marywood University | Advisors: Jodi La Coe & James Eckler

The Joseph Biden Presidential Library uses various design concepts to best represent our president’s values. Green walls, aquaponics, water reuse, and bioswales all work together to visually demonstrate President Biden’s environmental priorities. These are new concepts for the proposed site in Scranton, Pennsylvania, currently occupied by the Steamtown Mall, a development that only hurt the economy and environment of the city, as Jane Jacobs argued. The entire site is to be replaced with biking and walking trails to best integrate the cityscape with nature. Inside this presidential library, one may visit Biden’s museum collection, browse through his personal selection of books, and even request access to presidential archives in this new landmark in a regrowing city.

Instagram: @ramsey_architecture, @gentilesco_architecture, @jodilacoe

“Navigating Uncertainty” in Lebanon by Karly Abou Dib, B. Arch ’24
American University of Beirut | Advisors: Trevor Ryan Patt & Rana Haddad

“Navigating Uncertainty” embarks on a detailed exploration of oil terminals, delving into their structural intricacies and temporal dimensions. By examining the historical significance, contemporary functionalities, and future uncertainties of these terminals, the study unfolds a narrative that seeks to craft a transformative blueprint for their decommissioning and sustainable future.

At the heart of this exploration is the concept of transforming challenges into opportunities for innovation through human collaboration. The uncertainty surrounding oil terminals is reimagined as a productive force, driving the evolution of a resilient and environmentally conscious infrastructure. The study proposes a shift from impermeable industrial containers to porous courtyards or “voids” that invite nature to reclaim and transform these spaces. This transformation symbolizes a transition from industrial to ecological, where past structures are enveloped by greenery and become communal spaces that foster biodiversity and community interaction.

Strategically designed “solids” are introduced within these voids, serving as eco-friendly program holders that benefit the environment. These solids house activities such as labs and workshops, green markets, and human energy-powered gyms, directly engage with and enhance their natural surroundings. The design and proportion of these solids vary based on their environmental impact, with programs that have a significant positive effect on nature occupying more prominent spaces.

The interface between the new solids and the voids is filled with community engagement opportunities and pathways that foster educational and cultural experiences. Visitors navigate through these transformed spaces, engaging with layers of information and activity that promote a deeper understanding of sustainability and its impact. This dynamic environment educates and inspires, cultivating a greener mindset among its visitors.

The project transforms an industrial site into a vibrant green space through the development of a porous wetland. This wetland enhances social well-being, supports biodiversity, and aids in natural water treatment and flood mitigation. It serves as an educational hub promoting environmental sustainability and highlights the role of wetlands in urban ecosystems. By integrating water into the site, the wetland mitigates flood risks and improves urban microclimates, showcasing how industrial areas can be reclaimed by nature

Instagram: @ard_aub

Global Educational Center for IT Specialists and Migrants in Istanbul by Anatolii Savoskin, Diploma in Strategic Interior Design / Private Master Degree ’24
IE University | Advisor: Elvira Munoz

For my graduate project, I tackled the challenges faced by skilled migrants, drawing from my own experience and that of friends worldwide. Using design tools, I aimed to provide solutions by identifying a real client in crisis and repurposing an underused building. Researching the client’s needs and challenges was pivotal in shaping our design strategy. We chose a historic building in central European Istanbul, strategically located near public amenities and transportation hubs to cater to our target audience: migrants with IT backgrounds. Detailed user mapping helped to understand their expectations and needs. My design concept focused on four key elements: an Al educational center, a rebranding campaign for Blackberry, integration of multicultural design elements reflecting migrants’ cultures, and a transition from classical to modern styles throughout the building’s floors.
Instagram: @iearchdesign, @anatolii_savoskin

Extending The Patchwork | The Pier by Jillian Sproul & Olivia Nunn, M. Arch ’24
Toronto Metropolitan University | Advisors: Joey Giaimo & Julia Jamrozik

Located in Old Orchard Beach, Maine, a tourist beach town, the project proposes an extension of the current pier providing opportunities for vendor expansion. The new pier proposal is achieved through the implementation of subtractive and additive heritage strategies. It provides locals with the agency to expand their business onto the structural modules that will aggregate as needed based on future growth, extending the existing vendor and architectural patchwork. The existing main pavilion has been opened up as a midpoint for resting and [eating]. The newly designed end pavilion embraces the past entertainment values of the site, showcasing live performances and expansive views out to the water. The form of the performance structure is shifted to align with the main street of the town, inviting visitors to adventure through the entirety of the pier, especially during sunset, when sun rays reflect off of the metallic panels. The two-storey performance pavilion is accessible with the feature ramp leading tourists on a journey separated from the busy vendor stalls. The total pier addition allows the current architectural and vendor patchwork to be valued as a key component to the pier’s long-standing success since 1899.

