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2023 Study Architecture Student Showcase - Part IV

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Given the current discussions around the built environment, architecture and the effects of war at this time, let’s take a look at the student work that focuses on just that. This week we delve into projects that study the effects of war.

Haven by Naya Aslan, B.Arch ’23
American University in Dubai | Advisor: Abdellatif Qamhaieh, PhD

As a result of the civil war in Syria, many Syrians left the communities they lived in and became internally displaced persons, living in informal camps around Damascus, the capital of Syria. As a result of this displacement and the overall violent events, a sense of loss and disorientation overwhelms these communities. They are also entirely neglected by the regime and live in peripheral areas of the city in run-down, poorly-serviced informal camps.

Haven is a project proposed to reintegrate these communities into the city and re-introducing them to their Syrian heritage. The aim is to restore their national pride and remind them of what it means to be Syrian. The project represents an ambitious design that combines architecture, heritage, and landscape interventions.

This project received the American University in Dubai Senior Showcase – Second Place Award.

Instagram: @naya_aslan, @abdellatifqamhaieh

Seeds of Hope by Narges Abdul Aziz, B.Arch ’23
American University in Dubai | Advisor: Anna Cornaro, PhD

The Taliban’s takeover of Afghanistan on August 15, 2021, has resulted in significant consequences affecting the country’s cultural and national identity while also depriving its citizens of fundamental human rights. The situation raises questions about how the Afghan community residing outside the country can aid the cultural connections beyond the nation’s borders.

The rise of the Afghan community in the UAE can not only help overcome the loss of Afghan culture, identity, and heritage but also connect people of different nationalities through its intertwined culture. Over many centuries, Afghanistan’s culture has been shaped by its neighboring countries and the Middle East region, with influences evident in its language, music, architecture, and hospitality. These cultural traits provide a unique opportunity for people from different countries to explore Afghan culture, find common ground, and establish strong bonds.

This project aims to preserve Afghan culture and heritage while fostering connections among diverse individuals. The UAE’s multiculturalism makes it an ideal location for this initiative. The Afghan community in the UAE can leverage this connection to strengthen cultural ties and create a more unified society based on shared interests and goals.

This project received the American University in Dubai Senior Showcase – Third Place Award.

Instagram: @annacornaro

Olivewood Ties by Samantha Miller, MLA
University of British Columbia | Advisor: Fionn Byrne

Past and present peace negotiations have failed to propel Israelis and Palestinians to coexistence and liberation. These nations have conflicting collective narratives that make it challenging to accept the legitimacy of the other’s right to exist. Furthermore, physical barriers to peace, such as the nearly 800-kilometre separation barrier, erode possibilities for interaction and human connection. This academic endeavor challenges the myth that peace and war are binary and cannot exist simultaneously. Upon the acceptance that the consequences of war are sociocultural and spatial, we can begin navigating a spatial strategy for peace-building. Both groups share a deep-rooted love and respect for the land they call home or dream of one day returning to. Because of this, these communities have enmeshed realities, and their futures are both tied to each other and the land.

Olivewood Ties investigates how landscape can be a peace-building mechanism in the divided context of Israel/Palestine. Presently and historically, trees like the pine and the olive were proxy soldiers, employed in war-fighting, land acquisition, and nation-building. If trees and flora were instead proxy peace-builders, what implications do different landscape design strategies possess and moreover, what opportunities do they offer as a mechanism toward healing and unity?

The three design proposals are framed as ‘stories/counter stories.’ Their sites and stories are chosen due to their proximity to the wall, their history of trees being used as a weapon or nation-building tool, and their opportunity for peace-building or healing at different scales. The proposals offer strategies to find peace within war and heal lands and peoples simultaneously. In this way, we can acknowledge facts on the ground, power imbalances, and traumas and respond to them with empathy. Ultimately, this project aims to reveal the faces of perseverance, the activist groups who unite Israelis and Palestinians, and the trees who bore witness to the tears of suffering and celebration of liberation.

This project received the Dr. John Wesley Neill Prize.

Instagram: @millersami, @fionn_byrne

People, Parts, Production. by Brandon Chin, M.Arch ’23
University of Southern California | Advisor: Lisa Little

The exponentially growing migrant and refugee populations of Iztapalapa, Mexico City requires a new typology strategy and system of parts. Through explorations of human scale, the parts create housing, an educational institution, and healthcare facilities for the displaced. The design intent plays with the placement and orientation of interconnected parts to be mass-produced and mass-customized whole.

The United Nations defines a megacity as a place which has a population of 10 million or more people. Current data shows that Mexico City (CDMX) is ranked 7th in the world with a population of 21.9 million. This geographic location is also a destination place for the forcibly displaced people (refugees) and according to Bloomberg, Mexico received more than 100,000 asylum claims in 2020 – 173% more compared to 2019. More specifically, Iztapalapa – the densest populated suburb in CDMX – is a site of asylum for the displaced and unfortunately possesses slums and homelessness. Iztapalapa is one of sixteen regions in Mexico City and has a population of 1,835,486.

With neighborhoods like Iztapalapa, it can be subject to “high levels of concentration of large numbers of people in specific areas; high levels of consumption and production; uncontrolled development and land-use deterioration due to a lack of effective planning policies; high levels of air pollution due to the excessive use of private vehicles; high demand for water, and a dependency on fossil fuels for energy” (Madero, Morris). While these data points prove to be consistent with megacities across the globe, the problem here is that inhabitants in Iztapalapa lack what many of us have access to – which is housing, healthcare facilities, and education. Leveraging the concept of participatory frameworks and redistribution of resources, the Discrete model will identify a framework to generate a program targeted to building spaces for the displaced to live in, have access to healthcare, and occupy spaces to learn.

This project received the USC Master of Architecture Distinction in Directed Design Research.

Instagram: @b.hart.c, @lisa_k_little

Jeong at the Joint Security Area (JSA) by Lianna Moze and Jason Chavez-Carballo, B.Arch ’23
New York Institute of Technology | Advisor: Dongsei Kim

The Demilitarized Zone (DMZ) between North and South Korea is one of the most militarized areas in the world. Protected from urbanization for the last 70 years, the DMZ has become an involuntary park for flourishing flora and fauna with minimal human intervention and a relic of the Cold War.

“Jeong at the Joint Security Area (JSA)” is located at the center of the conflicted border between North and South Korea. The proposal reimagines this politically tense DMZ as a new cultural center that focuses on the shared history and culture between North and South Korea before its division.

A new relationship between North and South Korea is built over time by building this project in this politically charged space. Programs such as Korean-themed Temple Stay, Farm to Table Restaurant, Culinary School, Theater, and DMZ Museum are utilized to transform existing buildings used for security and meetings at the JSA into spaces that activate shared values and history between the two Koreas. Senses related to eating, conversing, playing, learning, and leisure are amplified to activate the notion of “Jeong” (Korean for meaning “affection,” “attachment,” “love,” or “intimacy) between the people of the two Koreas.

Instagram: @jsc_designs_, @little.lianna_, @jasontaco2, @dongsei.kim

Changes: Tracing Time by Zeina Lotfy, B.Arch ’23
New York Institute of Technology | Advisor: Dongsei Kim

The Demilitarized Zone (DMZ) between North and South Korea is one of the most militarized areas in the world. Protected from urbanization for the last 70 years, the DMZ has become an involuntary park for flourishing flora and fauna with minimal human intervention and a relic of the Cold War.

“Changes: Tracing Time” is inspired by the rivers and ecological flows that cut across the political border between North and South Korea. It focuses on the constantly changing characteristics of nature and how it can initiate change to the stalemate between North and South Korea. The project is placed directly on the Military Demarcation Line (MDL) at the Joint Security Area (JSA) to transform the human-made political line into an ecologically driven reconciliatory space. Further, the project attempts to project an alternative future amplified by natural processes expressed through water flows and seasonal change.

The project’s trails follow the existing undulating topography of the landscape parallel to the flows of the water and existing buildings. The pathways are weaved with programs such as the gardens inspired by traditional Korean Gardens that encourage the users of the space to engage with the surrounding nature. Native flora and fauna that have symbolic and ritualist significance to both Koreas, such as the Korean Red Pine and persimmon trees, are mediated by the project’s architecture and landscape that aspire to resolve the seventy-year-old conflict and divide.

Instagram: @zeina.designs, @dongsei.kim

See you next week for the next series of the Student Showcase!

2023 Study Architecture Student Showcase - Part III

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This week the 2023 Student Showcase takes a broad look at buildings and parks on university campuses. We look at a couple of design build projects completed by architecture students as well as adaptive reuse designs and new builds that aim to evolve architectural education curriculum through wellness and sustainability. Shifting gears slightly we also feature a video game that inspires architecture learning, after all campus should be a space that encourages enjoyment while learning.

We hope you enjoy this week’s collection of student work and come back next week for a new installment.

Commensalis by Dakota Witte and Dylan Moyano, B.Arch ’23
Washington State University | Advisor: Vahid Vahdat

Commensalism is a biological relationship between two organisms in which one benefits while the other derives neither a benefit nor harm. Here at Washington State University, creating relationships amongst the design disciplines is challenging at the very least. Students are expected to become masters of their own curriculum, however in design, we are also expected to share knowledge with our cousin disciplines. This ideology has become a greater necessity as miscommunications between designers and builders create complications in the design process. The origin of these obstacles can be attributed to our academic backgrounds. A lack of communication can be attributed to the traditional academic architecture practiced amongst universities.

Our goal in this project was to innovate this narrative and create both a physical and psychologically alternative to the educational practice of design. We set out to create a commensalism between design disciplines and the academic system. Our site was located on the South end of WSU’s campus. As a prime location, we began creating an academic building for both engineers and architects. The unfamiliar organism’s veins stretch and pull through the natural scenery. Initially seeming like something out of the Twilight Zone, further innovation within our environment gives a drastic alternative to the organism as it begins to create flower beds and public benches that surround the structure. Exterior cladding of our structure uses traditional red brick to pay respect to the surrounding architecture of campus.

We felt it was important to iterate that our intentions are not to change higher education itself, but rather change the systems we have been using for hundreds of years. To show this, the organism has begun to encompass the exterior of the structure changing its shape as it begins spreading throughout campus. The interior of Commensalis creates a mix of both public and private spaces with a heavy emphasis on interdisciplinary collaboration. This first level is home to a large museum space meant to display the projects of various students. The second and third levels of the structure also hold multiple public and private seating areas to encourage a variety of study methods.

Instagram: @dakota.witte, @dgm.design2022, @3rdscript

ArchiLounge by Neroly Mora, Daniel Gribben, Michael Anzalone, Kayla Dawson, Kianna Ladue, Julia Dorr, Abby Lumpkin, Nate Simpson, Lauren Trippiedi, Charles Vasas, Joe Walsh, Serene Martens, M.Arch ’23 and B.S. Arch ’23
Norwich University | Advisor: Tolya Stonorov

Our typical SoA+A design build program has an outward, community focus – this is based on our belief that architecture can help people through providing solutions to society’s problems. This year, however, I was able to teach a design build studio that had a special opportunity to look inwards and focus on our own SoA+A community.

The ArchiLounge design build studio focused on the design and fabrication of the student lounge in Chaplin Hall as well as an overall look on how we could bring our current branding into the building. The studio reimagined and redefined what was needed and proposed an innovative, material rich, dynamic solution. This began with an outreach effort to the entire SoA+A community to determine what program the space should encompass. As part of the lounge, the studio incorporated a memorial to Donovan Kurt, a beloved architecture student who tragically passed in 2022.

