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2024 Study Architecture Student Showcase - Part XII

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Now more than ever, sustainability is a top concern in architecture as we continue to witness the impacts of climate change. Part XII of the 2024 Study Architecture Student Showcase features projects that promote sustainable, eco-friendly practices.

From design solutions to reduce the production of harmful greenhouse gases to innovative use of green technologies such as rainwater harvesting, solar cells, etc), this showcase presents various strategies to address sustainability concerns. The featured projects seek to support not only humankind but the flora and fauna that share the planet as well. The award-winning designs also emphasize the importance of community preservation, integration, and education.

Spirit of Water, Empire of Sun Designing for Desert Living by Nate Dansie, BS in Architecture ‘24
University of Virginia | Advisor: Mona El Khafif

Historically, the Southwest [of the] United States has been defined as a place of rampant westward expansion by American citizens in one of the most iconic landscapes on this planet. Accelerated by the COVID-19 pandemic, the Southwest has gone through a renewal of rapid growth, where the landscape of mountains and sand has transformed from monuments of nature to backdrops for newly planned communities. 

Through a society driven by individual and economic success, these large development projects in growing towns are made as cheaply and quickly as possible. This becomes a plastic city in a landscape that is losing its identity as it continues to fill with more and more people. In hand with this increasing population, the Southwest is facing some of the most prominent climate change effects in the world. From rising temperatures, spreading desertification, and uncontrollable wildfire, to the most severe drought in the last 1,200 years, the future of desert living will be defined by how we adapt to climate change’s outcomes. This unsustainable growth of capital-driven small-town populations in juxtaposition to the increasing effects of climate change provides a dangerous future that we are heading towards. The city of St. George, Utah typifies these conditions and serves as the site for this thesis proposal. Known as one of the fastest-growing metro areas in the United States, it is dealing with one of the most severe water crises- with the demand for water expected to pass the supply by the year 2030.

The story of this town needs to shift from a one-directional water system into a cyclical and sustainable metabolism that addresses all scales of design. The proposed solution comes through a duality of increasing the water supply through a new master-planned housing typology at the community scale, and a sociological shift in our relationship with water through the architectural and individual scale to conserve what we have. We must reinvent how we live in a place to accommodate sustainable urban growth and amplify the original identity and ecology of the desert landscape.

This project was recognized as the Best Project of the 2023 Thesis Cohort.

Instagram: @natedansie.design, @aschool_uva

Skyscraper/ Megastructure Design Studio by Ko Harmes, B. Arch ’24
Endicott College | Advisor: Robert Augustine

Concept Brief: Eco-Portal to a Sustainable Future in the City of Boston

Located on a waterfront site, near the Charlestown Naval Yard, this advanced Mega Structure / Skyscraper / “Eco-Ark” serves as an inspiration for a sustainable, green future.

These two, organic-shaped, net zero towers, serve as stewards of the environment, featuring living green roofs and balconies that mitigate urban heat island effects. Special features include large, multi-story green-walled atriums, rainwater harvesting systems, and thin solar cell glass windows that generate over 25% of the power used by the facilities.

Built, in part, from the recycled remnants of the adjacent Tobin Bridge, currently slated for demolition, these organic-shaped towers celebrate advancements in environmentally responsive, sustainable, green technologies. 

The Site: One of potentially the most important landmark sites along Boston’s harborfront, the existing site can currently be described as mostly “a parking lot”… a hardscape/ industrial wasteland. The proposal re-establishs an eco-system that re-introduces nature back into this brittle area that once was home to native species of plants like the Sugar Maple, Eastern White Pine, Highbush Blueberry and Woodland Sunflower also helping re-introduce wildlife and pollinators back into the ecosystem.

Program: Mixed-use apartments, shopping malls, hospitality/ hotel space and a large informational eco-sphere / sky bridge, suspended between the two towers provide a green sky garden and a digital communication outer sphere. 

Structure

A mega core with an outrigger framing system, similar to that used in the construction of the Burj Khalifa, currently the tallest skyscraper standing today. The mega core system requires larger cross sections in addition to a shear wall that is part of a composite core or reinforced concrete. This allows for the system to have no column or shear walls on the outer perimeter because the mega core can resist all the vertical and lateral loads.