The physical model utilizes three types of wood to visualize the architectural patchwork of the current pier and the proposed extension. The burnt maple represents existing components of the pier, while the cherry represents existing components that have undergone renovations. This is contrasted with the basswood that represents the proposed patchwork extension.

Instagram: @jilliansproul, @olivianunn14

Reshaping Red Hook: Creative Placemaking and Connective Infrastructure. by Matthew Tepper, B.S. Architecture ’24
University of Virginia | Advisor: Mona El Khafif

From a manufacturing and transporting port to a refined and vibrant community hub, the masterplan analyzes the demand to unify the Red Hook, Brooklyn neighborhood to its adjacent post-industrialized, underutilized waterfront. It looks at a series of 19th-century waterfront warehouses as a symbolic reference to its connection with shipping and connectivity within the New York Harbor and a dilapidated water’s edge to activate opportunities for public engagement and hospitable, engaging programming. 

Red Hook, named by the Dutch in the 17th century, references its red clay soil and brick construction methods, as well as its jutting peninsula forming into the Upper New York Bay. In the late 19th century, Red Hook was the busiest freight port in the world, serving as the center of the city’s cotton trade. Later on, with the rise of Robert Moses, the Gowanus Expressway and the Brooklyn–Battery Tunnel were built in the 1940s, followed by the first federally funded public housing projects in New York City. While Red Hook’s socioeconomic status declined due to a decline in maritime trade and employment access, its economic outlook is rising again as new businesses, artists, and artisans are beginning to bring vitality.

The program explores indoor, outdoor, and interstitial moments as means for a creative ecosystem, expanding a sense of connectivity through the Cobble Hill Tunnel within neighborhood bounds. The Cobble Hill Tunnel, the oldest tunnel in New York City, was rediscovered in the 1990s after being inactive for over 120 years in Downtown Brooklyn. It was imagined to stretch to Red Hook but was never fulfilled. In reimagining the existing lack of public infrastructure within Red Hook, this physical and symbolic representation would allow for connectivity across Red Hook while recognizing the neighborhood’s rich history. 

Forming an experiential approach to this connectivity aims to foster and maintain local, community-driven growth. The proposal intends to re-establish the water’s edge with a realignment of the existing Red Hook gridded organization and shift vehicular traffic to prioritize pedestrian experiences and modes of public transportation. To enable economic incentives for development, existing two-story warehouse buildings will expand upon their mass-timber structure as an extension of contemporary mass-timber building codes to provide a relationship between working and living environments. The existing parking lot will transform into Red Hook’s public square to support local artists, and a central amphitheater will serve as the concluding nexus of the tunnel. These transversal relationships can ensure dialogue between above- and below-ground environments as a new typology for untapped programming and real estate investment.

Instagram: @mattportfolio, @aschool_uva

Fluid Landscape: A Speculation on Edge by Marla Stephens, M. Arch ’24
University of Florida | Advisors: Charlie Hailey & Jeff Carney

Architecture for a Fluid Landscape: A Speculation on Edge, addresses the ephemeral nature of dwelling on Florida’s coastal edge. This project aims to unearth Florida’s fluid strata to resurface a forgotten timeline of architectural ruins and stories lost at sea and to reinterpret future coastal habitation for an accreting landscape. Using Wilbur-by-the-Sea and Cape Canaveral, Florida as stations for witnessing and recording the evolution of an edge, this project will begin to negotiate the nature of impermanence and symbiosis of architecture along the shore. 

As time passes, layers of stories, artifacts, ecologies, and technologies are embedded within the anthropogenic landscape. Is time as fluid as the littoral edge? Is there a way to work between the layers, to establish a permanent marker of change, to record the unfolding of time on an uncertain edge? Time moves quicker and shorter here, each day is a different coast. On the edge, change is felt at a more alarming rate. Here we bear witness to the ecological impact we have made; impacts which are felt slowly, suddenly, or all at once. Can architecture make us notice more? Notice the imprint of a seashell along the shore, and the fluttering of the saturated sand made by a sand flea hiding beneath the surface; to the detrimental effects of toxic runoff which tarnishes the shore with a nauseating green film, and the infrastructural damage inflicted by hurricanes and rising tides. We must notice more, to slow down time once again and decelerate our current path towards exponential degradation, to restore Mother Nature’s natural procession.