The studio’s main focus was on investigating and redesigning the student lounge in Chaplin. This began by understanding how to draw as builts, a tool used in most architecture offices. We conducted a model-focused precedent study and a Surface + Joint study with an emphasis on digital fabrication, both in terms of the joint and overall spaces. We worked with our digital fabrication tools: 3D Printers, CNC router and laser cutters and a CNC router workshop was taught after our initial research. The bulk of the studio involved a heavy investigation into materiality and making. We poured concrete, worked with fabric, wood and metal. While each student had an area of study and is developing expertise, it was my intention that each student contribute to all aspects of the project through group discussions. In order for these group discussions to be successful it was imperative that the studio have an atmosphere of open dialogue. While we discussed and critiqued ideas, we made sure that we were not excluding people from contributing to this process. Working across the table was also an opportunity for all of the studio to learn more about how we all solve problems. I worked many hours outside of studio to try to ensure a successful group environment. This studio had the most cohesive group dynamic that I have experienced in my 11 years of teaching.

The design build process is a ground breaking pedagogy that encourages students to problem solve, think together, and make real design innovations in the field. Students learned that their drawings had real meaning and tangible implications. The studio had extensive community engagement as we worked with the SoA+A students, faculty and staff. Community-focused work in design build studios consistently demonstrates that holding community activism as a goal, yields a rich student experience as a result. I believe that this impact is two-fold: 1) students gain confidence because they are entrusted to design and build a real project and thereby achieve results outside of their comfort zone and 2) they are able to see concretely how their own work can help the community.

Through the design build experience, students shape a personal, more inclusive, definition of the architectural process and its tangible social and economic impacts. Working with the team of 12 architecture students was fantastic, but also challenging. The students were consistently motivated and worked cohesively to produce a beautiful building. Students repeatedly described these design build courses as some of the most valuable of their architecture education.

Instagram: @eaglewolf_14, @_juliadorr_, @abbylmpkn, @stonorovworkshoparchitects, @norwichdesignbuild

Voiland College Student Center by Chenlu Zhang and Luke Nye, B.S. Arch ’23
Washington State University | Advisor: Vahid Vahdat

In this project, we used a variety of software to build a workflow (rhino, revit, enscape, photoshop, to ensure a high level of finished product quality in a limited time.

The link between creativity and schooling has always been a difficult relationship to explain. In the fields of architecture, engineering, and creation, a heavy amount of creativity is required. Creativity requires boundaries to be broken and order not to interfere, which is a direct counter to that of modern education. As a result of the inherit divide between these elements of education and creativity, “Discrete Rectagular” replicates this relationship in the physical structure.

A cavity-shaped, complex organic structure is present next to solid traditional interior rooms. This cavity shape represents creativity as the solid routine structures represent the order that is required in education. For the spaces to work well together, we decided that the organic shape should hold most of the lounging area required in this site while the traditional rooms should be responsible for the more practical uses of the building. This division of labor further defines the relationship between creativity and order. To not disrupt the shape of the entire site, we modified the existing architectural topologies which in turn influence the structure giving it it’s shape. The loadbearing columns at the base of the organic structure are connected to the structure which displaces the overall weight. A lightweight steel was used for the skin (scaffolding with curtain wall glass) of the building which increases the sense of breathing.

The conventional practice of introducing the outdoor environment is not adopted, but the shell through its transparency is used to release the interior space of the whole building giving a spectacle to engage with. Furthermore, the main entrance is equipped with a similar organic shape to continue this spectacle and desire to be inside. The whole building is made of white light material and metallic material so that its square volume floats in place and disappears. The organic structure is heavily used for lounging as we want to challenge the existing academic architecture typology but not change it completely. Hence we chose to use this alternative style.

Instagram: @clzpurplem, @3rdscript

KCAI DoARC by Jessie Grieser, Kendall Hartley, Halima Moore and Abriana Wilson, B.S. Design, ’23
University of Nebraska-Lincoln | Advisor: Peter Olshavsky, Ph.D.

If education involves “values made flesh,” then what values will be incarnate by the year 2050? To think through the entanglements of this question, third year architecture students were asked to design of a Department of Architecture (DoARC) building on the Kansas City Art Institute campus in Kansas City, MO. This effort started from the basis that design education is changing. Our architectural lives, and the education that prepares us to live them well, should aim at our being someone and not just acting professionally.

This 30,000 sq. ft. project, rethought architectural education through curriculum, pedagogy, and the agency of architecture. This new project on the famed arts campus was approached through wellness in connection with sustainable systems. The department was divided into four and one-half levels to support the programmatic needs of its social life. The east and west edges of the building were rounded to create unique campus spatial conditions and maximize view across the Kansas City arts district. The layering of program enables students, faculty and staff to have quality light and in views on three sides. Subtractive gestures on the building’s face to create exterior green spaces and sheltered entrance conditions. Entrances were placed on campus side (facing the quad) and public side (facing Nelson-Atkins Museum) on two different levels to respond to the existing site’s ten foot east-west slope. The facade was develop with white brick to connect to the existing masonry on campus, while the long southern face used glazing and metal paneling to control atmospheric lighting, prevailing winds for natural ventilation, and manage solar heat gain to reduce energy consumption. The external landscape was developed to establish a new social place on a campus that was lacking quality outdoor spaces. Permeable pavers, bio-swales, and native plantings helped managed run-off from the sloped quad while creating a quality natural environment in which student could occupy on the southern end of the intimate arts campus.

Instagram: @jess_grieser, @kendallhartley_, @polshavsky

Cultural Kitchen by Emily Pressprich, Austin Bass, Brandon Garza, Caitlin Truong, David Alvarez, Ian Green, Taylor Sanville, Ivan Cherniske, Kana Takagi, Maddie Crane, Marianne Fitzwilliam, Morocco Branting, Pamela Aymar, Patrick Norton, Radha Iyer and Yessenia Islas, M. Arch ’23
University of Washington | Advisor: Steve Badanes, Jake LaBarre and Miriam Gee

Designed and built by 16 students in the spring quarter of 2023, the World Cultural Kitchen is a gathering and cooking space for visitors, volunteers, and student workers at the UW farm, a 1.5 acre urban farm and educational center on the University of Washington campus. The Cultural Kitchen will be used for cooking and farming demos by the UW Farm, celebrations that are hosted at the adjacent Center for Urban Horticulture, and as a unique meeting place for visitors to the nearby walking trails of the Union Bay Nature area.

The design is a consensus-based group project, working with both graduate and undergraduate architecture students (2 of which are construction management double majors) to create a beautiful and durable structure to meet the needs of the client within an 11 week quarter. After refining a loose program, the class presents their schematic design to the client and then works to develop a construction document set which incorporates client feedback that is appropriate for a tight budget and even tighter construction schedule. By week five, they are building and testing project elements, developing their construction skills, and refining details to preassemble the project elements in studio. The final weeks of the studio involve project layout, site prep, reassembly, and finally a celebratory ribbon cutting as the project gets turned over to the client.

Instagram: @emilypressprich, @aust1n_bass, @caitlinche, @ivancherniske, @crane_maddie, @morocco.branting, @pameaymar, @patrick_norton, @jacoblabarre, @build_lightly, @co.everything, @NeighborhoodDesignBuildStudio

Bubble Rumble by Kathy Bi, Clytie Mak, Tien Pham and Yuzhou Wang, M.Arch ’23
University of California, Los Angeles | Advisor: Feghali Yara

Bubble Rumble is an educational platform-game that draws inspiration from Archigram’s Seaside Bubbles and City Pop aesthetics. Players ascend platforms, progressing from daytime to nighttime, encountering architectural and artistic moments. Trigger questions provide architectural knowledge, emphasizing learning through play. Bespoke tiles, derived from Archigram’s iconic imagery, give Bubble Rumble a distinctive visual language.

Drawing inspiration from Archigram’s groundbreaking designs, we have developed a set of distinctive tiles that add a visually captivating and unique element to our game. These tiles play a pivotal role in the gameplay experience, and comprehending their functionality is essential for fully immersing oneself in the enjoyment of the game.

Instagram: @feghali.yara

Humb.LED by Trenton Scott, B.Arch ’23
Tuskegee University | Advisor: Roderick Fluker and Dr. Carla Jackson Bell

The design proposal seeks to strengthen community-university relations by developing a public park which links two existing sites significant to each: Tuskegee University campus stadium and a Tuskegee community park and recreational center. Both facilities are enhanced and expanded architecturally and promote sports participation and fitness in bringing together members of each community. The shared spatial programming also provides opportunities for the university to strengthen its recruitment pipeline locally and community engagement for students and faculty.

Instagram: @carla_jackson_bell

 

Head Heart Hands by Tyler Littes, B.Arch ’23
Tuskegee University | Advisor: Roderick Fluker and Dr. Carla Jackson Bell

The project explores the aesthetic implications for a new campus living learning center in the context of the existing historic district of Tuskegee University. Space, program, and material use combine to form an inviting and comforting living environment for students – allowing them to feel empowered to achieve their full educational potential. Symbolically the project employs the themes of head, heart, and hand in addressing student needs, and linking to Tuskegee’s founding, the campus, and the teaching philosophy of Booker T. Washington.

Instagram: @carla_jackson_bell

PASSAGE by Gabriel Valdez, B.Arch ’23
The University of Texas at Austin | Advisor: Nichole Wiedemann

Inspired by the latent potential of old alleys throughout the increasingly dense West Campus, the design introduces another alley, an informal and lively pedestrian passage, that unites a range of people and programs. The strategy helps to resituate a longstanding religious institution, who owns the property, and introduce student living and services. While the base is shaped by mixed-use and church functions creating a public sphere, the residential towers are shaped by views and light. Suggestive of the larger pedestrian network in the neighborhood, the PASSAGE creates a social landscape through intermingling and movement.

Instagram: @nicholewiedemann

Lighthouse Christian Study Center by Alyssa Lee, M.Arch ’23
California Baptist University | Advisor: Dr. Matthew Niermann

The Lighthouse Christian Study Center is on a college campus acting as a beacon of light and hope within its community. The beacon draws faithful people into the unified structure to experience transcendence through the use of light. The Center contains three primary live, study, and worship spaces.

Each significant space displays organized connectivity within a unified form. The gleaming exterior is complemented by an outdoor plaza, cafe, and prayer garden support student life and vibrancy. The post and lintel structure incorporates sun-shading twisting vertically oriented louvers along tall glazed facades. The dynamism of each aluminum louver gives a sense of movement to those passing by and through the building, with further liveliness provided by the varying effect of daylight through the vertical strokes of the facade.

Instagram: @cbuarch

Stay tuned for the next installment of 2023 Student Showcase!

2023 Study Architecture Student Showcase - Part II

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We’re back with Part II of the 2023 Study Architecture Student Showcase.

This week we will present student projects that represent how adaptive reuse can transform communities, the environment and culture. Since construction waste is at an all time high and impacts every part of our environment, from ecosystems to waterways, adaptive reuse is an essential part of the solution as we aim to be more sustainable and work towards a circular economy.

Don’t forget to check back next week for the next installment of the Student Showcase!

Destruction of Containment by Lasharrifia Shelton, B.Arch ’23
New York Institute of Technology | Advisor: Michelle Cianfaglione

The research explored the social infrastructure that sustain and foster the growth of communities. These infrastructures often intangible and unseen, appear insignificant during normal times, but are essential during crises such as the covid-19 pandemic. They can mean the difference between life and death.

The thesis proposes three specific sites for adaptive reuse, contributing to the brand’s vision. These sites will operate on different scales: 1. The main site, functioning at the macro manufacturing scale, will allow the public to witness the creation of shipping containers. 2. The second site will focus on providing emergency residential support to displaced families, parents in need of support systems, and mentoring opportunities for young people. 3. The third site will be a plug-and-play infrastructure, designed to blur the line between shipping containers and buildings. A typology that can be implemented at any scale and in any location. By implementing these sites and creatively using existing hard infrastructures, the thesis aims to build a more sustainable and flexible future for our communities. How can underused/aging infrastructure be trans­formed into critical social infrastructures?