Facilitating Extrastructure by Reilly Walker, M. Arch ‘24
University of Toronto | Advisor: Jeannie Kim

Amidst a megadrought, Arizona has announced water-saving plans that include direct potable reuse: upgrading municipal wastewater treatment facilities to produce effluent suitable for processing into drinking water. In this high-risk decision, how can these new additions create spaces that are interwoven with the communities they serve? This thesis focuses upon the fenceline as the experiential threshold of these typically off-limits facilities: interlacing fence and building to provide new vantage points; manipulating border and landscape to provide new visual access; and transforming the boundary into an infrastructure of maintenance and care.
Instagram: @reindustrial

Village of the Levy: Switchgrass by  Brenda R. Castillo, B. Arch ’24
University of Houston | Advisor: Roya Plauche

“The Village of the Levy” is a visionary project dedicated to nurturing and caring for the Earth by creating a machine composed of natural systems and ecosystems that fulfill environmental, architectural, and cultural roles. This project centers around switchgrass, a perennial grass with incredible potential for improving soil health, flood control, and carbon sequestration. Through detailed micro and macro studies, the project explores the morphology, structure, and growth of switchgrass and its suitability for producing cellulosic ethanol, an eco-friendly alternative to traditional ethanol sources.

The project conceptualizes “Switchgrass Pods,” establishing a village of programmed framed systems within one of the many placement areas proposed by Project 9 on the Houston Ship Channel. These systems protest against the existing refinery infrastructure along Buffalo Bayou, highlighting the need for sustainable practices. The site integrates human, natural, and industrial ecology, by programmatically offering a research and nature center for the adjacent communities. 

The project includes potential site planning and urban/architectural responses, culminating in detailed floor plans, sections, and isometric views of the “machines.” “The Village of the Levy” aims to create a system between nature and urban development, demonstrating the potential for ecological innovation in addressing environmental challenges.

This project won the Super Jury First Place prize.

Instagram: @brcarq, @rocio.arq, @royaplauche

ReGen Hall by Lexi Hudson, Saba Abdolshahi, Michael Alada, Dariya Fallon, Catherine Graubard, Marcell Hajmuhammad, Qin He, Ruiqi Huang, Zane Johnson & Sarah Rosseau, MSSD (Sustainable Design) / M. Arch / B. Arch / Chemical Engineering / Mechanical Engineering ’24
University of Texas at Austin | Advisor: Michael Garrison

Addressing the pressing need for student housing at UT, ReGen Hall integrates ecological sustainability and affordability while meeting the housing requirements of Dell Medical students and the adjacent neighborhood. Positioned at a unique edge between Austin’s East Campus and the historic Blackland neighborhood, ReGen Hall prioritizes health through its design, program, materials, and environmental considerations. The design promotes collaborative living, encouraging community interaction and adaptability through interconnected spaces.

The design features seven courtyards, providing medical students with outdoor access and spaces for respite. Optimal cross-ventilation is ensured through thoughtful window placement and modular design, enhancing air quality within residences and communal areas. To accommodate varying schedules, bedrooms are equipped with rolling exterior shading systems for daylight control, while sound insulation was considered to ensure residents’ sleep quality. 

Sustainable practices are integral, incorporating Passive House level insulation as well as a photovoltaic system on the roof and western facade to achieve net zero operational energy. ReGen Hall exemplifies a holistic approach to sustainable architecture through both design and engineering.

Further enriching community engagement, the ground floor hosts a free clinic staffed by medical residents, offering essential services to the historically underserved Blackland neighborhood. The project’s modular construction reduces costs, absorbing the upfront cost of high-performance insulation and photovoltaics. Designed with consideration for neighborhood scale, the building steps in height from two stories along the neighborhood side to six stories facing the university, responding to community feedback for enhanced integration and preservation of local character.

This project was a 2024 Solar Decathlon Design Challenge Finalist. 

Instagram: @utsolarhorns, @utsoa

Fort Point Channel: Gillette Site by William Prout, BS in Architecture ’24
Roger Williams University | Advisor: Edgar Adams

The planned movement of manufacturing facilities from Gillette’s Boston headquarters to a remote site provides a unique opportunity to explore the potential of this crucial site as an exploration of the issues of sustainable density and coastal resilience. The site is a vulnerable pathway for the flooding of the Fort Point Neighborhood and a crucial link between the Seaport and South Boston.

