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2023 Study Architecture Student Showcase - Part VI

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We are back for installment VI of the Study Architecture Student Showcase! As we delve into this installment, our focus turns towards projects that stand as beacons of sustainability. Each showcased endeavor exemplifies a commitment to thoughtful design, incorporating eco-conscious elements that not only enhance the aesthetic appeal but also contribute to a harmonious coexistence with the environment.

Imbalance, Prospect NOLA by Andreea Dan, B.Arch ’23
Tulane University | Advisor: Ruben Garcia-Rubio

The proposal focuses on the unification of spaces sectionally, both within the proposal, and with the context of the site the proposal is on. The process for developing the concept began with analysis of the surrounding site, where several public and tourist destinations are located. It was then determined that the proposal would need to unite all these entities in some spatial way. The parti was developed through the massing of a five-level cube in the allowable construction zone. An interior courtyard cut-out was then created. From here, the ground floor was divided into separate volumes with exterior space for fluid movement of the public. The upper floors were then each shifted, offset, and extended purposefully depending on site context in order to create meaningful sectional relationships. This overall massing became the central concept that was then further developed around this concept of multi-level connections. From here, different aspects were then decided upon — environmental considerations were made in the prioritizing of cross ventilation and development of green and blue roofing wherever possible, due to the large abundance of exterior terrace space. Cantilevers and facade elements were utilized in order to allow sun shading from summer sun, which is ideal in the climate conditions. The proposal’s structure was also constantly developed and adjusted in order to allow for extreme cantilevers on each floor, but still keep the structure as light as possible. The proposal consists firstly of a central ring of steel bays that runs through each floor. Then, trusses are attached to this central ring when large cantilevers are present. Then, the beams are extended even further for different lengths of cantilevers. Finally, cables are introduced on certain floors to hang the floor slabs below and allow for a lighter structure. As far as programmatic and circulatory elements go, the proposal moves from more public to more private as levels increase from the ground floor up, and circulation is always central around the interior courtyard of each floor and back to the core elements in either corner of the proposal. As seen on each floor plan, core elements are attached to the egress stair in a linear rectangle in either accessible corner of the project. Apart from the ground level, each plan is similar in layout with the placement of open office spaces both on the interior and the exterior. Finally, the facade of the proposal becomes clear in the project’s elevations, where it can be seen that the entirety of the upper levels have a double-layer facade. The inner layer is composed of double-paned glass that is operable in certain areas. The outer layer is made up by mechanically operable sun-shading louvers that are constructed of copper mesh. These louvers run from floor to ceiling and can be rotated a full 180 degrees to allow for the optimal amount of sun exposure to the interior space.

This project was selected as one the 2023 Metropolis Future100.

Instagram: @rubgarrub

Urban Infill Gallery, Studio, Residence by Irvin Amezola, AAS (Pre-Architecture) ‘23
College of DuPage | Advisor: Mark Pearson

PROGRAM STATEMENT: Located in the River North Gallery District in Chicago, IL, this project challenges students to design a community arts center that will act as a creative hub and arts incubator for the assigned site. The building contains galleries, studio workspace, and a small residential unit to accommodate visiting artists in residence. Successful projects should be sustainable and responsive to the site, context, and natural environment. Students are asked to draw inspiration from selected works of art that are researched at the beginning of the semester. These works of art then become part of the permanent gallery collection for the project. This project challenges students to design in section and consider the modulation of natural daylight as fundamental criteria for the project. Students are also asked to consider programmatic organization, circulation, structure, materiality, and detail. Successful projects are expected to develop innovative design solutions based on a clear design concept.

DESIGN CONCEPT: Inspired by the artwork “Interrelations of Volumes from the Ellipsoid” by Georges Vantongerlo, this project is a cubic composition of overlapping volumes. The cubic forms create spaces and terraces for visitors to appreciate the beauty of the artwork and the city. On the interior these overlapping spaces allow for public spaces to intertwine and be viewed from above and below, creating curiosity for visitors. The project also includes a vertical center atrium that channels natural daylight into the middle of the building, allowing each space to receive light from above.

Instagram: @irvinamezola, @ma_pearson75, @cod_architecture

Portland Museum of Art Expansion and Free Street Art District by Zack Blizard, B.Arch “23
University of Oregon | Advisor: James Tice

This thesis level architectural studio at the University of Oregon was based on an international architectural competition sponsored by the Portland Museum of Art, Portland, Maine for the expansion of its landmark museum designed in 1982 by Harry Cobb of I.M. Pei & Partners. The studio accepted the basic parameters and goals of the competition brief of 2022 for expanded galleries, services, and community space to enhance and unify the existing campus of historic structures and landscape gardens. In addition, students were challenged to expand the program and the site beyond that required by the competition to engage the unique urban setting of the museum in the historic center of city on Congress Square and Free Street. The design challenge, then, was to expand the PMA building and campus and to create an urban art center for the entire city of Portland, enhancing its unique physical and cultural contexts.