New York City’s water freight network, once a vital conduit for global goods transportation, has been overshadowed by automobile-focused highways. This shift has led to over 100 miles of freight networks emitting harmful pollutants and exacerbating social divisions. To address these challenges, the proposed solution involves re purposing the water highways for essential imports and retrofitting the shipping contain­ers they once carried to meet various community needs. These re purposed infrastructures can serve as housing, commercial spaces, and public areas that promote learning and community engagement. By redirecting our attention from the consumer cycle and utilizing existing hard infrastructures, we can foster sustainable growth and strengthen our social infrastructure on a human scale.

Instagram: @lasharrifia, @michellecianfaglione, @exdarchitecture, @nyitarch

Art Pomp by Ayush Varadhan, Gina Min, Sofia Chang, B.Arch ’23
University of California, Los Angeles | Advisor: Claus Benjamin Freyinger

ART POMP draws from SESC Pompeia, an adaptive reuse cultural center that inhabits a previous factory site. A feature of SESC Pompeia that drew our attention is its connection of towers through aerial bridges. Overlaying the towers’ floor plans upon the given site, we began articulating an organization in which three towers become inter-connected through aerial bridges and a uniting board-walk. This creates a gradient from front to back where the public is slowed along a tripartite event organization into the private.

ART POMP is a short-term artist residency. Artists can return here from their permanent abodes, and lodge at as need arises. We are equipped with spaces for both the visual and performing arts, with state-of-the-art equipment and basketball court. Let us tell you the story of a particular resident at ART POMP. Sogiyush is a college dropout who has wandered the world for years. They are an artist passionate about interactive sculpture. They find meaning in welding, and are seeking a community of artists to live with and be inspired by. Sogiyush enjoys ART POMP by making use of the welding space, dance studio, and study forest. They visit from Tuesdays to Thursdays, during which they dorm over-night.

Instagram: @freyinbe, @uclaaud

The Mix by Jalen Carlyle, B.Arch ’23
Tuskegee University | Advisor: Roderick Fluker & Dr. Carla Jackson Bell

An adaptive reuse project which proposes a student center for the Tuskegee campus by reimagining the use of two existing former instructional warehouse (trades) buildings. The programming provides for diverse environments and activities which may showcase as well as support and retain students of various backgrounds and interests – interacting in proximity. The currently vacant buildings acquire a new identity by forming a new social hub near the campus entry.

Instagram: @jalencarlyle, @carla_jackson_bell

Reclaim Baltimore / Urban Material Reuse + Education Center: Creating a Circular Building Economy through the reuse of Materials, Buildings, and Spaces by Christopher Klinefelter, M.Arch ’23
Morgan State University | Advisor: Carlos A. Reimers

Reclaim Baltimore uses a distressed Warehouse to showcase the benefits of reuse in a city of forgotten, displaced resources. Rather than tear down the warehouse, it will be repurposed in an adaptive reuse project to facilitate a circular building economy in Baltimore, MD.

The redesigned and expanded building will provide needed space to collect, process, store, and redistribute reclaimed lumber from the numerous vacant buildings throughout the city. Additionally, it will house a center to educate The population on the benefits of deconstruction and a circular economy. The center will train local residents with barriers to employment in the skills of deconstruction and carpentry. Added spaces will be available to sustainable design companies and other like-minded enterprises. Interior and exterior space will be provided for testing and experimentation of the use of reclaimed materials.

The project will demonstrate the benefits of the reuse of materials and buildings in a city that has always looked on them as blight and a problem to be solved. Now these resources will be used to illustrate how we can RECLAIM BALTIMORE!

Instagram: @klinefelterchris, @reimerscarlos

Intersecting Interactions by Brooke Berge, M.Arch ’23
Arizona State University | Advisor: Claudio Vekstein

Technology has changed the way we communicate, connect, and how we use space. While we are more connected than ever before, there is still a disconnect and feeling of isolation present in today’s society. There is a lack of genuine human connection and social interaction in our day to day lives. This has a negative impact on our mental health and wellbeing. It impacts our ability to build stronger, more resilient and connected communities. As these feelings of isolation and loneliness arrive, an architectural intervention presents itself as a solution. “architecture can’t force people to connect; it can only plan the crossing points, remove barriers, and make the meeting places useful and attractive” (andreea cutieru, archdaily).

This project blends cognitive, social, and physical leisure programming into intersecting spaces to create opportunities for chance encounters and social interaction between diverse social groups of people to tackle these issues of loneliness. The historic warehouse district just south of central downtown phoenix presents itself as an ideal site for the project. Where history meets creativity, the old meets the new. The authenticity of the historic warehouse aligns with the overall goals and themes of the project, and presents a unique opportunity to revitalize and adaptively reuse the oldest remaining warehouse in the district.

Instagram: @clauskins

 

 

 

 

 

 

2023 Student Showcase Call for Projects

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For the last four years, Study Architecture has put out a call to architecture school faculty from around the world to nominate graduating students whose work exemplifies excellence in architectural education. This year, we invite you to submit your student’s most impressive work to be featured in the 2023 Fall Student Showcase on Study Architecture’s website and social media.

Submission deadline: July 7, 2023

Click here to be directed to a Google form where you can nominate your students and submit their work.

We hope by sharing a glimpse into what architecture students create while in school, more students will begin to take an interest in the architecture field and potentially apply to a program that appeals to them. Architecture is a broad field and we are excited to highlight the many unique aspects of design that are submitted.

Study Architecture Student Showcase - Part XII

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For the final installment of the 2022 Student Showcase series we focus on five student projects that take a closer look at historic preservation. We begin in Beirut, a city rich in history, that has seen a range of disasters over the decades and remains in dire need of restoring its heritage sites. Then a look at a church in Wisconsin, a building on a university campus and to a museum in Spain where historic preservation allows us the opportunity to glance into the past.

Incase you missed past installments, check out Part I, Part II, Part III, Part IV, Part V, Part VI, Part VII, Part VIII, Part IX, Part X and Part XI.

Rebuilding After Disaster: Beirut’s Heritage Houses by Gabrielle Kalouche, M.Arch ’22
University of Cincinnati | Advisor: Elizabeth Riorden

Heritage is always at risk when developers and advocates tear down and replace structures for their own profit and commercial purposes. Preserving sites and their history has become more popular and has been gaining a foothold in movements across the world. The appropriation of the intervention on historic sites has become a subject prone to criticism from the polarities of conservative to more liberal heritage conservationists.

In Beirut, Lebanon, a city that has been rebuilt several times throughout history and now faces the need of intervention after sustaining severe damages from the 2020 Port Blast, the debate is a sensitive subject. The efforts to rebuild following the Civil War (1975 – 1990) are criticized for the demolition of historic structures and gentrification. What lesson can be learned and applied to the current situation of Beirut and its few remaining heritage structures?

This thesis aims to approach the subject of rebuilding after the Port Blast by using methods of adaptive reuse to preserve the history and memories embedded in the structures while bringing new life and purpose to their post-blast conditions.

Instagram: @gabriellekalouche, @daapsaid, @edmitchell1909

The National Shrine of Our Lady of Good Help by Natalie Pratt, B.Arch ’22
University of Notre Dame | Advisor: Sean Patrick Nohelty, AIA

Nestled in the farm fields of northern Wisconsin lies a simple church known as the National Shrine of Our Lady of Good Help. The site of the one approved Marian apparition in the United States, the small church on site has been quickly outgrown since the approval of the apparition in 2011. This student design project seeks to create a place of pilgrimage, similar to Fatima or Lourdes, in order to preserve and celebrate the sacredness of the site, allowing for the growing number of pilgrims. As dreamed by the local bishop, the design project introduces a large pilgrimage church, large enough to hold nearly 2,000 pilgrims, along with a convent to house the sisters who help to run the shrine.

The vision for the site includes a processional pilgrimage route leading up the hill to the church, meditation trails through the woods, a visitor center and gift shop, and a votive chapel at the location of the apparition as the most sacred and secluded place of prayer on the site. Inspired by the history of the site, the architecture takes cues from Baltic Gothic architecture of Belgium and the local brick Gothic church architecture built by immigrants.. The brick is the cream-colored brick for which Milwaukee is so well known and which is very common on the Western side of Lake Michigan. Given the farms which serve as context, the design seeks to preserve the simplicity and humbleness of the site on which Our Lady appeared, while still allowing it to bring wonder to pilgrims, like a piece of Heaven among the fields.

The church is placed at the highest point on the site, across the river from the entrance, as is the apparition chapel, providing a sense of sacredness to both locations, as the pilgrim crosses the water to access the buildings. This also provides the path of procession, so important to pilgrimages. The church itself has two towers, symbolic of the two trees between which Our Lady appeared, with steps leading into the sanctuary raising the guest into the heavenly interior, a traditional Latin cross form, filled with the light from the stained glass windows.

Twisting Intersectionality: A Design Methodology Combining Quantitative and Qualitative Form-Finding and Phenotypic Diversification by Wesley Gonzalez-Colon, Sakshi Sharma and Soham Dongre, M.Arch ’22
University of Illinois at Urbana-Champaign | Advisor: Yun Kyu Yi

The project provided an Extension to the Museum of Contemporary Art of Chicago (MCA). The site faces Michigan Lake, which is distant from the existing building. The view from the area towards Michigan Lake is partially unobstructed and connects visually towards the East direction. The site is rectangular, measuring 30 meters by 50 meters, and oriented north/south, having its longest elevations facing the MCA and Lake Shore Park. Overall, the site is surrounded by tall buildings, which cast a shadow, making the new building proposal less than the overall scale. Several challenges, including circulation, daylighting, accessibility, views, scale, and thermal performance, were considered through design and evaluation criteria. The challenges allowed the generation of a parametric design to evaluate architectural aesthetics, daylighting and thermal performance, accessibility, and views to achieve a proposal aiming to attend to different aspects of these.

The project uses a parametric design method to explore multi-objective optimization (MOO) to define a form based on measurable criteria. Two MOO were designed for the test: form-finding and envelope system diversification. The main challenge when optimizing was computational time and load to run various simulation tools to calculate complex form generation. Thus, the design methodology incorporates Artificial Neural Network (ANN) to reduce and simplify the simulation execution. In the final stage, image recognition was used to select the solution closest to personal preference. The project’s most significant contribution was integrating different simulation tools in the design process and using image recognizing to find design preferences and support the design selection process.

Instagram: @wesgc.design, @sakshiisharmaaa, @sohamdongre

Brutal Intentions: Transforming Brutalism & The Case for Crosley Tower by Anna Hargan, M.Arch ’22
University of Cincinnati | Advisor: Elizabeth Riorden & Michael McInturf

Demolition is everywhere. Brutalist architecture and associated buildings are endangered, with many of these structures facing demolition worldwide. Given society’s push to achieve a more sustainable future, we can no longer rely on demolition to get rid of our problems. Some in the architectural industry have chosen to address this issue through methods of transformation and adaptive reuse an attempt to preserve and alter previously unpopular, aging identities. By understanding the concepts of value, permanence, obsolescence, and preservation, innovative design solutions can challenge the widespread endangerment of buildings. Brutalism is slowly gaining popularity after a large period of distaste. However, a timely response is needed in order to prevent the end of this controversial, unique, and historical style.

In the case for Crosley Tower, a concrete high rise associated with Brutalism, on the University of Cincinnati’s campus in Cincinnati, Ohio, demolition is soon approaching. Innovative methods of transformation, preservation, and demolition will alter the structures identity and provide hybridized solutions that challenge its unique existence. A matrix of iterations involving constraints of addition, subtraction, and combinations of both provides a selection of four designs to be iterated on a more detailed level. These four project proposals both meet and challenge the physical and metaphysical nature of Crosley Tower in order to realize potentials hindered by traditional, uninventive demolition.