Suburban Symbiosis: Balancing Ecology and Economics in Suburban Development by Diego Courtney, M. Arch ’24
Lawrence Technological University | Advisor: Scott Shall

Following World War II, a mass exodus from cities to suburbs necessitated new building patterns that prioritized economics and speed over environmental considerations, changing landscapes and having a negative influence on ecosystems. This growth, which we now know as sprawl, combined with profit-driven motives, has led to an emphasis on quick, low-cost construction methods like stick framing, which frequently ignore the impact on the local environment and result in significant waste. In the profit-driven model, the residential development process begins with street layout, then lot/parcel maximization, with ecological and landscaping considerations as afterthoughts. This foregrounds the concerns of the car over the environment, prompting developers to sterilize the environment, resulting in fragmented habitats and homogeneous ecosystems that are detrimental to regional biodiversity. 

The consequences of this uncontained sprawl, which are already significant, will be exposed by the inevitable natural disasters, which are anticipated to become more frequent as a result of climate change. The current suburban development pattern is flawed, outdated, and unprepared for these environmental changes which we must contend with as architects.

To investigate this concern, this thesis will investigate an alternative development pattern, tested within the parameters of a neighborhood located within the rapidly sprawling city of Austin, Texas. This development strategy is intended to balance economic needs with environmental sustainability, with the goal of establishing a widely adopted, US-based model that corresponds with current economic proformas while regenerating and preserving the surrounding ecology. This thesis aims to address the concerns of both profit and the environment by attempting to achieve symbiosis with the environment at the suburban scale using the Living Building Challenge.

Instagram: @diego_courtney, @scott_shall

Choreography of Topography: Dalieh’s Calibrated Auto-Datum & E-co Interplay by Doria Doubal, B. Arch ’24
American University of Beirut | Advisors: Dr. Howayda Al-Harithy & Sinan Hassan

“Choreography of Topography: Dalieh’s Calibrated Auto-Datum & E-co Interplay” redefines the concept of ground by exploring its philosophical and spatial dimensions. Ground is not just a physical foundation but a dynamic entity influenced by the interaction of natural and artificial forces. This thesis examines Dalieh, a site in Beirut known for its historical significance as a vineyard, characterized by perpetual transformation.

The architecture harnesses humidity for irrigation, uses solar and wind energy to generate movement, and incorporates systems that expand, contract, inflate, and deflate in response to environmental conditions.

Central to this approach are the metaphors of the pergola and fishnet, reflecting Dalieh’s identity and the daily lives of local fishermen. The interventions are connected physically and conceptually by a temporal grid put throughout the site that interacts with the ground, people, and birds. Key interventions include:

  1. Reintegrating Lost Identity: Revitalizing the site by planting a vineyard and restoring Dalieh’s historical significance as a “vineyard” in Arabic.
  2. Vegetation Restoration: Addressing areas ruined by construction, this intervention includes:
  • Mist & Propel: Harvests atmospheric moisture to cool the air and disperse seeds.
  • Eco-Kinetic Soil Revive: Uses kinetic mechanisms to aerate the soil and inject nutrients.
  • Seed Shooter: Disperses native seeds to promote biodiversity.
  • AquaBloom Irrigator: Collects fog moisture for irrigation.

These systems regenerate the soil and enhance flora and fauna for public use.

  1. Vegetation Conservation: Attracting birds and providing feeding and shelter areas, ensuring ecological balance and integrating human interaction through designed seating spaces.
  2. Fishermen Strip: Supporting the primary users of the site, this area creates a fluid connection between the corniche and the water, facilitating economic activities by day and transforming into cultural spaces by night.
  3. Temporal Grid: A flexible structure throughout the site, used by the public for various activities depending on the season, festivals, weather, and time of day.

This project embraces the temporality and ephemerality of Dalieh, creating an ever-evolving architecture that responds to the rhythms of nature and human activity. It reimagines ground as a multilayered, dynamic entity, fostering a harmonious interplay between the environment and its users.

This project was the 3rd Place Winner of the Areen Projects Awards for Excellence in Architecture.

Instagram: @ard_aub

From Waste to Wealth: Food and Community Nexus by Fatema Dula & Rachel Aronbayev, M. Arch ’24
New York Institute of Technology | Advisors: Marcela Del Signore & Evan Shieh

The food waste processing facility is strategically designed to bridge both the literal and metaphorical divide between the hilltop favela residents in São Cristóvão, and the bustling food market below, a critical cultural hub. Situated on a hill, the facility not only connects these separate communities but also aims to serve as a vital nexus, enhancing interactions and mutual benefits between the informal settlements and the market. The facility is envisioned as a symbol of unity, sustainability, and progress, bringing together diverse groups for a common purpose.