The studio focused on urban design, sustainability, community engagement, and use of local materials. The goal was to honor the existing PMA and its unique setting in the city and expand its program and facilities for the larger community.

The design by Zack Blizard, shown here, met these challenges by complementing the existing museum with expanded day-lit galleries and extensive community gardens. These elements are integrated as a series of interconnecting interior and ‘outdoor rooms’ for sculpture and summer performances All exterior spaces, including sunken gardens, are accessible through carefully designed ramps and elevators. The structure is primarily mass timber above the ground level faced with the traditional water-struck brick, a local material of which a large part of the 19th century city was comprised. The existing galleries are expanded on an upper-level gallery designed to respond to solar considerations and take advantage of natural daylighting. Additional community spaces, including classrooms for the nearby Maine College of Art and Design were provided along Free Street to the north along with public shops and restaurant making Free Street and Congress Square and Market a creative hub for the city’s new art center and PMA expansion.

About Time: Redressing the Runway by Triciajane Asuncion, B.Arch ‘23
University of Illinois at Houston  | Advisors: Sheryl Tucker de Vazquez, Ophelia Mantz, & Dr. Leslie Vollrath

About Time: Redressing the Runway breaks down the fourth wall between consumption culture and the global fashion supply chain. Sited in the Brera courtyard arches of Milan, Italy, semi-transparent fabric draped as catenary arches as a runway set design transforms throughout the show to communicate flow, movement, excess, contamination, and suffocation associated with the fashion industry. Generally used as a construction element in fashion, the fabric becomes redefined in the runway show to expose the underbelly of the problematic industry. Created for the intention of desire and spectacle, runway shows encourage consumption and even overconsumption, employing allure to conceal the ugly reality of the industry. The terms, “back of house” and “front of house” are used in this investigation to indicate the fashion production process the everyday consumer does not see, and the point of sale retail environment that the consumer experiences, respectively. The show is divided into three acts to immerse the audience in the fashion production process in its entirety to create awareness of the backstage conditions the everyday consumer doesn’t see. Walter Benjamin’s The Arcades Project and Guy Debord’s The Society of the Spectacle offers philosophical insight on consumption and commentary on the arch typology as a symbol of the fetishization of commodified goods and experiences. Through draping, stretching, and layering, the fabric is manipulated in a number of ways throughout the runway show, which is transformed with and by a choreography that mirrors the bodily labor of workers. The transformation of fabric explores the material’s spatial and temporal possibilities in the runway, creating moments of tension, movement, and contradiction. Through presenting such issues in a theatrical format that reveals the “back of house” underbelly through a “front of house” runway presentation, the hope is to propose alternative solutions for a more sustainable and ethical practice.

This project won the 2023 Outstanding Thesis Award.

Instagram:@tricxajane, @SherylVazquezarchitecture

Portland Museum of Art Expansion by Brena Daly, B.Arch ‘23
University of Oregon  | Advisors: James Tice

This thesis-level architectural studio at the University of Oregon was based on an international architectural competition sponsored by the Portland Museum of Art, Portland, Maine for the expansion of its landmark museum designed in 1982 by Harry Cobb of I.M. Pei & Partners. The studio accepted the basic parameters and goals of the competition brief of 2022 for expanded galleries, services, and community space to enhance and unify the existing campus of historic structures and landscape gardens. In addition, students were challenged to expand the program and the site beyond that required by the competition to include the entire city block on which the museum is located. The idea is to engage the unique urban setting of the museum in the historic center of the city on Congress Square and Free Street. The design challenge, then, was to expand the PMA building and campus and to create an urban art center for the entire city of Portland, enhancing its unique physical and cultural context. The studio focused on urban design, sustainability, community engagement, and use of local materials. The goal was to honor the existing PMA and its context in the city and expand its program and facilities for the larger community. The design by Brena Daly, shown here, met these challenges by expanding the existing museum with a north-south public arcade that connects with neighboring streets and major program elements. Beyond new galleries for the museum, the project envisions a public garden, performance hall, community ‘maker space’, and community classrooms. The facade was designed to complement Cobb’s arcuated facade of brick, using similar proportions and regulating lines employing local terra cotta. The structure features mass timber, keying into native materials of the region. A roof top restaurant and sculpture terrace overlook the harbor to the south connecting visually and symbolically to the Portland’s historic waterfront.