This project will collect and unearth objects and stories found along the fluid landscape while using the Florida Houses of Refuge as a generative part for testing markers on the coast. The Houses of Refuge were ten stations along the east coast of Florida constructed for the sole purpose of saving the lives of shipwrecked persons, yet they evolved into much more. This project uses the forgotten coast of Chester Shoal as a proving ground for ever-evolving iterations of stations that witness the transformations of an ephemeral landscape.

Instagram: @charlie.hailey, @marla.stephens

Conservatory of Theater: A Spot Light in the User by John M. Campis-Bobe, B. Arch ’24
Pontifical Catholic University of Puerto Rico | Advisor: Pedro A. Rosario-Torres

The decline of performing arts in contemporary culture can be attributed to a lack of cultural identity. Historically, theater served as a platform for societal reflection and discussion of political and sociocultural issues. Today, this art form has lost its prominence in many countries, necessitating a revival to inspire a new generation. To address this, the project employs the concept of a perfect prism to contrast its surroundings, highlighting the performance space as a vital expression of cultural identity.

Located in Bayamón, Puerto Rico, near the urban train’s last station, the project identifies existing entities and highlights those proposed for improvement. By linking the urban core, it establishes a new theatrical district with an axis running from the town hall through Marti Street to the Theater Conservatory. The conservatory’s design incorporates six strategies from modern theater culture, seamlessly integrated into the urban context, emphasizing both external and internal engagement. Its purpose is to create a series of encounters between performances and spectators, inviting exploration and contemplation throughout the city. For example, urban niches carve fenestration within each façade, showcasing rehearsal rooms, foyers, and terraces to residents and visitors passing by. The black box theater is cantilevered from the building façade, marking the culmination of the theatrical district axis. Inside, there are adaptable spaces for various scenarios that aren’t restricted by a fixed arrangement. This expands on the versatility to reconfigure to the constant changes in our contemporary culture. To improve the user experience and accessibility, an elevated urban plaza is created, bridging the conservatory with the surrounding urban fabric and inviting community interaction. Due to the tropical climate, sustainable features include natural ventilation on all floors, permeable pavement, solar panels, and an underground cistern for water storage.

The final model reveals the axis that unifies the new theatrical district and an alternative route from the train station, designed to enhance pedestrian access. By integrating urban connectivity, cultural engagement, and sustainable design elements, the conservatory sets a new standard for functionality and environmental stewardship, marking a transformative icon for new cultural expression. 


Instagram: @johncampiss

Archi-eulogy: Negotiating Ruination in the Urban Void by Glory Nasr, B. Arch ’24
American University of Beirut | Advisor: Sinan Hassan

In a dense alleyway of a residential suburb of Beirut, Lebanon, lies a neighbourhood-sized construction site, halted at the excavation stage. Where once stood the Laziza Factory, the first brewery in the Levant that was demolished in 2017, remains a 20-meter-deep manufactured chasm, vestiges of the unfinished construction of a high-end, Starchitect-made residential project. The chasm resembles a tomb with no capstone, a tomb for the demolished brewery and the immaterialized lofts, but more importantly for the notion of architecture as a practice above the human realms of economic crisis. The result is an absurd condition caught between architecture, geology, and ruin. 

With this urban condition as the site of the project, Archi-eulogy stands as a manifesto 

critiquing the method with which we build, developing an architecture that is inherently one of nonarchitecture. Building on the image of the site as an urban tomb, Archi-Eulogy proposes the acceptance of death through a lowering of a literal and metaphorical capstone onto the construction site over a 100-year cycle, corresponding to the average lifespan of a building. The capstone houses an art gallery and archival space, preserving the memory of the original brewery. Each height above the street level corresponds to a year, creating a geological stratification of the building height. As the capstone descends 0.5 cm a week 

for a century, matter accumulates and decumulates in the pit. The pit houses a parking space on the upper two floors, while the bottom three floors are left as public space for the residents of the neighbourhood. Once the capstone closes and the excavation is remediated, the project enters its second phase, becoming a curated ruin-scape, allowing for informal uses of the public park. Finally, hundreds of years into the future, archaeologists descend into the pit through its towers, exhuming the archaeological body buried in the tomb. By literally and metaphorically closing the urban tomb, the project aims to remediate the violence the unfinished construction inflicted on the neighborhood. 