The building is structured into three clusters, each dedicated to a specific treatment type: Composting, Anaerobic Digestion, and Recycling. Within each cluster, there are three distinct areas: a waste zone for processing, a communal area for collaborative activities, and a recreational space for leisure and relaxation. The design of these clusters ensures that the facility is not just a processing plant but a community center that encourages participation, education, and engagement in sustainable practices.

The three clusters are linked by a versatile circulation path that ranges from fully outdoor to semi-outdoor and indoor segments, enabling traversal from the hilltop down to the food market level. This path is designed to be accessible and inviting, with shaded walkways, benches, and educational signage about waste management and environmental stewardship. It serves as a continuous thread weaving through the facility, fostering a sense of connection and flow.

In addition to its primary function of waste processing, the facility is intended to host workshops, community meetings, and educational programs focused on sustainability. It aims to empower residents with the knowledge and tools to reduce waste, recycle more effectively, and participate in a circular economy. Through these initiatives, the facility aspires to create a more resilient and interconnected community.

Instagram: @fatty_2109, @marcelladelsi, @ev07

Natural Reflection: Reducing the Environmental Impact of Architecture through Biomimetic Design by Keenan Doricent, B. Arch ’24
Kennesaw State University | Advisor: Robin Puttock

The use of biomimetic design can be used to develop construction techniques and integrated building systems that reduce the increased amount of operational and embodied energy consumed by contemporary approaches to building. Factors like material production, site preparation, and equipment use are just a few examples of contributors to the amount of embodied energy consumed by a structure before it is even completed, while active building systems consume energy throughout the life of an occupied building. Because of greenhouse gasses, the long-term effects of historical and current architectural and infrastructural strategies have had a detrimental effect on the climate. The forest, desert, tundra, mountain, and aquatic biomes are all home to countless types of plant and animal life that adapted to their respective surroundings to become a part of the natural cycles that occur within any given area. This thesis project strives to study plants and animals that occupy and interact with the environment in order to reduce energy consumption and the ecological footprint of typical buildings.

This project was a finalist for the ARCC King Student Medal Award.

Instagram: @thenumber1fun, @xkdesign1

Powering Equality: Teaching Clean Energy on Multiple Grounds by Sabrina Innamorato, M. Arch ’24
New York Institute of Technology | Advisors: Marcella Del Signore & Evan Shieh

Due to the complex nature of the São Cristóvão neighborhood, in-depth research and an understanding of the mounting spatial and social issues were paramount prior to the development of an urban intervention for the city. Resiliency and vulnerability at the urban and human scale were analyzed through three interconnected lenses: social/cultural, environmental/ecological, and infrastructural/networked.

The proposal looks to develop public, peaceful nodes that operate on “urban collision” sites by hybridizing clean energy infrastructure with social programs. The proposal transforms former “pass-through” sites into places that are productive and social.

The concept is to allow the site context to inform an organizational armature. Building near the coast requires an attitude about not just having multiple floors of a building, but also about offsetting multiple ground planes. A diagrid column system acts not only as the main structure but also creates light wells and, at times, is occupied by supporting programs like egress cores or plumbing chases. There are a series of small pavilions for 5 clean energy systems: Geothermal, Hydro, Biogas, Wind, and Solar. The systems function on the site and the pavilions include teaching space to inform community members and stakeholders about the operation and importance of clean energy, while the space between is a public park. Ultimately the project is an infrastructural playscape.

Through a series of teaching pavilions, observable clean energy infrastructure, and public green space, the architecture provides a physical ground for knowledge building, where community members can become ambassadors for spatial and social change in São Cristóvão and beyond. The project looks to acknowledge and adapt to the already irreversible effects of climate change by offsetting and creating multiple grounds that anticipate and accept sea level rise, and simultaneously address the importance of mitigating future climate change. The park is a prototype for a larger strategy that can begin to bridge social and spatial divides and heal communities at an urban scale, by teaching clean energy on multiple grounds.

The project was presented at NYCxDesign 2024 Student Showcase at F.I.T., and the cartographic model was exhibited at Salone del Mobile in Milan, Italy, along with the Gold Certificate of Excellence in Design and the ARCC King Medal.