See you soon for the next series of the Student Showcase!

2023 Study Architecture Student Showcase - Part I

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Welcome back to the Study Architecture Student Showcase fall series!

We put out a call over the summer for student work and received a record number of submissions – thank you to everyone who participated. With the Fall semester in full gear, we are excited to share the most outstanding projects with you over the next few months. To give you an insight into what it is like to study architecture, we will take a closer look at student thesis and capstone work from 2023.

Throughout the Student Showcase series, we will feature work from recent graduates of ACSA member schools from across the globe. These projects will highlight an array of topics and explorations, ranging from building designs focused on women empowerment or climate change to research on biomaterials and much more. Tune in every week for a new installment focused on a specific topic.

This week we take a look at projects that are aimed at combatting the issue of flooding, which we are seeing rise in frequency across the globe. In the last few weeks alone, we have seen extreme examples of just how damaging floods can be. The work below focus on how we can improve the flood protection process.

Urban Flooding Reuse for Addis Ababa (Ethopia) by Michael Clifton, B.Arch ’23
Tulane University | Advisor: Ruben Garcia-Rubio

The Urban Flooding Reuse Proposal is intended to create a way for residents of the river meander to live with and reuse flood water for their own benefit. This is a response to a high population of Addis Ababa’s (Ethiopia) residents living in highly vulnerable areas to flooding and a high amount of housing being built from weaker materials like mud and wood. These two problems that exist in the city lead to dangerous living conditions with flooding in a city that experiences plenty of rain and flooding yearly—and is projected to see much more in the future due to climate change.

The proposal tackles other problems as well such as cleaning polluted water and creating public space in the city, while restructuring at-risk housing. The city has problems with pollution due to poor drainage and sewerage systems, and the amount of green space is far below the World Health Organization standard.
The proposal uses a system of channels that serve as pathways for water to travel from parcel to parcel while also being slow mobility pathways for pedestrians. The system for flow of water includes inputs from the Upper Kebena River, and introduces three different types of parcels for different treatment of water. The first being retention pools which hold water at the first stop in the system. The retention pools also include some natural vegetation for slight cleaning at this point. The second parcels are cleaning parcels, which have more natural vegetation and help clean water through the use of bioswales. The third type of parcels are for reuse of water and mostly come in the form of urban agriculture while also providing spaces for recreation and leisure throughout the river meander. The reuse parcels are spaces that create a public environment for pedestrians and can help create jobs through farming. The new housing buildings can have shops on the ground floor as well to help keep the informal economy alive in this area. Runoff water from the city is cleaned through the use of underground water deposits which will help with solid waste filtration and chemical cleaning before water from the streets enters the system. The proposal also includes bridges and ramps to help pedestrians cross the river and more extreme terrain on the north side of the river meander, creating a better connection from the city to the river.

This project was selected by the Oslo Triennale.

Instagram: @rubgarrub

Creative Triggering by Christine Chen, Meichen Duan, Ji Hyun Hwang, Jing Kang, Hong Ke, Wanshan Li, Zhe Li, Xinru Liu, Hoi Yau Lo, Ankita Mallick, Weixuan Wang, Ruijie Zhang, Wenhao Zhang, M. Arch ’23
University of Melbourne | Advisor: Justyna Karakiewicz & Theo Blankley

This studio takes the site of Australia’s largest major urban regeneration project – located at Melbourne, Fishermans Bend – which is over 480 hectares of land directly adjacent to the CBD. We propose the future of the precinct in light of ecological, environmental, structural and social changes across staged developments into the next century.

The Fishermans Bend precinct has its challenges. Much of it is threatened by flooding. A significant portion of the land is heavily contaminated by previous industrial users. We have learned that the quick fixes we often employ are based on misinterpreting symptoms for causes as we try to address current problems. We can observe that our quick interventions distract us from doing the deeper work needed that might lead to a better world for the planet, for all species and the environment, rather than just for the electorate.

By 2025, the Stage 1 will be completed and will feature large scale facilities for advanced manufacturing, fabrication, testing and prototyping with large scale collaborators such as the University of Melbourne, Boeing, Tesla, and others. By 2050, the Victorian Government proposes there will be 80,000 residents and employment for up to 80,000 people. Looking forward, we know that by 2100, much of Fishermans Bend could be under water, even under the most moderate predictions for sea level rises. We know that most of the surface soil is toxic. This combination of toxic land and flooding does not suggest that this is suitable place to live.