Instagram: @annak_hargan, @daapsaid, @mcinturf.architects

Wall, Hall, Dust & Rust: Prado’s Critical Zone by Nur Esin Karaosman, B.Arch ’22
Southern California Institute of Architecture | Advisor: Maxi Spina

This is a project of speculative preservation. In the contemporary world, there is a problem of preservation beyond the maintenance of material conditions. There is an even more enigmatic problem of preserving the images we associate with history. Representations, constructed social meanings, and intellectual categories are ultimately the most valuable things to concern. It is as much an optical problem as it is a material one. In reverse, this project starts with looking at the walls, as how they appear to us today: Through their visible bodies, without their constructed meanings, with hyper-attention, through the lens of imaging technologies. This thesis looks at the preservation in highly controlled historic environments, where what we see and how things appear to us are tried to be preserved, through the light of today’s scanning technology. The competition call to expand the Prado Museum becomes where this thesis locates itself. This thesis considers the wall as the critical zone, the thickness, which is hard to understand, which is far from equilibrium, which is fragile and unknown; to create new zones in the highly controlled environment of Madrid, Spain. These zones become the spaces where we stitch the fragments of the existing surfaces that we have been occupying, back together again; with engaging both their physical decay, but also with another kind of decay, which happens virtually. The design of the extension is treated in this project as an unusual kind of collage problem.

With this seamless collage, in the historically charged site of the Prado, Spain; what we see, and the images are no longer preserved, but their scanned bodies and resolutions are used to create a new synthesis in order to generate multiple meanings, alternative histories, and speculations for future physical, virtual, and material realities.

Instagram: @esinkaraosman @maxispina

We hope you have enjoyed this series of student work. We will put out a call for submissions for the 2023 Study Architecture Student Showcase in the coming weeks, stay tuned!

 

Study Architecture Student Showcase - Part XI

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Welcome back to the Study Architecture Student Showcase, Part XI, our second to last installment in the series. This week we take a look at student work that redefines housing and public space. Mixed use neighborhoods are in high demand these days with urban living reaching new heights. Finding unique ways to utilize public space is a major draw for many residents. Let’s take a look at some of the potential projects students brought to the forefront.

Incase you missed past installments, check out Part I, Part II, Part III, Part IV, Part V, Part VI, Part VII, Part VIII, Part IX and Part X.

The Four Freedom Foundation by Komal Acharya, M.Arch ’22
New Jersey Institute of Technology | Advisor: Michael Zdepski

The Four Freedom Foundation design builds off of the site context and inspirations taken from around the site. The design of the structure coming out of the building nods to the Smallpox Hospital Ruins that is south of the site. Along with that, the design uses this frame to repurpose the existing park, south of the site to let the park extend into the Foundation and into the frames where the park is formed into outdoor rooms that can be transformed to serve as public galleries. The outdoor room formed by Louis Khan in Franklin D. Roosevelt’s Four Freedom State Park was taken as inspiration for forming public spaces all around the site that the Foundation will be able to use to host events or open galleries.

The building form was influenced by holding the Four Freedom Galleries up in the air and elevating it to be the highest point on the site to give it the importance it serves to the Foundation, with other public programs more grounded onto the site on East and West, such as the library and cafe that allows for clear and easy access to the public passing through the site. The frame extending over the street on both sides of the pedestrian pathway creates a threshold for the foundation while inviting the visitors into the space. The public circulation and Hall are located on the street on the north side of the site for easy access while keeping the south side of the site more open to nature.

Some of the main aims of the design are to form more public spaces on Roosevelt Island that any visitors would be able to enjoy while providing spaces for the foundation to make the site their own space by providing private exterior terraces and Galleries separated and elevated from everything else, letting it create hierarchy without detaching the Foundation from the public. This will allow the visitors to be more curious about the Foundation and the Galleries and will encourage them to enjoy the space as well as interact with the Foundation.

Instagram: @komal_acharya, @njit_hillier

Mosaic Art Cabin by Seth Bartholomew, Devin Boyd, Alex Bradke, Emily Brinkerhoff, Cole Chivers, Riley Felicetty, Stacey Garner, Christ Jacob Goure, Foster Gunter, Haley Hamel, Bailey Hayes, Gavin Jones, Gracie Kimbrell, Cody Marino, Jordan Merritt, Josh Mwatibo, Jack North, Ty O’Neal, Whitley Procell, Morgan Provost, Preston Remy, Olivia Roger, Brandon Shows, Laila Steward, Katelyn Watts, Will Whatley, and Katie Young, B.Arch ’22
Louisiana Tech University | Advisor: Brad Deal and Robert Brooks

This project is the collaborative work of third year architecture students in Louisiana Tech University’s Design Build studio. The project program involves the adaptive reuse of an existing CMU structure as an arts and crafts space made from reclaimed materials at a summer camp for children with special needs. Our design task was to highlight the immersive experiences, creative expression, the joy of making and the timeless tradition of summer camp arts and crafts for children with chronic Illnesses and disabilities. Drawing from a recent master plan, the project transforms an unused 600sf CMU cabin, and integrates with expanded camp roads and walkways. The nature of the users and creative program led the team to an accessible, inclusive, and direct “mosaic” concept. Directly associated with timeless creative work, mosaics begin as humble cast aside pieces, but when assembled, it celebrates diversity. Individuality and collaboration become assets, reminding us that the whole is greater than the sum of its parts.

The floor plan, furniture, and storage solutions prioritize flexibility and utility, while a continuous mosaic spectrum of color ties the interior and exterior spaces together through decorative light screens and cabinetry. A detached bathroom provides privacy, and a breezeway, while generous fenestration allows for logical circulation and ample north light.   The steel trusses and playful columns of the folded shed roof structure are fabricated from reclaimed oil and gas drilling materials. 1000 sf of reclaimed lumber, including formwork used in the project, create a complimentary mosaic of natural textures on the ceiling and bathroom wet wall.   At night the color spectrum radiates out reminding campers of their time there and creating a unique beacon in the wooded landscape, adding to the magic and memory of this special place and community.

Instagram: @arch335, @seth.bartholomew, @emily_brinkerhoff, @rileyfel012, @foster.3dm, @josh_tibo, @jackwnorth, @whitleygp, @morgan_provost, @_willwhatley_

Empowering Cultural Identity Through Architecture: A New Waterfront Development for Jacksonville, Florida by Keyur Patel, M.Arch ’22
University of Florida | Advisor: Vandana Baweja and Martha Kohen

Jacksonville is one of the largest cities in Northeast Florida and was established on the St. Johns River. During the 18th century, the city experienced an industrial boom, which made it a leading center of the railroad, construction, lumber, and maritime industries. During this period, many African Americans migrated to areas of Jacksonville, including the neighborhoods of LaVilla, Sugar Hill, and Brooklyn. This contributed to the development of LaVilla, as a thriving African American community, often referred to as the “Harlem of the South.” However, the construction of Interstate 95, then the Jacksonville Expressway, and the reorganization of the railroad industry, along with urban renewal programs caused historic neighborhoods like LaVilla and Brooklyn to decline. Downtown Jacksonville still bears the scars of these systematic urban deteriorations.

This project will study the relationship of the city with Jacksonville Landing “the major urban epicenter”, which can attract people towards the heart of the city. Moreover, this study will explore the possibility of connecting LaVilla to the riverfront and Jacksonville landing. Additionally, the project will suggest ways to develop the Jacksonville Downtown waterfront to encourage African American participation with cultural activities, as well as social equity and justice initiatives. The program will address various activities related to Jacksonville cultural, music, art, education, and community engagement.

Incorporating Physical Experimentation into Creative AI-Assisted Design Space Exploration (myCOhabitat) by Yagmur Akyuz, Luisa Giffoni and Matt Craven, B.Arch ’22
Florida Atlantic University | Advisor: Shermeen Yousif

In light of ongoing research on artificial intelligence (AI) strategies for architecture, this work suggests a novel way, a proof of concept, for developing a viable design workflow structure. The proposed design framework, represented in a workflow prototype, exhibits the exploration of incorporating various connection strategies of several deep learning models, as well as the created feasible rules guiding the workflow structure.
The project was expanded to investigate how an AI-driven design workflow might be elevated when backed by a series of physical experiments for dataset augmentation and evaluation, as well as to inform the process.

To demonstrate the integration of physical (material research) and artificial (a combination of neural networks) experimentation into a design workflow, a test-case application was carried out. The goal is to find innovative approaches to widen the design space and allow for creative experimentation. This prototype workflow, when followed, allows designers to develop a flexible open-ended design process that supports encoding design goals and augments agency in a human-machine partnership. The findings of the study demonstrate that a carefully crafted design process with diverse AI models integrated to solve many design goals can achieve wider exploration beyond the designers’ capabilities.

Instagram: @luisagiffoni_, @shermeenyousif

The Rotten Home by Ahzin Nam, B.Arch ’22
The Cooper Union | Advisor: Lydia Kallipoliti

Contrary to the narratives of novel myco-materials, we are already living with fungi, in a dynamic symbiosis. They live on walls, in walls, on us, and in us. The black spots against the white walls, the territorial marks of black molds, become the visual sign of health hazard, making the image of a rotten home. Alien organisms and the forces of wind and water expose the skeleton, decay the skin, and parasitically grow on cellulosic structures. Pests and unknown illnesses loom in the dark and damp spaces. The precarity and unpredictability made a rotten home a space that is no longer safe for us.

Before we haphazardly transfer the toxicity around us from our homes to landfills, soil, water, and back to our blood, we need a new approach to peeling off the toxic skin. And for the process, we must revisit the organisms that we were planning to scrub, melt, and kill off in the first place. As the previous arrays of petri dish (Section B) shows, our buildings are already composed of organisms.

Mycelium sequester lead ions during their growth by binding lead ion to their body and removing the toxins from their immediate environments. A variety of species of fungi, such as Pleurotus, Aspergillus, Trichoderma have proven to be effective in the removal of heavy metal in marine environment, wastewater, and on land. The mycoremediation process has been used along the horizontal plane in or above the ground level, but we could reimagine the process of vertically rotating the plane of remediation, curing the toxic skin of the buildings that we occupy.

Instagram: @lydiakallipoliti, @thecooperunion

The Whole as the Part: An Analysis on the Arrangement of Permanent Supportive Housing Neighborhoods by Maggie Martin, BEnvD
Texas A&M University | Advisor: James Michael Tate

There is evidence of a lack of architectural design in the arrangement of permanent supportive housing (PSH) neighborhoods. Though there is no question that PSH neighborhoods have been beneficial, the primary question lies in what steps can be taken to improve the overall arrangement of the communities. Research began with an in-depth analysis on the arrangement of four diverse PSH communities. Commonalities were identified through each aspect of the projects, both good and bad. Qualities were then displayed in a series of analytical drawings at each scale of the projects from city to individual unit. Additionally, four analogical drawings were created to playfully draw a line from site plans to the mundane arrangement of objects within the home.

While researching, it became clear that though motivations in the designs are pure, they can fundamentally miss the mark and result in inefficient designs for the city and the residents of the communities. This led to an effort to develop accessible and understandable information pertaining to crucial aspects in designing a successful housing community, a toolkit was developed to fulfill this purpose. With the consideration of the elements and strategies proposed, these communities can be designed as both programmatic and aesthetic. The goal of this research is not to prove one model better than another, but rather to uncover general elements of design which should be considered when arranging any supportive housing model.

Since the completion of this project, it has been published through the Texas A&M Oaktrust library system, and selected for the cover of the Texas A&M student research publication Explorations Volume 13, with an article to accompany it. In addition, it was selected to be displayed as part of the Texas A&M College of Architecture Fresh Visions exhibit in 2021, as well as presented at the 36th National Conference on the Beginning Design Student, Texas A&M research poster session, and University of Texas research poster session. Furthermore, this research has contributed to recent advances on a supportive housing project in Bryan, Texas with the non-profit organization The REACH Project.