Instagram: @sabrinainnamorato, @si_archidesign, @marcelladelsi, @ev07

UrbanSymbio by Bharat Satish & Nicholas Reid, M. Arch ’24
New York Institute of Technology | Advisors: Marcella Del Signore & Evan Shieh

The UrbanSymbio can be viewed as a self-sustaining and carbon-neutral organism that coexists harmoniously with its surrounding urban environment, promoting energy circularity in São Cristóvão. Its growth is guided by the cellular automation algorithm, which mimics natural processes of organic growth and adaptation, ensuring a sustainable and efficient use of resources. Like living organisms that evolve in response to their environment, this kit of parts expands and transforms itself based on the changing needs of its inhabitants and the available space within the urban fabric.

Its modular and flexible nature allows it to seamlessly infill and occupy underutilized or vacant spaces, repurposing and revitalizing them without causing significant demolition or displacement. This minimizes waste and maximizes the use of existing resources. The system’s self-organizing capabilities and sensitivity to changes within itself and its surroundings enable it to grow sustainably by utilizing renewable energy sources and implementing circular processes that minimize resource consumption and carbon footprint. Its adaptive nature ensures that as the city evolves, the system can continuously reconfigure itself to optimize energy efficiency and resource utilization, avoiding the creation of obsolete or redundant structures that contribute to urban blight and environmental degradation. This system could act as a prototype that could be implemented in any city worldwide.

Instagram: @0ero_persepctive, @unruly.don_, @marcelladelsi, @ev07

Dataism Motion Exhibition Center by Begimai Baibachaeva, B. Arch ’24
Boston Architectural College | Advisors: David Eccleston & Robert Gillig

Location: 40 Commercial St, Portland, ME 04101 

Project: Exhibition Center

Site Description: Portland is a center of connectivity, equity, sustainability, and authenticity. Portland’s Eastern Waterfront is one of the primary economic hubs that serve as a center for travel, fishing, commerce, and shipping. Thus, it’s essential to continue supporting the waterfront in a rapidly changing world. The concept of the project is to revive Portland’s waterfront while celebrating its heritage and innovation. 

Considering that our site is a center of various activities, my vision was to create a seamless connection between the distinct boundaries of land and water, particularly through the exhibition hall experience, visually at the heart of the building. But also mimicking the freedom and fluidity of water, envisioning a scenario where these two natural elements (land and water) coexist harmoniously. The approach included providing people with access to water through strategic landscape design.

Concept: The architectural thesis envisions a dynamic synthesis of Umberto Boccioni’s “Development of a Bottle in Space” and the progressive essence of artificial intelligence, merging seemingly disparate concepts through the lens of time and motion. Set in Portland, Maine, the design employs curves in both the facade and interior spaces, integrating intelligent program design and enhancing the user experience. The primary structure, a space frame, supports the organic design, while a cylindrical curtain wall pays homage to Boccioni’s sculpture, marrying the rhythmic dance of form with the seamless interconnectivity of data.

This project received Commendations: Bachelor’s Degree Project in Architecture and the Edwin T. Steffian Centennial Award: Bachelor’s Degree Project in Architecture.

Instagram: @begimay_b_, @thebacboston

Walking with Gentle Giants by Manshi Manojkumar Parikh, M. Arch ’24
Boston Architectural College | Advisor: Ralph Jackson, FAIA

Humans have long sought to dominate and exploit every corner of the planet. As civilization advances, coexistence with other species becomes increasingly dystopian thought. Humans have harmed the environment and imposed our presence on the voiceless, including the majestic Asiatic elephants, who face abuse and exploitation, with some populations nearing extinction. Elephants act as ecosystem architects, playing a vital role as keystone species in creating forests and maintaining biodiversity. The endangerment of these critical species signals a potential loss of other interconnected species, jeopardizing nature’s essential services. Preserving nature and developing strategies to adapt to climate change is crucial for the survival of endangered species. Caring for animals and plants is about safeguarding the Earth’s natural caretakers. 

At the beginning of the last century, the world had 100,000 Asian elephants. Over the past three generations, their population has dwindled by at least 50 percent. India is home to more than 50 percent of the elephant population. Habitat reduction, fragmentation, commercial poaching, and the illegal trade of live elephants drive these nomadic creatures to near extinction. In December 2022, India reported the loss of almost 500 elephants due to electrocution, train collisions, poaching, and poisoning. This data underscores the challenges of protecting elephants, with most deaths in West Bengal caused by train collisions between 2012 and 2017. Since 2018, 379 elephants died from electrocution, 80 from train accidents, 40 from poaching, and 25 from poisoning. 