Combining Slow, Medium and Fast approaches, the propositions are illustrated by small, medium and large projects. These include two urban infrastructure strategies, and eight architectural projects.The works shown here illustrates an incremental development, with Stage 1 in 2025-2030, Stage 2 in 2030-2050, and Stage 3 in 2050-2100. Students worked collaboratively and developed programs and outcomes that interconnected and linked with each other – as evidenced in the final panels showing relationships between proposals and how one project may ‘trigger’ another.

Instagram: @msdsocial, @msd.gallery, @theoblankley, @meichend_, @lohoiyau, @ankitamallick,

BQE Hydrology Hub by Emma Mangels, B.Arch ’23
New York Institute of Technology | Advisor: Evan Shieh

The re-imagination of the Gowanus Canal aims to address the environmental and hydrological issues facing the Gowanus Canal at the local scale and the surrounding neighborhoods of Brooklyn at the borough scale. The Gowanus Canal and the surrounding neighborhood of Red Hook has been a highly-contested area due to the status of the waterway being declared a superfund site. As well as flooding occurring on the shoreline and also in-land which can be traced back to the out-dated combined sewer outflow system or CSO feeding into the canal.

To address this issue, a “Hydrology Hub” will be created at the crossing of the Brooklyn Queens Expressway (BQE) at the local scale to clean water in an efficient manner and reduce in-land flooding as well as making the water filtration process visible to the community. The hub will allow for people to follow the newly designed circular system of water filtration that uses both natural and man-made processes. The filtration circulation will bring the person down to the canal level where a walkable park will take over the current hard-edge of the canal. In order to protect the new in-land system, the borough scale will include the implementation of a soft shoreline to slow erosion and provide habitats for flora and fauna, creating a “kit of parts” to foster an environmentally resilient community while also placing an emphasis on circular systems of water.

Instagram: @mangels.arch, @ev07

Island Revitalization by Kelly Zheng, B.Arch ’23
New York Institute of Technology | Advisor: Farzana Gandhi

Coney Island is a peninsula that sits in the southern part of New York City. The site is a smaller scale of NYC that demonstrates the environmental problems that the city faces. It is an area full of residential structures and commercial businesses.

Coney Island suffers from bad air quality, urban heat, flooding, and poor water management, causing bad living quality and health risks. These issues should not be understood and treated separately. They are all part of a reciprocal ecosystem where one problem typically worsens another.

It is essential to develop a holistic and comprehensive integrated solution that makes Coney Island more livable today and far into the future. The proposal is inspired by such solutions found around the world and at multiple scales from masterplan to kiosks.

Coney Island was originally a collection of islands and shifting sand, with inlets connecting the islands during low tide periods. In the late 1700s, the sand-shifting movements closed the inlets, so the residents filled in the space and connected the islands into one whole island. Coney Island Creek was the water body that separated Coney Island from the mainland. Over time, the island expanded due to natural and manmade activities such as sand shifting or landfilling.

The proposal reintroduces the creek, forming additional routes for water flow. Additional canals will be integrated, dividing the island into 3 mini-islands. This development isolates the island’s midsection, the portion that will be most likely affected by flooding. The isolation prevents water overflow from entering the surrounding inland areas. The middle mini-island will be redeveloped as an amusement island, and be designed as a sponge park to absorb flooding or overflowing water.

Recreational areas and water management systems are incorporated into the islands, rapidly expanding the amount of green and blue to decrease the environmental risks. Real-time visual notifications and warning systems are integrated into the streets, using lights, sounds, and kiosks to educate people about environmental factors and give alerts for safety threats. The strategies and real-time data systems work together to build a stronger, low-vulnerable community for citizens and visitors.

Instagram: @kellyzhangarch

Replacement by Zoe Holiday, B.Arts ’23
Savannah College of Art and Design | Advisor: Gordon Nicholson

Replacement is a Community Center located in Wilmington Island, GA. The site is nestled between an elementary school, a fire station, and two churches. A walking path alongside a main road accessing the site encourages pedestrian and vehicular engagement. The proposed community center – Replacement – will do just that by superimposing a new structure of CMU while maintaining the existing concrete structure. The main concrete columns will be inverted to create void where there was once a solid. The exterior faces of the new structure take shape from the radii of the trees defining the current landscape.

The building’s approach to water was integral to the form of the roof and interior courtyard. The two form a connected system of water collection through phytoremediation, water retention, and overflow channels that are capable of managing storm water and flooding. Replacement aims to become a shelter and everyday hub for the Wilmington Island community.

Water Wise Wrapper by Debdeep Dam, M.Arch ’23
University of Southern California | Advisor: Lisa Little

California and the world at large have been facing tumultuous weather patterns. Respite from long-term drought comes in the form of devastating floods.