Instagram: @maggiemartinarch, @t8projects

The Desert Oasis Downtown Apartments / Synthesizing the Suburban and Urban (Urban Housing ARC302, 2022S) by Noah Roth, B.Arch ’22
The University of Arizona | Advisor: Eduardo Guerrero

The Desert Oasis combines the urban and suburban environments, creating a unique living opportunity in downtown Tucson. Large units with exterior space situated in the heart of downtown allow for ample living space normally affiliated with suburban living, while still being in an extremely urban location. For those that want a more urban way of life, there are smaller units available, allowing for multiple groups of people to find their optimal living situation. This project is a SYNTHESIS of suburban and urban that creates EQUITY and fosters COMMUNITY.

Instagram: @noah_roth_architecture, @crossingcitylimits

Come back next week for the final installment of the Study Architecture Student Showcase series!

Study Architecture Student Showcase - Part X

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For Part X of the Study Architecture Student Showcase, we take a look at projects that focus on cultural and research spaces. From government research facilities to recreational spaces for music and exhibits, these projects all share a common idea that architecture can be multifaceted; serving a genuine need while also engaging the community and visitors with information and history to create a rich experience.

Incase you missed past installments, check out Part I, Part II, Part III, Part IV, Part V, Part VI, Part VII, Part VIII and Part IX.

The Carve: A Center for Urban Ecology by Mark Davis and Maya Mulé, BS. Arch ’22
University of Maryland | Advisor: Michael Ezban

The Carve is a public and private research facility for the study of urban ecologies. The design strategy includes carving as a means of creating engaging indoor and outdoor at an urban site. The Carve is sited adjacent to the Georgetown Reservoir in Washington DC.

The building is an angled L-shaped massing that is carved into two masses by a new public Discovery Trail, which links the lowland of the site to the dramatic peak of the berm of the reservoir. The main gallery of the building is elevated above the ground, and visitors can look through apertures in the floor to a constructed wetland that flows beneath the public space.

The site and building are interconnected to create an engaging promenade throughout the site. Along the trail, which takes on many forms and spatial configurations as it engages the topography of the site, is signage that educates visitors regarding historical and contemporary urban ecologies and site histories.

EQUIVALENT VOLUMES “The Flattening of hierarchy” by Lingjia Wang and Yunbin Wang, B.Arch ’22
Southern California Institute of Architecture | Advisor: Kristy Balliet

The thesis advocates for equivalent volumes that flatten the hierarchy of civic and cultural spaces. In this project, designed volumes interact and negotiate boundaries, diminishing individual qualities in favor of combined characteristics and configurations. The project is a Philharmonic Hall located in Prague. As part of a larger development, the site, a new cultural center located along the Vltava River, extends the cultural and historic center while connecting to existing and new transportation infrastructure. The project lands in between these conditions and offers significant opportunities to test the thesis, including internal program and urban planning. By having three off-centered massing and figural plazas, it creates more edges for the city to interface with different programs.

A philharmonic program tends to center the primary volume (Hall), while support volumes (foyers, backstage, etc) fill in the gaps. In this project, a series of figured volumes and surfaces are coordinated and balanced to define the building as well as the civic plaza. To the City of Prague, it as a whole, is a support system that connects the past, present, and future.

Instagram: @yun_bw,@adammmmn_wang, @conescubes

Delaminating the Real: Unpacking the physical expression of ideology in government buildings by Lawrence Boyer, B.Arch ’22
Syracuse University | Advisor: Lawrence Chua

Delaminating the Real is an investigation of the ways that national governments use architecture as a tool of national identity, narrative, and the dissemination of ideology. Using case studies of Skopje, North Macedonia, and Washington, DC, this thesis uncovers a genealogy of the use of classicism in government buildings and the ways in which ornament has been adapted and appropriated throughout historic regimes to different (or similar) ends.

Both Washington and Skopje share their use of primarily two internationally recognized architectural styles: Brutalism and Classicism. While these styles are used in a way to claim national identity, these styles are used and recognized across the globe and carry complex meanings and heritage accumulated throughout their uses in different contexts. The interest of these governments in the appearance of their cities results in the privileging of aesthetic appearances to express national identity to an international audience; these choices create architectural tension between universal recognition and regional idiom.

This project asks questions such as: “Why is Moses on the pediment of the Supreme Court?”, “Is a Doric column still a Doric column if it’s proportions are wrong and it’s made of plaster on steel substructure?”, or “Why are most government buildings white when the buildings they imitate were polychromatic?”

Using photography, collage, drawing, diagramming, and model-making, the project found that regimes rely on classical vocabulary in image only and not in structure. Recognizable architectural forms allow governments to communicate power across countries, ideologies, and regimes. The result reveals that authoritarian and liberal regimes often use the same vocabulary and as a result, that they share more in common than they might care to admit.

Shape Shift by Heff Jin, B.Arch ’22
Southern California Institute of Architecture | Advisor: Maxi Spina

The thesis explores the idea of making circulation space excessive in a bureaucratic building, challenges the remnant of history in which bureaucratic building has always been about efficiency, and falls back as a background in the urban space. The project is developed based on the New Salzburg town hall competition, which asks to demonstrate a new possibility of government and public relationship. Hohensalzburg is an icon of the institutional building at Salzburg. It represents the remnant relationship of the public and government. With very restricted accessibility, a fortress lifted and isolated from the ground and stood still in the background of the cityscape. And the project tries to count-er those qualities.

Projects like Netherland Embassy by OMA, Vitrahaus by Herzog de Meuron, Cabrillo Marine museum by Frank Ghery, Jewish museum by Daniel Lebskin are versions of this discussion. By introducing extra circulation spaces to allow more public spaces, more accessibilities, and more interactions between the government and the public and instead of falling into the city’s background, becoming a flatform of the city to create an integrated relationship, not segregated surveillance.

Instagram: @heff_jin, @rntarchitects

Sisyphus’ Theater: LATTC Construction Lab: and Recreation Center, an eternal exhibition of labor by Noah Mora, B.Arch ’22
California State Polytechnic University, Pomona | Advisor: Robert Alexander

The project is a concoction of private-educational and public amenities consisting of a precast concrete fabrication lab, public plaza, and recreation space. The precast fabrication lab not only serves LATTC’s demand for an intensified fabrication pedagogy, but it also serves the project’s more ambitious agenda: the design of a never-ending building. This project, in concept, will never be truly complete and aims to be a never-ending theater of architectural events, a building that is perpetually reconfiguring itself while educating others in the process. Because of its visibility and role as a project that is continuously building itself, the project acts as a theater that hosts present and future architectural events, the cast and crew being the students of LATTC, the audience being the people of Southeast Los Angeles. Its “incompleteness” is its means of remaining timeless while refraining from becoming site-less.

Situated in Historic Downtown, a district in Los Angeles neighboring Downtown and University Park, the project will still bear the responsibility of responding to its context amidst the backdrop of a rapidly evolving city. While high rises continue to infiltrate Downtown LA’s skyline, the project will undergo an evolution of its own while remaining tethered to its site and contextual obligations. Located across the street from LATTC’s Northeast corner, the ground floor acts as the anchor to the project’s site and serves as a physical and figurative foundation for generations of students to design and build upon. The ambition of this project is to be flexible enough to the extent that the project will never have one set identity.

Instagram: @noahmora_ , @rbrtalxandr

Introvert Architecture by Jack Hache, M.Arch ’22
Toronto Metropolitan University | Advisor: Colin Ripley, Scott Sorli, Carlo Parente

The rise of the modern world of capital produced and exploited the paradigm of the extrovert as an essential characteristic of the modern man. In architecture, contemporary practice embodies its own extrovert ideal. Buildings have become extroverted in line with a late phase of capitalism that is focused on global communication and the power of the image. In contrast, an Introvert Architecture resists monumentalization and the reduction to a mere image. Comparable to the introverted man, Introvert Architecture is built from character and contemplation. It is rooted in deep introspective theory, desiring to produce rational, well-organized spaces that are inherently tied to the fundamental relationships that architecture has with context and occupants. This thesis aims to distinguish an Introvert Architecture from the extrovert ideal and illustrate the properties of Introvert Architecture in the genuine process of building making.

Collectively, the concepts and theories developed throughout this thesis are used to build an Introvert Architecture Equation. This equation acts as the conceptual synopsis for an Introvert Architecture. The design project, the Allan Gardens Temporary Exhibition Museum (The Museum), attempts to illustrate the equation’s application to architecture and the process of building making. The Museum considers an architecture that is not created from a desire for monumentation or recognition, but rather, uses its relationships to site, context, and occupants as the governing body for the architecture. The building is born from its context and its relationships with the act of an exhibition. Collectively, the Introvert Architecture Equation, and the Allan Gardens Temporary Collections Museum design project, attempt to demonstrate the power of non-extroverted architecture, the Introvert Architecture.

Instagram: @jack_hache

The Adaptive Reuse of Parking Garages: Increasing Vitality in Urban Centers by Janeth Boza, M.Arch ’22
University of Florida CityLab-Orlando | Advisor: Lisa Huang and Frank Bosworth

This research develops a design framework for adaptive reuse of parking garages and proposes guidelines for redevelopment to create diverse public spaces that promote connectivity within the urban fabric and improve urban vitality.

Historically, the evolution and innovations of automobile technology have changed the urban fabric and pedestrian activity in the cities. Current research with driverless and ownerless cars will inevitably impact real estate, land use, and especially parking facilities. This paradigm shift in personal mobility will result in fewer individually owned vehicles and reduce demand for parking in the future. In the United States, two to eight parking spaces are constructed for every privately-owned car (Meyboom 2019). Driverless technology may reduce the need to one space per car, freeing up much valuable urban space.

When comparing parking facility types, surface parking is the easiest to repurpose. Parking structures are a significant challenge since they are concrete or steel multistory constructions. They are distributed across a city’s urban core and contribute to the volumetric form of the city fabric.

If parking garages were not needed, the easy solution would be to demolish them. This is, in some cases, the economical solution but not the most sustainable one; it is essential to consider the energy costs of demolition pollutants, landfill waste, and carbon emissions. Adaptive reuse of existing parking structures will extend the productive life span of the buildings and reduce environmental impact by conserving resources and avoiding the large, embodied carbon production in new construction. These parking garages provide substantial building structures that can be the foundation for a new type of public use building. What is the potential of these parking spaces and garages in redefining the urban environment?

Empty parking garages are incompatible with dynamic city living and self-driving potentially induces more urban sprawl and supports longer commutes: thus decreasing activity and live-ability in cities. This research will develop strategies for repurposing these structures to increase attractiveness, and connectivity in the urban centers of medium-sized cities.

Study Architecture Student Showcase - Part IX

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Welcome back to Part IX of the Study Architecture Student Showcase! This week we focus on production systems in the built environment and how architects can reimagine those infrastructure systems to improve not just our economy but also the climate crisis. As we consider how to improve our rail systems, meet a nationwide housing demand and address the issues globalization has created around the globe, this week’s contributors shed light on solutions and areas that need our attention.

Incase you missed past installments, check out Part I, Part II, Part III, Part IV, Part V, Part VI, Part VII and Part VIII.

Post-Industrial Landscapes: Amplifying Existing Food Systems in Chicago’s Chinatown by Juanita Li, M.Arch ’22
University of Maryland | Advisor: Brittany Williams

Cities have long grappled with how to feed their populations. Globalization allowed cities to supply food and grow beyond ecological limits. During Industrialization, global networks expanded in capacity with the advent of rail, eroding a city’s tie to surrounding agricultural land. Rail was the genesis of Chicago’s expansion into a major urban center. When the rail system was elevated, rail lines and yards spanning many city blocks scarred and carved the city. One neighborhood bounded and constrained by active and remnant rail structures is Chinatown.