The aim [of this thesis] is to create a safe haven for these gentle giants, protecting them and the environment that makes our planet unique. A holistic design approach can bridge our worlds, fostering understanding and shared living. Through architecture, we can create a space where humanity’s impact shifts from exploitation to harmonious coexistence. This thesis explores solutions for conserving Asiatic elephants in the West Bengal region of India focusing on one of the elephant corridors situated between the Apalchand forest and the Gorumara Wildlife Sanctuary, by designing a facility that serves as a refuge for elephants in need, inspiring, educating, and providing a research base for conservation. The goal is to enhance the well-being of these gentle giants with a holistic approach, creating a coexisting environment. This sanctuary aims to go beyond traditional conservation models, reviving the migration corridor and positively impacting both humans and elephants. 

This project received the M. Arch Thesis Commends.

Bio-Encapsulation by Justin Wolkenstein-Giuliano & Crystal Hope Giard, B. Arch ’24
Syracuse University | Advisors: Britt Eversole & Julie Larsen

Harmful freshwater and saltwater algae blooms, which are caused by phosphorous and nitrate from agricultural and wastewater runoff mixing with increasingly warm waters, constitute a widespread environmental crisis. As a response, architecture must develop environmentally responsible construction and innovate with novel materials. We propose that, in navigating ongoing ecological degradation from harmful algae blooms, we can develop a unique design language and material expression that captures problematic substances and redirects them toward literally constructive ends. 

Our design research explores the bio-material robotic fabrication possibilities that might arise from intervening in the environmental cycle of agricultural production, runoff, and algae growth. To give form to the formless and explore the aesthetics of the toxic, we built a prototype 3D algae printer that extracts algae from the environment and, using a proprietary admixture that we developed, redirects it to build novel architectural assemblies. Agricultural industries use a hydrogel called sodium polyacrylate to mitigate liquid runoff. When combined with liquid, this dry powder will absorb and expand, creating a gel. Our 3D printer makes use of existing sodium polyacrylate and existing toxic algae; when combined and then applied to sand mold formworks and allowed to cure, the algae hardens into three-dimensional forms and thin folded and warped surfaces. 

Our design research operates at a 1:1 scale, rather than analogs or models. In terms of size, we have managed to produce large-format components, approaching 3’-0” in length. However, the system, chemical combinations, and logic of manufacturing can scale up. The system we have created will serve to index a degrading ecology but also offer the possibility of creating a new cycle of pollution remediation and growth: one where design is not a solution to the toxicity of our world, but rather an opportunity to collaborate with toxins, resulting in a new formal language of bio-encapsulation.

Instagram: @syr_arch, @jmlarsen, @g_britt_eversole, @justinwg64

Saltscapes: Architectural Systems for Salt Reuse by Peiyu Luo & Shengxuan Yu, B. Arch ’24
Syracuse University | Advisors: Britt Eversole & Julie Larsen

Our design research investigates the many scales—local, regional, and continental—of the material and environmental economy of salt. Salt is both a naturally occurring and manmade substance that is entangled with the human environment. Salt is in and on our bodies and food. It is found in masonry, stucco, mortar, and cement. It is an essential substance in countless industries. Its most harmful application, however, is the massive amount of salt deployed on roads and highways during the winter to melt snow and prevent ice buildup. High concentrations of road salt circulate through the environment, leaching into the watershed where it harms plants and animals, especially amphibians.

Our project speculates on the role of architecture, infrastructure, and design in remediating the ongoing problem of salinization caused by road salt usage in the United States’s transportation infrastructure system. The salt used for wintertime road treatment is either extracted from mining or formed from the natural crystallization of salt flats. The enormous quantity of road salt used in the United States taps into a complex shipping network that moves salt around the Nation and even imports salt from multiple countries. Throughout the northeastern states, storage facilities for keeping and spreading the salt serve as the local nodes of this network, which underlines the architectural and infrastructural possibilities for intervening in this economy.