Throughout history, humans have had a symbiotic relationship with natural sources of water; often carrying both cultural and spiritual significance. Unfortunately, modern city-making has been oriented toward over-engineered city planning because modern cities have had access to uncontested water resources without regard to ecosystems or context. The modern city treats stormwater as a nuisance; something to be drained away out of sight even though water scarcity has become so real an issue that architectural systems that try to mitigate this by having systems in place for water conservation, collection, cleaning, and reuse should be adopted by all buildings.

With the increasing commodification of clean potable water and gross exploitation of this natural resource, it has become imperative to explore options for democratically using, storing, and distributing this natural resource.

“Water-Wise Wrapper attempts to bring this crucial subject to the forefront of urban living while advocating for a system that can leverage the vast vertical landscapes of the modern city and act like a sponge: absorbing or releasing water when needed and releasing it when required. This thesis proposes a system that physically stores and releases water while also acting as a visual representation of the scarcity of this vital resource.

This project won the USC Master of Architecture Innovation in Directed Design Research Award. In recognition of the most outstanding graduate final degree project illustrating technological innovation and advancement.

Instagram: @debdeepdam, @lisa_k_little

Hydro-Urbanism: A Walkable, Coastal Neighborhood Designed to Withstand Flooding and Use Water as A Design Asset by Zachary Faza, M.Arch ’23
Florida Agricultural And Mechancial University | Advisor: Kyle Spence

Located on the low-lying, sandy peninsula of Pinellas County, St. Petersburg, Florida, is a coastal city that has much at risk from hurricanes and heavy rainfall events. No Florida county has more buildings and more value at risk in Category 1 storms.

When a severe storm impacts a coastal city, high winds build up and push the water from the sea over the land. This is called storm surge, and it can cause devastating damage like that seen during 2022 Category 4 Hurricane Ian impacting this region of the State.

Zachary’s design-research investigative thesis presents research on existing case studies of aesthetically pleasing, multi-beneficial flood infrastructure that benefits society beyond flood control. This project applied intuitive thought to produce a design proposal for a walkable, 40-acre master-planned development that integrates flood-adaption infrastructure as aesthetic and recreational features.

The proposed master planned development orients around a central pond serving as a water retention feature and encloses two public park islands. This pond connects to a site-wide network of waterways and bioswales (naturally filtering landscape features) designed to absorb, filter, and store stormwater runoff from neighborhood roads.

Around the pond are several distinct built areas, each with latent design exploration. The primary regions built around the pond include a Canal-Front residential area that has elevated structures that looks inwards onto tree-lined canal parks, the Waterside Shops mixed-use shopping center with a grocery store, waterfront commercial spaces, and apartments, and the public Forest Park that spans two islands within the central pond and forms the spine of the development’s pedestrian and bicycle circulation network.

Zack’s project is a design exercise demonstrating that flood adaptation measures can be an aesthetically pleasing part of a holistic urban design solution that mitigates damage from floods and storms and creates vibrant, profitable commercial, public, and residential areas.

This project won the FAMU Three-Minute Thesis First-Place Award

Come back next week for Part II!

Study Architecture Student Showcase - Part VIII

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Part Eight of the Student Showcase series this week focuses on student work that brings to light different aspects of sustainability. The concept of reuse is at the core of being sustainable. Each of these projects discusses a unique angle of what it means to be sustainable in both space and matter. Whether it is a ceramics studio in Chicago or green spaces in Los Angeles and Beirut, each of these projects recognize the importance of stewardship in architecture.

For recaps on prior installments, check out Part I, Part II, Part III, Part IV, Part V, Part VI and Part VII.

Nan/nang/: Earth and Us by Zahra Sharifi, M.Arch ’22
University of Manitoba | Advisor: Lisa Landrum

My thesis is focused on the potential of using and re-using local soil and modernized primitive vernacular strategies. I grew up and was educated in the historical city of Yazd, located in the largest desert of Iran, famous for its integrated earth urban fabric and climate adaptive structures. My interest in vernacular methodologies using soil became a starting point for questioning the lack of commitment towards earth construction in cold climates. As abundant and pliable materials, soil and mud are sustainable resources that have been used in construction for thousands of years, yet they have been replaced by harmful substances. By consuming all our natural energy resources, we will eventually reach a stage where manipulating and managing soil will become one of the leading global building strategies, and I believe inherited knowledge of traditional teachings is a starting point for all earth-based research.Focusing on cold climates originated from my experience of living in Winnipeg and the city’s lack of earth awareness. Even though the area endures heavy winter snow, which requires thick waterproofing, insulation, and durable building envelope systems, there is a historical and geological connection between the city and mud. The muddy land of Alexander Docks next to Red river in central Winnipeg, intrigued me to think about the re-use of deposited mud from the river for earth construction. I am proposing an adaptive rejuvenation of the old warehouse adjacent to the docks, by mimicking the natural qualities of mud and adding new insulated exterior earth walls inspired by my own research, previous earth strategies conducted in Manitoba such as Sod houses and traditional Persian earth structures such as Karbandi. The building will act as an earth reconnection center in the heart of downtown inviting the locals and international researchers to engage in earthly thinking.The simplicity of the construction process is in direct relation to the simplicity of the structure which allows us to implement local common labor and on-site preparation. Low-tech earth strategies provide the opportunity for community participation in annual spring maintenance for example reapplying mud plaster on earth walls. By considering the excavated site soil and deposited mud from the river as the main building material ( processed and separated into silt, clay and sand) and reusing existing building waste such as bricks, concrete and steel for reinforcement, there is a possibility of neutral carbon construction.