This project was the 2nd Prize Winner of the Areen Projects Award for Excellence in Architecture and won the Dean’s Award for Creative Achievement.

Instagram: @ard_aub

Stay tuned for Part XV!

2023 Study Architecture Student Showcase - Part XXVIII

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In Part XXVIII of the 2023 Study Architecture Student Showcase, each project focuses on the construction and architecture fields’ roles in climate change. The presented student theses and designs present a tangible solution to address climate change with proposals ranging from using materials including mass timber and “Hempbrick” to systematic changes such as incorporating decay into the designs and introducing sustainable product life cycles. Overall, the projects advocate for reducing waste to support long-term sustainable practices.

Reconstituting Rubble by Andrew Griffin, M.Arch ‘23
University at Buffalo | Advisors: Christopher Romano & Miguel Guitart

Five hundred and thirty-four million tons of construction and demolition debris are generated by the United States every year. This debris is anonymously moved away, invisible to most, to distant landfills far removed from its origin to lie dormant at the presumed end of its life. This demolition is a natural and necessary part of our current economic cycle, the permanence of the buildings we design is too often overstated. In a time when environmental issues plague the industry, simply discarding material is no longer a reasonable long-term option. Perhaps the scope of an architect’s involvement should extend into a building’s afterlife. Reconstituting Rubble proposes an adjustment to the material flow of building debris after demolition, advocating ways of transforming architectural rubble to develop building procedures that integrate waste-bound materials into new architecture. Drawing from new innovations and old technology, the project strives to lay out building end-of-life processes to divert would-be discarded material into new building assemblies.

This research looks at demolition rubble as a continuous stream of usable material in need of transformation. The proposed process steps involve demolishing, cataloging, refining, assembling, and reconstituting. The eventual result of this process examines the qualities of rubble, the roughness, the irregularity of its texture, shape and size. These are all traces of its past and show the immense effort it took to become reconfigured remains. 

Instagram: @arc_andrewgriffin

Banished Into Existence: Agritecture at The Intersection of Architecture and Agriculture by Yan Ferris Konan, M.Arch & M.Red ‘23
University of Maryland, College Park | Advisor: Michael T. Ezban

Building operating emissions account for 28% of global greenhouse gas emissions while building components account for 11%. To mitigate these effects, we must reduce the carbon footprints of construction activities, building materials, and sequestering carbon dioxide in forests and farmland. Industrial hemp is a solution to all these challenges. Hemp is a carbon-negative crop, absorbing more carbon dioxide than trees, and thus represents a unique sequestration opportunity. By using hemp as a construction material, we can improve the thermal efficiency of our buildings, therefore reducing operational carbon. Finally, by substituting Hempbrick, a mixture of hemp and various binders, for more carbon-intensive materials, we can reduce the embodied carbon of the built environment. This thesis proposes a productive hemp landscape that will be open to the public as an agritourism destination. The project will raise public awareness about hemp cultivation as an agricultural opportunity and demonstrate the potential of hemp as a construction material, highlighting its multiple possible contributions to tackling the climate crisis.

The Intersection, located in Beltsville, Maryland, is a Productive Hybrid Hemp Farm with a visitor center, a manufacturing facility, a multipurpose Classroom, and office seating on two floors to serve as a demonstration and educational hub for Prince George’s County. This proposal aims to educate the public on the opportunities of this insulating material known as “Hempbrick.”

The site is divided into Three Parcels totaling 77 Acres. Parcel 1: Baltimore Avenue (15.5 Acres). Parcel 2: Baltimore Avenue (50 Acres). Parcel 3: Rhode Island Avenue (11.5 Acres). The Farm’s primary goal is cultivating and harvesting Hemp for industrial applications. There will also be a manufacturing facility where the hemp will be decorticated into bast and hurd fibers required to produce Hempbrick. In addition, there will be a Visitor Center where the public will learn about the benefits and processes of hemp. Tenants from The University of Maryland extensions have already expressed an interest in leasing office spaces to further their research on hemp and its advantages.