This project proposes a contextual response for a productive, post-industrial urban site, drawn from an historical review of Chicago’s rail history, Chinatown’s identity, and a typological food system analysis. Food is central to Chinatown’s identity as a destination, since food generates economic activity as a raw and crafted, cultural good. The neighborhood is food rich despite high poverty rates. Chinatown’s immediate spatial context is constrained by active rail lines, idle container yards, and major expressways, obstructing neighborhood growth.

An idled rail container storage yard severs Chinatown. Extending for over 3 city blocks within Chinatown, this 18-foot-high concrete embankment sees active commuter rail activity. The low-rise residential area to the east has no visibility of the low- and mid-rise mixed-use area to the west. Viaducts through the embankment are 445 ft long tunnels, creating a further spatial separation. The challenging edge and tunnel conditions emphasize the spatial separation and require design solutions that soften and blur the division. The proportions of the site do not suggest that a rails-to-trails proposal is a viable solution.

Extending Chinatown’s robust food system becomes an opportunity to amplify the existing conditions, provide needed green space and economic opportunities, and create additional points of connection for the neighborhood outside of its boundaries. An 18-foot-high concrete, idled rail container yard spanning three-and-a-half city blocks is transformed into a place where Chinese food culture cultivates community and connection through its craft and consumption. The solution preserves the industrial and cultural identity of the site, maintains active rail, and can serve as a model for a diverse urban food system at multiple scales.

A Fabrication Process: Form from Assembly and Material Culture by Erin M. Paul, M.Arch ’22
Hampton University | Advisor: Carmina Sanchez-del-Valle & Marci Turner

If we put aside building types and formal styles, to consider the material culture and the ways in which we make, we will encounter forms that break with the traditional. Those that we impose now respond to a perception of a world preserved by rules that maintain a kind of aesthetic stasis. In architecture, designing for the materials and for construction, will deliver forms that will be more representative of who we are, than if we work by imposing them. Materials, ways of building, and the conditions of the digital can generate new forms.

This research is driven by the exploration of form through small scale physical models. The study models varied depending on the size of the base used to generate form – the site. Forms were also determined by the dimensions and qualities of modeling materials and their joints.

The research plan consisted of three phases. The first “Methods of Building” explored the structure for form. 2D and 3D grids and meshes were used to define boundaries. The second “Material Value” investigated shaping materials using gravity, applied loads, tension and compression, in both wet and dry conditions. The third “Contextual Domains” transposed a selection of the physical forms created into the digital adding scale and mass, and defining architectural components.

The design research made it possible to “see” gaps found in the representation of building components and their assembly into wholes. We make intricate drawings and struggle to translate them into the buildable. There is a disconnection between what we illustrate, and what is actually built. The research made tangible that what seems as very simple physical form, when transposed into the digital, becomes extremely complex and geometrized. Also, new forms appear. Building “know how” connects assembly possibilities to material potential. Form is always affected by the qualities of material.

SNAP! homes by Simon Needham, B.Arch ’22
University of Cincinnati | Advisor: Whitney Hamaker

SNAP! homes reimagines the Case Study house as a catalogue of precast modular systems of home components that ship on-site in addition to a mobile pod system which snaps to host structures and moves among sites. 3 options are given, allowing for a range of lifestyle choices for the consumer at varying scales. The whole proposal is streamlined with a website that users can order their home from.

The H-01 and H-02 homes are constructed from multiple precast concrete modules sandwiching a layer of insulation. Each module encases a programmatic element that the user may purchase or omit from their home. After the modules are chosen, users may swap the layout orientation of the modules, creating customized living spaces tailored to the user’s preference. Once the modules are chosen, the user picks the interior partition wall colors, adding another layer to the customization of the home. After the home is ordered, it is trucked to site and assembled quickly, as all of the interior elements have already been installed. The H-01 and H-02 homes range from just over 400 sq. ft. up to 1750 sq. ft.

The P-01 option from the SNAP! homes catalogue is the host module and mobile pod. The host module is again formed from precast concrete modules. This will contain the necessities for living (not found in the mobile pod) such as access to water, electric, bathrooms, a kitchen, and living area. This structure gives the ability for 6 pods to be hosted at once by easily snapping them into place. The mobile pod contains the user’s sleep and work spaces with ample personal storage in the thick wall. The exterior is clad in corrugated metal, while the interior walls contain CNC-milled sanded plywood panels that aid in dampening sound from the exterior. This allows for a peaceful interior as a quiet space is necessary for work sessions and sleeping. With the mobile pod, the user may choose to move their pod to a new host location as they please, not getting tied down to the same scenery or setting.

Instagram: @needham_arch, @daapsaid

Make Fashion Make Sense by Adriana G. González, B.Arch ’22
Pontifical Catholic University of Puerto Rico | Advisor: Pedro A. Rosario and Juan Emmanuelli

Fast fashion consumption has led to companies making new items more frequently, which has proven to lead to a higher percentage of discarded clothes accumulated in landfills, making the fashion industry the second largest polluter in the world. The approach of the industry to today’s increasing amount of consumption has weakened its own sustainability.

Therefore, the goal was to create a production network through a program that covers all the stages of the life of a garment (from design, to fabrication, to retail, to recycling the materials, and so on). This way, a circular cycle is created to reduce the costs of importation, and the amount of waste generated, to promote local sustainable clothing, and to enable accessibility to all spectrums of consumers.

The project, located along New York’s Garment District, consists of eight floors that showcase each phase with framed extrusions that are visible from its exterior. Its visitors start the journey with a display area that demonstrates through art the reality of the fashion industry. A level dedicated to retail follows. The third floor has a double-height runway area, which is the main focus of the East elevation with its lit up space being front and center for the pedestrians to admire the show from afar. An open activity area on the fourth floor creates a transition between the public levels below and the private ones that commence from that point on. The fifth floor has the fabrication/manufacturing area with another double-height open space for the workers to be comfortable and receive a considerable amount of natural light. The remaining floors are used for research, processing, educational and administrative purposes. Transformed into an outdoor area, the roof includes extensive gardens and solar panels placed to create smaller roofed spaces at the top. Lastly, a perforated mesh envelope clothes the structure with a weaving-like pattern. With buildings like this, hopefully a safer and healthier setting is generated for the fashion industry to make sense.

EVERYDAYLAND: Living within Disney’s Chemical Spectacle by Rocio Crosetto Brizzio, M.Arch ’22
Columbia University | Advisor: Mark Wasiuta

Chemicals and spectacle are indivisible elements in Disney World. Despite the persistent image of “purity” and “cleanliness” that Disney projects, it depends on and adds to the chemical components that shape contemporary life. Disney is part of our chemical modernity.

So, what if instead of hiding its chemicals, we render them visible?
Then, what would it be like to actually live within Disney’s fireworks? To be consciously part of that chemical experience?

Everydayland is a housing project at the center of Magic Kingdom, at Disney World Florida. It is a tower for long-term life at the center of Disney’s entertainment.

Everydayland rearranges Disney’s fireworks, so that they become a crucial component of everyday life, and through this it exposes their chemical condition and its presence in our culture.

By associating the fireworks with the castle, Disney makes chemical entertainment a fantasy, like Tinkerbell’s magic dust. Everydayland Tower both allows Disney fans to live this fantasy by literally making the castle a home. But at the same time it also shifts the chemical dimension of the fireworks from the world of fantasy into the real world – so it provides a fantasy and “de-fantasizes” at the same time.

Everydayland is formed by 5 main elements:

1- The Castle is Everydayland’s Lobby.
2- The Roller Coaster is its Real Estate best-selling machine.
3- The Atrium is a high-rise attraction
4- The Facade is the new fireworks launching site
5- The Domestic Life is completely immersed in the fireworks’ spectacle.

Fireworks, chemical entertainment, toxicity, fantasies, utopias, dystopias, bodies and materials configure a complex network in which Everydayland emerges as a radical way of living that acknowledges that chemicals and toxicity are part of our life – and they keep us entertained.

The dream to live in “the happiest place on earth” is now possible. If fantasy becomes real, would it still be fantastic?

Instagram: @rocrosetto, @balsa.crosetto.piazzi

Grids as a foundation by Jing-Ying Su, M.Arch ’22
Cranbrook Academy of Art | Advisor: Gretchen Wilkins

The grids: a set of horizontal and vertical lines. “The Grid Book” tells the story of the evolution of each grid from the handmade brick through the ethereal Internet in the language of a generalist to modernist boxes of architecture. The persistence of grids demonstrates that once a grid is invented, it never disappears.

Grids are the foundation of our understanding. We identify things in the world by building a line between me and the object. When things start to get complicated, the grid becomes a network that recognizes myself and various objects. The moment people realize the existence of the grid triggers our desire to understand.

In my project, I built a subtle grid in nature. The grid system in nature is unimportant to the viewers, but the project questions this unimportance by constructing a subtle grid foundation to reveal the uncertain relationship between nature and human existence. During the observation, the viewers disassociate with themselves, wandering in the grids as the mediator to arise their awareness of the movement of shadows, the reflection of sunlight, and the sound of wind. We exist in that moment. The hereness.

Instagram: @su780213, @grtnwilkins

Laves Twist by Gelmira Gourgel, Peiyao Guo, Allissa Gonga, and Chase Gasser, B.Arch ’22
University of Cincinnati | Advisor: Christoph Klemmnt

The Laves Twist is a bipartite capstone project which explores and researches the possibilities of the grid-based design by computational algorithms and its prospects of allowing for the repetition of componential geometries. (I) Using the Plesiohedron Laves Grid, which is a cluster of the 17-sided module that by a 4-rotational gesture allows for its multiplication and growth in all 17 directions, creating infinite possibilities on its aggregational exercises. Further, through the voxelization of the Laves Grid, the Laves Twist was born. In which translates to the elaboration of a precast concrete component that was derived within the 17-sided module. As a result, the generation of the growing structure entity. (II) Thus, with this connection system created using the Laves grid technology, each team member was to proceed to the next part individually to explore this connection system within different architectural programmatic exercises. With the Laves Twist connection system + the problem of how to infer its application to different programs, algorithms were developed to explore the potential of the system in the creation of whole structures, façade systems, architecture interventions, and cite climatic impact. Opening thought for growing entities grid systems as a design architectural medium.

The Laves Twist team won the Director’s Choice Award at the University of Cincinnati School of Design, Architecture, Art, and Planning’s DAAPWorks 2022 showcase under the B.S. Architecture Group Project category (https://daapworks.uc.edu/2022/directors’-choice). It was also displayed in the Reed Gallery Director’s Choice Award 2022 Summer Exhibition. (more of the Laves Twist project in this video) https://youtu.be/OahLyaSw1Gw

Instagram: @gourartch, @chaseg25, @gpei.yao, @alissa_gonda, @orproject

Data, Interstellar & Romance / The BIO-TECH Facility in the Universe in 2069 by Man Shu, M.Arch ’22
Southern California Institute of Architecture | Advisor: Damjan Jovanovic

In 1969, humans landed on the moon for the first time. In 2069, humans established the first BIO-TECH facility that simulates the cosmos’s environment, preparing for their colonization of other planets in the universe. This BIO-TECH facility is no longer a conventional building on the earth. It is a scientific center for data collection, processing, and research. It is a process of translating data into cultural artifacts of architecture.

Scientists collected data on the earth and brought them to other planets, storing them in the innumerable Bio-Module units, which were densely distributed on the façade of the building. Data is of great importance for humans. It includes the entire history of human beings for richness, diversity, variety, and ability to express cultures, languages, places, times, customs, methods, processes, and every other element of our ecosystem and civilizations. The future of architecture is to give sensibility to a multitude of voices and data, often invisible or underrepresented and yet crucial for our global survival. These Bio-Module Units are also the decomposed structure of the double-layer enclosure, which are considered as shields to protect the interior living space from the harsh environment of other planets. Also, The program of a BIOTECH building will represent the interconnected interests of multiple stakeholders. As a building for research and laboratories, where individuals with similar infrastructural needs convene, it will be programmed as a negotiation place for various points of view.