Instagram: @z.sharifi74, @faumanitoba, @lisalandrum.arch

Terra Studios: A Center for Ceramics Production and Residency in Chicago, Illinois by Faith Primozic, B.Arch ’22
University of Notre Dame | Advisor: Sean Patrick Nohelty, AIA

The city of Chicago has a rich history of ceramics as an art and industry that remains a core part of its architectural identity. Much of this industry existed along the northern branch of the Chicago River where factories produced ceramic building materials for some of the city’s most renowned architects. As this industry declined with the advent of more modern building materials and methods in the early part of the 20th century, the city lost both part of its intricate fabric as well as a part of its unique identity. Through my undergraduate thesis project, I imagine how a pair of buildings to serve craftspeople situated within an urban redevelopment along the north branch of the Chicago River can begin to reestablish a connection between the city’s architecture and its people.

The design for these buildings embodies the idea that architecture should reflect both the occupants that it serves and the society that it inhabits. Structures for artisans and craftspeople who contribute creatively and constructively to our society must therefore be beautiful and enduring reflections of their work — living representations of how both tradition and innovation in their craft enhances the sustainability and livability of the built world. Intertwined with a city’s unique history, this architectural narrative creates a sense of place and allows a city to grow and improve without losing touch with its identity

The proposed buildings exist in an entirely permeable arrangement that allows a pedestrian to pass freely through a new passage under the existing elevated railroad tracks all the way to the river’s edge. The larger of the two proposed buildings serves as a center for ceramics production and includes a large studio, kiln room, research center, gallery, and ballroom. The smaller building is intended as an artists’ residence and shop building, adding a component of living and working to the production of the ceramics. Together, they embody a celebration of the craft of ceramics, from the brick and clay block that support and insulate the walls to the porcelain tile and terracotta relief that lend to its character and beauty.

Instagram: @faith.primozic

Altra Volta: A Neighborhood Hub for the Self-Sufficient City by Samuel Owen, B.Arch ’22
University of Arizona | Advisor: Elena Cánovas

The following capstone project is a community co-op focused on self-sufficiency, in which members grow their own food and fabricate their own products to support themselves and to sell to the community. All waste produced on-site is recycled – solid waste is separated by material to be reused, repurposed, or recycled, and liquid / food waste is sent to an anaerobic digestor to produce energy and fertilizer for an on-site farm network.

This co-op is located in the Provençals del Poblenou neighborhood of Barcelona, the former epicenter of Barcelona’s Industrial Revolution. This area has a long history of industrial co-ops where members could share equipment for collective benefit. Today, the city is trying to develop the neighborhood into a “Technological Innovation District” known as 22@. Unfortunately, most construction following this initiative has done little more than gentrify the community and destroy its historic factory remains.

As an alternative to the aggressive development practices of 22@, this project embraces Provençals’ history and traditions, proposing a return to a circular economy model where daily food and material needs are handled through local collaborative effort, and waste from any one resource flow becomes the raw input for another. Through education, the community is empowered to participate in all steps of the production cycle.

“Altra Volta” – a Catalan phrase meaning both “to have another go” and “another vault” – is a repurposing of Poblenou’s endangered industrial fabric. It consists of two parts – the conversion of still-standing warehouses (into workshops, kitchens, a daycare, cooperative housing, and waste-processing facilities), and the reuse of historic factory foundations for the central marketplace.

On a broad scale, the project utilizes the empty land between blocks to create a “passeig nou” (new promenade) where the community can stroll and relax beneath orchard groves and observe the self-sufficient ecosystem all around them.