This project received The Architecture Thesis Award – 2023 University of Maryland, College Park 

Forest to Framework by Eleanor Selzer, M.Arch ‘23
University of Southern California | Advisor: Sascha Delz

With the construction industry accounting for roughly 40% of all global carbon emissions, a clear and vast opportunity exists within the Architectural and Construction industry to enact real change in fighting the climate crisis. This change, as seen from a top-down perspective within the supply chain, could include material substitutions, technology innovation and implementation, and independence from non-renewable energy sources. These initiatives geared up in practice in recent years, but the industry is lagging behind if we are to make any real impact on our emissions and meet global climate goals. 

The UN projects that there will be roughly 2.3 billion new urban dwellers by 2050. All of these new residents will require an enormous amount of infrastructure to sustain this influx, most importantly housing. Most low-to-medium-rise housing buildings are constructed using timber products, and so there is a profound opportunity to exploit this demand for new development as a means to mitigate the climate crisis and create a carbon sink within our cities. 

When designers consider viable substitutions that are readily available, mass timber products are the top contenders. The opportunity to sequester carbon from the atmosphere while also providing a structurally sound, lightweight, and aesthetic material makes wood a clear solution for fighting climate change. 

It is vital for timber products used in the construction industry to be sourced from sustainable-certified forest lands to ensure that deforestation of green reserves is mitigated and there is a guarantee of a true renewable resource. The existing supply chain, however, is not vertically integrated, and it follows the cradle-to-grave pipeline, where building materials will most likely end up in landfills following demolition. As a solution to climate impacts, the industry must introduce a closed-loop product life cycle system following the cradle-to-cradle ideology. 

This sustainable wood products cycle requires all players across the supply chain to redefine how they purchase, distribute, design and use mass timber products. The main priorities within this sustainability product cycle are ensuring the increase in sustainable land management practices, growing the demand for sustainably harvested and produced mass timber products, updates to the building codes to mandate the use of these products and creation of deconstruction and reusable toolkits that can be adopted into standard design and construction practices.   

This project seeks to re-frame the framework of sustainably harvested mass timber products and show how they can be utilized in design practices to maximize flexibility, incremental growth, reuse and adaptability. Specifically this framework is applied to an affordable housing cooperative model located in Venice Beach, Los Angeles, comprising of flexible and deconstructable mass timber modules. 

This project received the USC Master of Architecture Social & Environmental Dimensions in Directed Design Research Award – In recognition of the most outstanding graduate final degree project exploring social, cultural, and environmental concerns.

Instagram: @ellie_selzer, @coop_urbanism

Heteromorph by Grégoire Gaudreault, M.Arch ‘23
University of Montreal | Advisor: Andrei Nejur

On a global scale, more than one billion people live in precarious housing situations, many construction materials are regularly sent to landfill sites or, worse, burned. However, these rejected materials represent a richness whose reallocation would lead to a significant economy of resources. Therefore, reusing materials from the construction industry could be part of the solution. This thesis project attempts to establish an architectural response to these challenges. Specifically, the proposed solution involves a constructive system for assembling temporary shelters using a diverse range of reclaimed and heterogeneous materials. The research focus of this thesis primarily revolves around utilizing digital technologies to discover new solutions to social and urban problems, while promoting the development of innovative construction methods that aim to reduce the environmental impact of architecture.

In a conventional architectural project, the materials used are directly linked to the envisioned form conceived during the design process and are typically integrated toward the end of the project. The proposed workflow seeks to invert this logic: reclaimed materials are used as inputs to imagine the shape of a shelter. Available resources dictate the morphology and composition of the projected form. More specifically, the proposed digital solution is based on an algorithm created using visual programming software, which enables the revalorization of materials recovered from waste in the construction industry. Any shape obtained through this method is composed of a configuration of 10 typical triangles, resulting from a combination of three specific edge lengths. These triangles can be constructed using either three linear elements or a single planar element, thereby expanding the range of possible materials. Low-tech metal nodes are utilized to connect these elements, facilitating the assembly and disassembly of the system. This flexibility allows for several variations or even partial or complete reconfiguration of the initial shape. In addition, the proposed system’s evolutive character encourages its components’ re-employment to limit its environmental impact.