We should consider what kind of habitat we want to live in on other planets in the future 2069. We no longer want to live in cold building machines which are everywhere on today’s earth. We are humans. We have hearts, alive hearts, beating hearts, warm hearts. We can feel the fragrance of flowers, the beauty of diamonds, and the coldness of stones and metals. Our hearts fear death and yearn for freedom, love, and romance. That’s what makes us different from machines, robots, AI, etc. Therefore, the future habitat on the other planets we will live in should be filled with emotion and romance instead of cold machines.

Instagram: @sookie_man_shu, @d4mjan

Stay tuned for next week’s Student Showcase series!

Study Architecture Student Showcase - Part VIII

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Part Eight of the Student Showcase series this week focuses on student work that brings to light different aspects of sustainability. The concept of reuse is at the core of being sustainable. Each of these projects discusses a unique angle of what it means to be sustainable in both space and matter. Whether it is a ceramics studio in Chicago or green spaces in Los Angeles and Beirut, each of these projects recognize the importance of stewardship in architecture.

For recaps on prior installments, check out Part I, Part II, Part III, Part IV, Part V, Part VI and Part VII.

Nan/nang/: Earth and Us by Zahra Sharifi, M.Arch ’22
University of Manitoba | Advisor: Lisa Landrum

My thesis is focused on the potential of using and re-using local soil and modernized primitive vernacular strategies. I grew up and was educated in the historical city of Yazd, located in the largest desert of Iran, famous for its integrated earth urban fabric and climate adaptive structures. My interest in vernacular methodologies using soil became a starting point for questioning the lack of commitment towards earth construction in cold climates. As abundant and pliable materials, soil and mud are sustainable resources that have been used in construction for thousands of years, yet they have been replaced by harmful substances. By consuming all our natural energy resources, we will eventually reach a stage where manipulating and managing soil will become one of the leading global building strategies, and I believe inherited knowledge of traditional teachings is a starting point for all earth-based research.Focusing on cold climates originated from my experience of living in Winnipeg and the city’s lack of earth awareness. Even though the area endures heavy winter snow, which requires thick waterproofing, insulation, and durable building envelope systems, there is a historical and geological connection between the city and mud. The muddy land of Alexander Docks next to Red river in central Winnipeg, intrigued me to think about the re-use of deposited mud from the river for earth construction. I am proposing an adaptive rejuvenation of the old warehouse adjacent to the docks, by mimicking the natural qualities of mud and adding new insulated exterior earth walls inspired by my own research, previous earth strategies conducted in Manitoba such as Sod houses and traditional Persian earth structures such as Karbandi. The building will act as an earth reconnection center in the heart of downtown inviting the locals and international researchers to engage in earthly thinking.The simplicity of the construction process is in direct relation to the simplicity of the structure which allows us to implement local common labor and on-site preparation. Low-tech earth strategies provide the opportunity for community participation in annual spring maintenance for example reapplying mud plaster on earth walls. By considering the excavated site soil and deposited mud from the river as the main building material ( processed and separated into silt, clay and sand) and reusing existing building waste such as bricks, concrete and steel for reinforcement, there is a possibility of neutral carbon construction.

Instagram: @z.sharifi74, @faumanitoba, @lisalandrum.arch

Terra Studios: A Center for Ceramics Production and Residency in Chicago, Illinois by Faith Primozic, B.Arch ’22
University of Notre Dame | Advisor: Sean Patrick Nohelty, AIA

The city of Chicago has a rich history of ceramics as an art and industry that remains a core part of its architectural identity. Much of this industry existed along the northern branch of the Chicago River where factories produced ceramic building materials for some of the city’s most renowned architects. As this industry declined with the advent of more modern building materials and methods in the early part of the 20th century, the city lost both part of its intricate fabric as well as a part of its unique identity. Through my undergraduate thesis project, I imagine how a pair of buildings to serve craftspeople situated within an urban redevelopment along the north branch of the Chicago River can begin to reestablish a connection between the city’s architecture and its people.

The design for these buildings embodies the idea that architecture should reflect both the occupants that it serves and the society that it inhabits. Structures for artisans and craftspeople who contribute creatively and constructively to our society must therefore be beautiful and enduring reflections of their work — living representations of how both tradition and innovation in their craft enhances the sustainability and livability of the built world. Intertwined with a city’s unique history, this architectural narrative creates a sense of place and allows a city to grow and improve without losing touch with its identity

The proposed buildings exist in an entirely permeable arrangement that allows a pedestrian to pass freely through a new passage under the existing elevated railroad tracks all the way to the river’s edge. The larger of the two proposed buildings serves as a center for ceramics production and includes a large studio, kiln room, research center, gallery, and ballroom. The smaller building is intended as an artists’ residence and shop building, adding a component of living and working to the production of the ceramics. Together, they embody a celebration of the craft of ceramics, from the brick and clay block that support and insulate the walls to the porcelain tile and terracotta relief that lend to its character and beauty.

Instagram: @faith.primozic

Altra Volta: A Neighborhood Hub for the Self-Sufficient City by Samuel Owen, B.Arch ’22
University of Arizona | Advisor: Elena Cánovas

The following capstone project is a community co-op focused on self-sufficiency, in which members grow their own food and fabricate their own products to support themselves and to sell to the community. All waste produced on-site is recycled – solid waste is separated by material to be reused, repurposed, or recycled, and liquid / food waste is sent to an anaerobic digestor to produce energy and fertilizer for an on-site farm network.

This co-op is located in the Provençals del Poblenou neighborhood of Barcelona, the former epicenter of Barcelona’s Industrial Revolution. This area has a long history of industrial co-ops where members could share equipment for collective benefit. Today, the city is trying to develop the neighborhood into a “Technological Innovation District” known as 22@. Unfortunately, most construction following this initiative has done little more than gentrify the community and destroy its historic factory remains.

As an alternative to the aggressive development practices of 22@, this project embraces Provençals’ history and traditions, proposing a return to a circular economy model where daily food and material needs are handled through local collaborative effort, and waste from any one resource flow becomes the raw input for another. Through education, the community is empowered to participate in all steps of the production cycle.

“Altra Volta” – a Catalan phrase meaning both “to have another go” and “another vault” – is a repurposing of Poblenou’s endangered industrial fabric. It consists of two parts – the conversion of still-standing warehouses (into workshops, kitchens, a daycare, cooperative housing, and waste-processing facilities), and the reuse of historic factory foundations for the central marketplace.

On a broad scale, the project utilizes the empty land between blocks to create a “passeig nou” (new promenade) where the community can stroll and relax beneath orchard groves and observe the self-sufficient ecosystem all around them.

Instagram: @samowenarc, @canovas_elena

The Fold by Mark Davis and Ethan Ratliff, BSArch ’22
University of Maryland | Advisor: Michael Ezban

The Fold is a new Resiliency Hub for College Park, Maryland, that focuses on passive strategies to create ventilation and shading that ultimately improves the user’s experience within the building. To achieve these systems, the building is wrapped in a multifunctional and adaptive skin that is mounted to the outer layer of the building. This skin is perforated metal, creating shade and also bending in such a way to allow for better airflow.

Not only does this skin function sustainably, but it can also be adjusted to allow for better views to a lively urban corner of the city. The panels can also shift to allow for daylighting into major public spaces. The building is intended to entice the people of College Park, and show them what creative and sustainable building strategies could look like.

Green Air Rights by Myriam Abou Adal, B.Arch ’22
American University of Beirut | Advisor: Makram Al Kadi

Beirut is overcrowded, yet there is a large number of abandoned buildings and vacant apartments; Beirut is living a social and economic collapse; Beirut suffers from an absence of green and public spaces.

How to best activate the urban vacancies to create a network of multi-scalar micro-economies and green spaces?

I translated my readings of existing literature and case studies into my own glossary of vacancy and response typologies. I then started my fieldwork with rapid appraisal through on the ground measurements, interviews with residents to understand their needs, and immersion in the life and culture of the neighborhood I chose.

I am proposing a network of multi-scalar interventions that relies on a strategy of micro-economies centered around the communal life of the many users I met, while respecting nature and maximizing green spaces. I identified a variety of vacancies typologies and revived them favoring adaptive reuse, parasitic architecture, and placemaking. I translated the building code into a green building code to optimize the allowed buildable area and the gabarit, that guided my massing and choice of materials.

The ground floor vacancies are connected to create large and inviting lobbies that act as a continuation of the public space to drive the community in. The upper floor vacancies and abandoned buildings are treated using adaptive reuse methods and bridged to connect educational, cultural, entertainment, and service programs. On the roofs, A-frame steel structures host the necessary infrastructure for urban farming, water harvesting, and energy production.

This project may be viewed as a pilot intervention as part of a bigger strategy to green the city of Beirut, to introduce a culture of self-sustainability.

Instagram: @myriamabouadal, @ard_aub

Dust To Dust: Embracing Entropy Through Organic Building Materials by Ryan Muir, M.Arch ’22
University of Maryland | Advisor: Michael Ezban

Architecture has had a complicated relationship with this agent of time. Some modernists sought to “overcome” time by turning buildings into machines. And today we’re very much concerned with keeping up with the times. Through commercialism, buildings became commodities or machines for profit. Throughout this time, innovators have striven to and succeeded in inventing building materials that are inert or permanent. However, the problem is that our society doesn’t treat buildings as permanent. They go out of style or can’t keep up with our changing needs. This has bred a practice of planned obsolescence that may reflect the dynamic, living organism of society, but fails to see buildings themselves as organisms. Perhaps the issue is with identifying our buildings as machines, building them for longevity and durability while simultaneously attributing to them an inherent disposability.

Per Leon Krier’s diagram “Civitas”, a city is made up of two parts: res publica and res economica. Res publica is made up of monuments and monumental buildings. Res economica is made up of the streets and the auxiliary buildings. In other words, res publica represents the permanent, consistent nature of a city, while res economica is impermanent, subject to change and adapt to the needs of the city. Each part of the city represents a different opportunity to reshape our view of buildings. Res publica should be built to last and have its effect on the city for generations, slowly and subtly acquiring a patina that conveys wisdom and experience. On the other hand, Res economica could be constructed to be deconstructed, to have change affected on it, to evolve.

This thesis set out to test architecture’s ability to embrace the process of entropy through organic materials and explore these methods at three scales within the “res-economica” of Washington, DC. My approach to these different scales was to determine the viable materials, design each wall section assembly, and design the exterior and interior expression of these materials at the human scale. Then I dove into greater detail, beginning with the smallest scale as the furthest potential adoption of this theory.

Trades Tower: an Ode to Service Space by Daniel Vazquez, B.Arch ’22
Cal Poly Pomona | Advisor: Robert Alexander

Is architecture inextricably linked to its function? Can a building’s function vary, not just from one building to the next, but from person to person? In this project architecture’s role becomes one of user relevancy and contextual activation, things that are in constant flux on a college campus. The question then becomes: Can you make a building re-usable? Can you design a project that is in flux? Making a lliminal space where the public and private functions blur and where the project provides spaces to use that are activated instinctually. The formal program then becomes a catalyst and a framework that activates but does not dictate use. The project thus strays away from a “totalization,” opting instead to embrace and broadcast the variability of daily life.