Instagram: @samowenarc, @canovas_elena

The Fold by Mark Davis and Ethan Ratliff, BSArch ’22
University of Maryland | Advisor: Michael Ezban

The Fold is a new Resiliency Hub for College Park, Maryland, that focuses on passive strategies to create ventilation and shading that ultimately improves the user’s experience within the building. To achieve these systems, the building is wrapped in a multifunctional and adaptive skin that is mounted to the outer layer of the building. This skin is perforated metal, creating shade and also bending in such a way to allow for better airflow.

Not only does this skin function sustainably, but it can also be adjusted to allow for better views to a lively urban corner of the city. The panels can also shift to allow for daylighting into major public spaces. The building is intended to entice the people of College Park, and show them what creative and sustainable building strategies could look like.

Green Air Rights by Myriam Abou Adal, B.Arch ’22
American University of Beirut | Advisor: Makram Al Kadi

Beirut is overcrowded, yet there is a large number of abandoned buildings and vacant apartments; Beirut is living a social and economic collapse; Beirut suffers from an absence of green and public spaces.

How to best activate the urban vacancies to create a network of multi-scalar micro-economies and green spaces?

I translated my readings of existing literature and case studies into my own glossary of vacancy and response typologies. I then started my fieldwork with rapid appraisal through on the ground measurements, interviews with residents to understand their needs, and immersion in the life and culture of the neighborhood I chose.

I am proposing a network of multi-scalar interventions that relies on a strategy of micro-economies centered around the communal life of the many users I met, while respecting nature and maximizing green spaces. I identified a variety of vacancies typologies and revived them favoring adaptive reuse, parasitic architecture, and placemaking. I translated the building code into a green building code to optimize the allowed buildable area and the gabarit, that guided my massing and choice of materials.

The ground floor vacancies are connected to create large and inviting lobbies that act as a continuation of the public space to drive the community in. The upper floor vacancies and abandoned buildings are treated using adaptive reuse methods and bridged to connect educational, cultural, entertainment, and service programs. On the roofs, A-frame steel structures host the necessary infrastructure for urban farming, water harvesting, and energy production.

This project may be viewed as a pilot intervention as part of a bigger strategy to green the city of Beirut, to introduce a culture of self-sustainability.

Instagram: @myriamabouadal, @ard_aub

Dust To Dust: Embracing Entropy Through Organic Building Materials by Ryan Muir, M.Arch ’22
University of Maryland | Advisor: Michael Ezban

Architecture has had a complicated relationship with this agent of time. Some modernists sought to “overcome” time by turning buildings into machines. And today we’re very much concerned with keeping up with the times. Through commercialism, buildings became commodities or machines for profit. Throughout this time, innovators have striven to and succeeded in inventing building materials that are inert or permanent. However, the problem is that our society doesn’t treat buildings as permanent. They go out of style or can’t keep up with our changing needs. This has bred a practice of planned obsolescence that may reflect the dynamic, living organism of society, but fails to see buildings themselves as organisms. Perhaps the issue is with identifying our buildings as machines, building them for longevity and durability while simultaneously attributing to them an inherent disposability.

Per Leon Krier’s diagram “Civitas”, a city is made up of two parts: res publica and res economica. Res publica is made up of monuments and monumental buildings. Res economica is made up of the streets and the auxiliary buildings. In other words, res publica represents the permanent, consistent nature of a city, while res economica is impermanent, subject to change and adapt to the needs of the city. Each part of the city represents a different opportunity to reshape our view of buildings. Res publica should be built to last and have its effect on the city for generations, slowly and subtly acquiring a patina that conveys wisdom and experience. On the other hand, Res economica could be constructed to be deconstructed, to have change affected on it, to evolve.

This thesis set out to test architecture’s ability to embrace the process of entropy through organic materials and explore these methods at three scales within the “res-economica” of Washington, DC. My approach to these different scales was to determine the viable materials, design each wall section assembly, and design the exterior and interior expression of these materials at the human scale. Then I dove into greater detail, beginning with the smallest scale as the furthest potential adoption of this theory.

Trades Tower: an Ode to Service Space by Daniel Vazquez, B.Arch ’22
Cal Poly Pomona | Advisor: Robert Alexander

Is architecture inextricably linked to its function? Can a building’s function vary, not just from one building to the next, but from person to person? In this project architecture’s role becomes one of user relevancy and contextual activation, things that are in constant flux on a college campus. The question then becomes: Can you make a building re-usable? Can you design a project that is in flux? Making a lliminal space where the public and private functions blur and where the project provides spaces to use that are activated instinctually. The formal program then becomes a catalyst and a framework that activates but does not dictate use. The project thus strays away from a “totalization,” opting instead to embrace and broadcast the variability of daily life.