This project received “Prix de l’Observatoire Ivanhoé Cambridge Nomination au Prix d’excellence pour étudiants Canadian Architect”

Instagram: @greg_g, @fac_ame_umontreal, @architecture.udem

An Architecture of Decay: Addressing Building Waste Through Biologically Integrated Architecture by Carson Stickney, M.Arch ‘23
Lawrence Technological University | Advisors: Scott Shall (Chair), Dan Faoro (Member) & Sara Codarin (Member)

There is a dissonance within architectural practice between buildings designed to be permanent, and the inevitability of building impermanence. This produces unusable waste at the end of a building’s life cycle. Materials are designed to become obsolete and replaced over time, leading to additional waste during a building’s inhabitance. Construction conventions value the low-cost consumption of resources such as concrete and metals over their effect on the environment (McDonough, Braungart, 2002). The current model of construction, maintenance, and demolition that most buildings go through ignores the resources and materials that are used and discarded, creating by-products that can never be used again by humans or the natural environment.

In order to align programmatic lifecycles with building creation and material decay, architects must incorporate decay in design, allowing building materials to continuously support human and biological use when a building is abandoned or demolished (figure 0.1). All buildings must die, but their material by-products do not need to be wasted. Incorporating decay is an opportunity for the future growth of architectural spaces and realigns the buildings that we make with the natural cycles that affect them. Therefore, to explore this potential, and minimize the waste associated with a building’s decay or demolition, architects need to design buildings and urban landscapes with the eventual decay of products in mind, to eliminate wasted resources, and reinforce the existing natural cycles impacting our work.

To investigate this claim, this project will design a 2-story mixed-use structure, using fully biodegradable materials. This development type has a legacy in architectural practice and is a staple construction type of most major U.S. cities. It also acts as an advantageous operating system relative to this thesis due to its cyclical resiliency to programmatic cycles, and its need for continual replacement and maintenance of materials. This investigation is intended to relink human spaces with natural ones, fostering the perpetual growth and balance of both systems with each other.

Instagram: @cstickney02, @scott_shall

Passing Permanence: Reversible Building Practices in the U.S. by Aaron Baldwin, M.Arch ‘23
Lawrence Technological University | Advisors: Scott Shall, M.Arch/RA, Sara Cordarin, Ph.D & Daniel Faoro March/UD, RA

The construction and demolition industries generate abhorrent amounts of waste through the inefficient generation and unplanned removal of permanently intentioned buildings that cannot last forever. Current strategies of material construction often consume, permanently alter or degrade materials being used, resulting in the inability to wholly reuse valuable building components. As a result, existing unused structures will often become waste, or require resource-intensive recycling or remanufacturing to salvage portions of material (USEPA 2018).

Buildings are not permanent. The current lack of life-cycle design and expectation for buildings to last indefinitely leads to a loss of “technical nutrient” potential (Braungart 2002). The reduction of waste, the continued reuse of materials and designing for component longevity can achieve a fundamental level of sustainability, as the concept of waste is antithetical to the ability to maintain a process over time. To recapture the potential of a building and remove the ecologically harmful effects of permanence that occur after the building is no longer needed, the production, construction, use and demolition of architecture should ‘leave minimal trace’ on its building materials and site.

A current lack of reversible and circular practice in the U.S. exists due to many existing social, cultural and economic factors. The focus on tradition, risk aversion and bountiful space for new development allows the country to remain stagnant and reliant on existing building methodologies without the push for change. Initial reversible architecture located in the U.S. will not be made out of newly developed components, but primarily of existing standardized materials joined in newly reversible methods.

Architecture should not be destructive. An architecture that leaves minimal trace does not have to employ highly engineered componentry and new modular solutions that restrict design outcomes but rather can modify existing techniques and tectonic understandings to remove wasteful practices that intentionally degrade or destroy material resources. Minimal trace architecture simultaneously upholds the health of its materiality through the redefinition of connection types while supporting its site and larger context through the removal of systemic inefficiencies and unnecessary permanently intended change.

See you in the next installment of the Student Showcase!

UMD to Mass Produce Award Winning Solar House

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(via The Diamondback)

A University of Maryland team is making plans to mass produce its sustainable house design after it placed first nationally and second globally at the National Solar Decathlon competition with its six-room solar energy house, which included a composting system, hydroponic garden, movable “living walls” covered in plants, a composting toilet, a solar-powered washer and dryer, among other advanced technology features.

The Solar Decathlon competition, sponsored by the U.S. Energy Department and held in Denver from Oct. 5 to Oct. 15., consisted of more than a dozen teams from colleges around the world competing to design solar-powered houses. The team plans to mass produce the prize-winning house, which cost about $300,000 for the team to design and build over an 18-month period. When produced for the house market, it’s expected to cost about $200,000 a house.

The team calls its creation reACT, which stands for Resilient Adaptive Climate Technology.