As the city of Los Angeles continues to densify, issues such as public space and identity become increasingly urgent. Los Angeles Trade-Tech College, located directly south of the Santa Monica freeway (I-10) on Flower St. and Washington Blvd., exemplifies this dilemma as it expands and attempts to carve a place amongst the South LA urban fabric. Here, a disparate set of buildings create a hard perimeter around the college, with all buildings locked to the same datum rendering the campus invisible to the public. Despite opportunities such as proximity to the A-Line train station and direct visibility from the 10 freeway, a sense of destination is squandered by anti-pedestrian access and lack of identifiable elements. The character of LATTC and the education it provides are not advertised or readily legible.

Next installment coming soon!

2022 Study Architecture Student Showcase - Part VII

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In part seven of the Study Architecture Student Showcase series we share eight student projects that focus on Wellness and the importance of healthy lifestyles in society. From dreaming to reflection to exercise there are many ways that architecture can help facilitate movement and a healthy community. These projects span globally from Canada to Lebanon to Korea but all have the same focus: wellness.

For a recap on the 2022 Student Showcase series so far, check out Part I, Part II, Part III, Part IV, Part V, and Part VI.

ECO-SCAPES: From Dreams as Spatial Experiences to Ecological, Social & Economic Alternatives by Hussein Zarour, B.Arch ’22
American University of Beirut | Advisor: Carla Aramouny

Long being a subject of artistic inquiry, dreams are often defined as successions of ideas, emotions, images, and sensations that occur in the mind. Research shows that dreaming serves its own important functions in our well-being, often associated with therapy. It conveys a spectrum of past experiences, recent events, defensive operations, perceptions of self and others, conflicts, problems, and attempts at their resolution. By doing so, dreams represent a certain adventure in a world where our internalized thoughts, feelings, unfulfilled needs, and wants come to life as many theories state and support (Jung, 1974).

This project titled “ECO-SCAPES: From Dreams as Spatial Experiences to Ecological, Social & Economic Alternatives” thus investigates dreams as an entry point to design explorative, therapeutic, and experiential spaces/landscapes which stand as ecological, social but also economic alternatives to an environment defined by destruction, deterioration, and deprivation.

The location of intervention, the capital city Beirut, has been facing continuous challenges, being ecological, social, and economic, favored by unhealthy spaces and unethical political systems. Most of the citizens, mentally and physically affected, find themselves deprived of most of their basic needs, thus naturally seeking a spatial alternative in response to this destructive environment.

Instagram: @zarour_hussein, @ard_aub

Architecture and the Oneiric: An Imaginative Translation of the Intersubjective Dream Experience by Amanda Scott, M.Arch ’22
North Dakota State University | Advisor: Stephen Wischer

“One has never seen the world well if he has not dreamed what he was seeing” (Gaston Bachelard). How can architecture be reimagined through oneiric thought? Could this evoke an architectural representation akin to dreams?

This thesis explores such questions by examining the phenomenon of dreaming from an embodied architectural perspective in response to an increasingly objective architectural framework. Drawing from psychological, philosophical, artistic, and mythical sources, we can examine aspects of dreaming not as something to escape into, but rather a primary form of reality, which is often overlooked in our rational, modern way of interpreting the world. Through the piecing together of historical and fictional fragments, architecture is reconstructed into a dreamlike re-description of reality that breaks down the distinction between real and imaginary, inside and outside, conscious and unconscious, acknowledging that we may actually see in the same way that we dream.

Walking along Freedom Tunnel in New York City, existing structures are transformed into transitional elements blurring realms of verity and obscurity, providing movement through a journey of dreamlike encounters. Drawing from six influential plotlines, with the hidden infrastructure of the tunnel as its setting; surrealist spaces are reimagined through a living translation of oneiric experience.

Instagram: @amandaa_scottt, @ndsu_sodaa

The Forever Home: Redefining Aging-In-Place by Laura Deacon, M.Arch ’22
University of British Columbia | Advisor: Inge Roecker

How do we house our aging population? This question – often overlooked, is one that requires an immediate solution. The population of individuals over 65 in Canada is projected to nearly double from 2020 to 2046, reaching 22% of the overall population. With this in mind, it is essential that architectural solutions are able to meet the dynamic needs of this aging demographic. The existing housing stock consist of reactive solutions, whereby individuals sequentially progress from one typology to another in accordance with their needs. This causes strain, confusion, and requires extensive support from the community as individuals orient and adapt to a new environment.

The primary objective of this thesis is to create an engaging environment that eliminates the burden of aging by allowing individuals to age-in-place throughout ones entire lifespan, in a vibrant community that facilitates architectural flexibility while simultaneously building resilience for future generations.

The Forever Home is a seven-story development situated in the heart of Yaletown, Downtown Vancouver, within close proximity to surrounding amenities and services. The proposed development features 196 adaptable modular units that allow for families to expand, contract, and divide at various stages of life, supplemented with a palliative care unit and guest suite located on each floor. Units are configured in a single-loaded corridor typology shaped around a central courtyard, which ensures adequate natural daylighting and cross ventilation is achieved. Residences are dichotomized into blocks consisting of eight units clustered around shared residential green space. Units also feature a semi-private buffer space between the public corridors and private units, which promotes socialization and neighborly connections amongst residents. Reverse community integration is achieved using a public grocery store, child care and adult daycare facility, restaurant, and smaller scale shops dispersed vertically throughout the building. In addition, residential amenities are also located on each floor. A clear wayfinding strategy assists residents to circumnavigate the building using a bright red bulkhead and a highly contrasting change in floor material, colour, and texture.

Instagram: @laurdeacon @ubcsala

Changing Place: A Persuasive Multipurpose Park for Healthy Lifestyles by Cesar Tran, M.Arch ’22
NewSchool of Architecture and Design | Advisor: Michael Stepner, Kurt Hunker and Rebekka Morrison

Sedentary lifestyles are becoming a standard that may lead to adverse health impacts over time. Surmounting these impacts include daily non-exercise physical activity (NEPA) to support mental, social, and physical health. In many scenarios, providing the space for NEPA may not be enough to encourage participation. Built environment designers can combat this by incorporating persuasive psychological techniques for physical activity. These methods are typically found to stimulate consumerism and addiction, therefore, this thesis reclaims these methods to promote wellness through the suggestion of healthy lifestyles.

A literature review was conducted to better understand the components of a healthy life, the types of psychology employed for increased engagement, and the different architectural environments that encourage NEPA with or without intention. The review culminated with the creation of a framework consisting of nine strategies that can be considered in architectural design for habitual NEPA. Case studies were then analyzed to better understand the usage of the strategies in today’s built environment. The results were then utilized and demonstrated in a theoretical project to encourage NEPA in National City, CA which is known to have high rates of coronary heart disease and stroke.

A multipurpose park with flexible food markets and co-working spaces was designed to attract community members to participate in NEPA. The primary reason to journey here is to satisfy a person’s basic needs, sustenance. Pairing this program with multiple incentives associated with stress relief and play creates convenience for users which can lead to a routine over time. This example supports the thesis through framework application and exhibits one of the ways the built environment can encourage healthy routines through the power of persuasion.

[A]WAITING TO DIFFUSE by Joseph Chalhoub, B.Arch ’22
American University of Beirut | Advisor: Carla Aramouny

When starting any design project, we, as architects, always start by analyzing the site, mapping out conditions and studying human behavior in order to better understand how we can intervene. However, while we look at walking patterns, climatic conditions and many other aspects, we are always neglecting one very important factor: WAITING.

During the most recent economic and infrastructural collapse Lebanon has been going through, the project zoomed into ‘waiting’ as a research topic. At the time, waiting was something happening on various scales, from existential waiting to waiting in line for gas.

With a blend of anthropological research, design experiments, and research in the arts, architecture, and placemaking, the project tackles how the notion of waiting can be repurposed, reused and activated to make the most out of this urban condition. In fact, the project presents a set of functions tailored to the needs of the neighborhood and encourages users to participate and help out in the different activities. Here lies the notion of interconnected functions. By taking the waiting out of certain functions, we can repurpose them towards others and so on and so forth.

This type of adaptive reuse can feed back into the architectural intervention in more than one way. Waiting would be recycled by giving the individual multiple outlets for their time. The project presents a new kind of “Waiting Typology” that can possibly be adapted and integrated into different neighborhoods in order to answer the need of the person waiting and change depending on the site specifications. Waiting then becomes something that we can use within our research, something that is regenerative, something that is awaiting to be diffused.

Instagram: @joeych99, @ard_aub

Wellness in the Demilitarized Zone (DMZ): Connecting with Culture and the Environment by Briana Pereira, B.Arch ’22
New York Institute of Technology | Advisor: Dongsei Kim

The Demilitarized Zone (DMZ) between North and South Korea is one of the most militarized areas in the world. Protected from urbanization for the last 69 years, the DMZ has become an involuntary park for flourishing flora and fauna with minimal human intervention.

This project takes advantage of this unique condition and nature’s healing ability to house a new mental health wellness center within the DMZ open to both Koreans and foreigners. Located on the Military Demarcation Line (MDL) within the DMZ, the project is integrated into the cascading landscape in the heavily forested eastern region of the DMZ. Immersed in nature, visitors engage the natural environment through the project’s landscape and architectural spaces to recuperate and improve their mental health.

In addition, visitors engage in traditional Korean cooking and pottery, tea ceremonies, meditation, yoga, reading, walking, and other reflective programs and activities to improve their mental health. Here architecture becomes a container for shared Korean cultures. Further, the project benefits visitors’ mental wellness through how the architecture frames the immediate mountain ranges’ beauty and how it captures the Korean peninsula’s four distinct seasons.

Instagram: @briana_pereira_, @dongsei.kim

Wood is Good: Informing Wood Architecture Through the Investigation of Craft in Furniture by Daniel Rodrigues, M.Arch ’22
Laurentian University | Advisor: Randall Kober

The act of craftsmanship, specifically woodworking, gives a sense of accomplishment that is therapeutic. Improving the well being of someone who is part of this maker culture yields positive benefits to the state of their mental health from making as a form of therapy in a nonclinical manner.

The final project will be a community oriented woodshop, located in the downtown of Sudbury, Ontario. This is a methodology driven thesis, where the primary method is learning through making; specifically, the design and construction of an intricate workbench as the most important experiment.

The focus of the research is to investigate how the design and craft of furniture can inspire and inform contemporary wood architecture at varying scales. This architecture will be didactic in nature, exemplifying craft through the tectonic connections of complex wood joints that embody the inherit potential of wood as a building material.

Instagram: @danielrodrigues343, @randallkober

I WENT FOR A WALK Observations, Reflections, and Imaginings upon Montréal’s Everyday Thresholds by Shane Villeneuve, M.Arch ’22
Carleton University | Advisor: Piper Bernbaum

I went for a walk.

Borrowing from the methods of The Situationist Movement and setting out to explore “the in-betweenness” of the city of Montréal, this thesis engages in a series of personal “drifts.” The moments explored in the work are liminal spaces – most commonly defined in architectural practice as thresholds. A threshold is a space of anticipation existing at the convergence between different spatial conditions. It possesses such depth that it may elicit a profound stimulation of the senses in the human body. Perception is personal and tied to our own needs, desires, and experiences; a wanderer may perceive a threshold in the public sphere of the city as monumental or banal depending on their subjective and personal relationship with it.

Therefore, this thesis attempts to explore and question the most mundane experiences of the everyday thresholds encountered in the drifts and consider what extraordinary value is found in some of the most overlooked spaces. How do we slow down? How do we feel safe? How do we learn from the way space is used and appropriated, and the complexity of how it serves the city through its everydayness instead of only considering it for how it was originally designed? Thresholds become places of crossing over, of repose, of exchange and of transition, and become a space where the public can engage in the architecture of the city in the in-betweenness. Through “drifting”, this thesis eventually becomes a space to imagine new threshold conditions revealing and amplifying the potential that these moments offer to everyday citizens.

Instagram: @villeneuves @piperb @carleton_architecture

Stay tuned for Part VIII of the Student Showcase!