As the city of Los Angeles continues to densify, issues such as public space and identity become increasingly urgent. Los Angeles Trade-Tech College, located directly south of the Santa Monica freeway (I-10) on Flower St. and Washington Blvd., exemplifies this dilemma as it expands and attempts to carve a place amongst the South LA urban fabric. Here, a disparate set of buildings create a hard perimeter around the college, with all buildings locked to the same datum rendering the campus invisible to the public. Despite opportunities such as proximity to the A-Line train station and direct visibility from the 10 freeway, a sense of destination is squandered by anti-pedestrian access and lack of identifiable elements. The character of LATTC and the education it provides are not advertised or readily legible.

Next installment coming soon!

American University of Cairo Students Develop Glow-In-the-Dark Concrete

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Four undergraduate construction engineering students at the American University of Cairo (AUC) have created a  self-luminous concrete, which can absorb sunlight and emit light after dark. Students Fatma Elnefaly, Mayar Khairy, Zainab Mahmoud, and Menna Soliman had sustainability in the forefront as they began their thesis graduation project. Their goal was to find a way to save energy and bypass traditional energy consumption while improving the country’s infrastructure.

“Sustainability is a main theme in this project. This new concrete possesses better appearance and helps reduce the massive amount of energy used in lighting highways or providing illuminated street signals or signs needed for safe rides,” Mohamed Nagib AbouZeid said, professor of construction engineering at AUC, and supervisor of the students’ graduation project. Beyond the sustainability measures, AbouZeid added the glow-in-the-dark concrete would also enhance safety on long stretches of roads and highways in the country.

AUC-glowinthedark-Concrete

Photo credit: The American University in Cairo

Zainab Mahmoud, explained one of the many uses for the self-luminous concrete includes lighting roadways and bike paths and foregoing the use of electricity in those spaces, an opportunity that is in congruence with Egypt’s sustainability goals. “The utilization of this material in Egypt in such a context will reduce heavy reliance on electricity and accordingly be an active step towards fighting climate change and saving the environment, which is one of the main goals of COP 27 that Egypt will be hosting this year.”

“The idea of our research originated from wanting to make such an integral construction material like concrete more sustainable and environmentally friendly in both its creation and function,” Mahmoud said. The team understood the harsh environmental impacts associated with concrete and decided to look into new ways to make use of the common building material.

Fatma Elnefaly described the most challenging part of their development process was selecting, obtaining and testing locally used materials in order to ensure they were best meeting the goal of their project. “We needed to test the luminous effect of the selected materials and its effect on the mechanical properties of concrete,” she said.

“This research requires more experiments to provide reliable conclusions to plenty of crucial queries that remain to be answered,” Mayar Khairy said, in regards to the relatively novel research subject.

Earlier this year, the students showcased their work at the Transportation Research Board 101st Annual Meeting in Washington, D.C. Menna Soliman explained that attending the conference allowed them to engage with industry experts and receive valuable advice and recommendations on how to turn their project into a product that can be commercially available in the future.

Professor AbouZeid, who attended the conference with the students in D.C., is optimistic about the direction of this research project and the importance improving and enhancing the production process from the first stage. “Future steps include producing larger quantities as pilot trials to be evaluated on actual field conditions such as a small stretch of a highway,” he said.

Since the thesis project ‘s completion, the four students were awarded the ministry shield by Egypt’s Minister of Higher Education and Scientific Research, Khaled Abdel-Ghaffar.

 

AUC Students Receive Ministry Shield for Innovative Work

Photo credit: The American University in Cairo

All images courtesy of The American University in Cairo

UC Berkeley's 3D-printed 'Cabin of Curiosities'

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(via Berkeleyside)

UC Berkeley associate professor of architecture Ronald Rael’s “Cabin of Curiosities” is a livable, water-tight structure in Oakland that was unveiled in May of 2018. With succulents growing off the exterior walls and a translucent interior, the cabin catches the eye and inspires wonder. What makes the structure truly unique, however, is not its beauty, but the fact that nearly every element of the cabin was constructed out of 3D-printed materials.

Built with the help of his partner Virginia San Fratello of San Jose State University, several students and alumni from Berkeley’s College of Environmental Design, and supported by Berkeley’s Bakar Fellowship, the cabin makes use of “upcycled” materials in its construction by repurposing discarded items like grape skins, salt, cement and sawdust and turning them into building materials to create a functional, sustainable living space.

This March, Rael’s cabin was named the winner of the 2018 3D Pioneers Challenge, an international additive manufacturing technologies competition.

Berkeley News caught up with Rael to talk about constructing the cabin, the benefits of upcycled materials and the future of 3D-printed buildings.

Read the full interview here.

Learn more about the University of California Berkeley on their StudyArchitecture profile page.