The house is essentially a “kit of parts” design with rooms that can be assembled or disassembled to allow the layout of the house to change based on the owner’s needs. The 993-square-foot space was designed with influences from the Nanticoke Indian Tribe as well as other Maryland tribal traditions.

“This is really a revolution in sustainability,” said Michael Binder, a lecturer in the architecture school and one of the co-principal investigators of the project. “We wanted to create a house which generates its own energy, cleans its own water, recycles its waste — we believe if all houses were built like this, we would not have a shortage of energy or water on the planet.”

Currently the team — which has a core group of about 40 people but includes about 400 total from different colleges within this university — is looking for development partners. Sophie Habib, the lead architecture health and safety officer for the team, said the next step includes researching and testing to better design the house and test the technology on a bigger model.

They have tentatively identified a Native American community as the first market for selling and building more house models. The house sparked interest during the competition within some Native American communities interested in living off the grid or on a microgrid, Habib said. Binder said the team chose the Native American community as the first market for the homes because the ideals and philosophies the houses promote align with the Native American tradition of connecting with the land.

“Instead of just being a one-off design for this competition, we are going to make hundreds of these houses and it really will have an impact on the housing market,” Binder said. “It’s not just a house, but also a whole set of technologies that can be incorporated into any house design.”

The house used for the competition is being shipped back to Maryland, where it will live next to the university’s house from the 2007 Solar Decathlon in an on-campus sustainability park used for research, education and to showcase the projects to regional industry and professional stakeholders, according to the Solar Decathlon’s website.

Graduate student Alla Elmahadi, a construction manager for the project, traveled to Denver for three weeks with about 30 other students for the competition.

“It was just a great experience overall to see all the different schools have their own approach to solar sustainable design,” Elmahadi said. “We all had the same set of rules, but we each came up with very different concepts. We made a beautiful home and I am excited for it to come back to Maryland so people can see it.”

Habib hopes the house will be ready for mass production within the next couple of years.

Learn more about University of Maryland’s Department of Architecture. 

[GRAD APP] Part 1: Identifying Your Interests

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PART 1: IDENTIFYING YOUR INTERESTS

Zoom out.

Think about your interests more broadly. Think about what you like to DO. And don’t just think about what you might want to do while you are in school but after you graduate, too.

Grab your sketchbook and jot down your interests!

Grab your sketchbook and jot down your interests! Image courtesy of Baron Fig.

Grab a sheet of paper or pull out your favorite notebook (we’ve been crushing on Baron Fig’s Confidant) and just start writing. Don’t limit yourself. What excites you? What do you love to do without even trying? What interests you and you would like to learn more about? Do you like history? Do you like technology? What about how cities work? What is it about architecture that excites you the most?

Have fun with it! Think about the fantasy job of the future and imagine what that looks like. You can’t accomplish your dream if you don’t know what it is. So start by writing it down.

Connect the dots.

Looking at the list that you just created, are there any patterns starting to form? Can you start to arrange items into categories? Many architecture students have a wide range of interests, from animation to videography. Start thinking about other majors that you might want to consider, too.

Zoom in.

What about you? Now that you have map out your interests, start imagining a day in the life of your future self. What kind of people are you working with? What environment do you work in every day? Do you travel a lot? Do you work mostly alone?

Here are some examples of interests shared by real students and what kinds of programs they entered.
Student A
Interest: Sustainability, Urbanism, Community Design, and Ecological Design
Primary Factors: Location on the West Coast
School: University of Oregon

Student B
Interests: Digital Fabrication, Design-Build, Innovative Building Systems
Primary Factors: the number of robots, the CNC Machines and Research opportunities.
School: University of Michigan Taubman College of Architecture and Urban Planning

Student C
Interests: Building Information Modeling, Resilience, Adaptive Reuse, and Public Health
Primary Factors: Location, program type, design interests, tuition and alumni base
School: University of Maryland

 

Stay Tuned…  Next Week: Do Your Research!

In the meantime, five things to inspire you:

TED Talks – On “Architecture” and others

Curated Lists on Section | Cut  – http://www.sectioncut.com

99% Invisible Podcast with Roman Mars

The Architype Project by AIAS

Working Outside the Box by Archinect

Take the QUIZ on StudyArchitecture.com. It only takes about 10 minutes and it is super fun!

Head to StudyArchitecture.com and click the blue button to take the quiz!

Head to StudyArchitecture.com and click the blue button to take the quiz!