After visualizing the global and regional economies of salt, as well as the ways in which it reenters and pollutes local environments, we explored the possibility of building infrastructural interventions that would capture runoff and crystalize the road salt, making visible the enormous quantities of an otherwise invisible substance. We imagine occupying the medians of interstate freeways, where we would rebuild the architectural infrastructure of salt distribution and, more importantly, capture runoff and construct saltwater habitats. We explored different crystallization methods as well as substrates for the constructions, ultimately settling on engineered timber tetrapod units that could be structurally stacked or linked in predetermined geometric configurations, or piled and accumulated to create structures that rely on friction for their structural stability. Salt would accrue on the units and collect underneath them, while saltwater plant species would flourish and animals would take over other areas as habitats. However, given climate change, we project that the need for road salt will decrease as snowfall in the Northeast declines. Our project therefore has a lifespan of 50 to 100 years, by which time the wood units will decay, and the medians can return to being non-saline environments.

Lastly, we explored visualization strategies—using both physical and digital modeling—to represent the constantly forming and unforming state of the matter in construction. During the summer, the assemblies would largely be devoid of salt, whereas during the winter the medians would become saline environments, requiring us to develop particle-based drawing and modeling strategies that represent material and environmental change over time. Our final model assemblages and architecture drawings were created as a means of epitomizing all our research on salt, providing a detailed visualization connecting all the research information we found on road salt usage, and picturing a design response to our research subject.

This project won the Dean’s Citation for Excellence in Design.

Instagram: @syr_arch, @jmlarsen, @g_britt_eversole, @cass_peiyu

Stay tuned for Part XIII!

2024 Study Architecture Student Showcase - Part X

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Part X of the 2024 Study Architecture Student Showcase highlights projects that address various aspects of urban morphology and city life. The featured work takes place in metropolitan settings including Los Angeles, Tokyo, Philadelphia, Camden, Ras Beirut, and Brooklyn.

The presented themes include fostering engagement in urban settings, creating spatial pauses in the city, the adaptability of urban design in response to societal changes, supporting the needs of city dwellers, and more. Scroll down to browse the award-winning student work!

LEARNING FROM LITTLE TOKYO: MEMORIES IN GEOMETRY by Osamu Sakurai, M. Arch ‘24
University of Southern California | Advisor: Andy Ku

The loss of regional identity in urban large-scale redevelopment, accelerated by the pressures of globalization, continues worldwide, with homogeneous spaces isolated from local environments and nature taking center stage within giant monoliths. Little Tokyo in Los Angeles is no exception to this trend. The aim of this project is to contemplate regional identity within the global context, with the means being “boxes” and “free shapes.” The “boxes” symbolize both participation in and challenge to globalization simultaneously. Randomly stacked boxes serve as a gesture to incorporate the external environment and attempt to supply external spaces vertically. The “free shapes” (geometry) strive to transform the identity of Little Tokyo into tangible forms. Only these two operations shape the architecture, emerging amidst the tension between internationalism and localism. Born in the midst of internationalism and localism, this architecture seeks to preserve the regional identity within the pressure of redevelopment, further developing and passing it on to future generations.

This project won the Master of Architecture Design Communication in Directed Design Research Award.

Instagram: @osamusakurai0420

Subversive Surfaces by Aya El Zein, B. Arch ’24
American University of Beirut | Advisor: Sinan Hassan

Exploring the dynamic relationship between city dwellers, walls as a shared language within a community, and boundaries that dictate the public and private understanding. The wall becomes an urban communication tool, materializing the reaction to societal power dynamics. The walls are a clear sign of the way in which the environment is dealing with the public, either by rejecting any intervention (manicured fenced walls) or by allowing for a layered intervention by the public. Following the analysis of the walls, a binary emerged, the wall itself within an architectural framework is seen as a planar separator between the indoor and outdoor/front and back. Thinking of the wall as a surface is where the forms started to emerge. Taking into account the need to subvert the users, the structures and planes become active, inhabitable singular surfaces/systems. Leveraging the surface-based network to create safe spaces in the city for minority groups. By delving into subversive design strategies and porous forms, enabling users to hide yet observe, thus granting them an added layer of agency whilst blurring the lines between boundaries. Shedding the planar notions of vertical and horizontal planes situated on top of each other. Dissolving the urban wall into a surface that inhabits the space having attributes of verticality and horizontality. 

Instagram: @ard_aub

The Vertical Fold by Riwa Karanouh, B. Arch ‘24
American University of Beirut | Advisors: Dr. Howayda Al-Harithy & Hana Alamuddin

Modern-day life is fast-paced & intense which compromises the everyday experience leading to the disengagement of the urban dweller from his surroundings. The architecture is complicit in this disengagement, by not interacting at the urban level. 

Therefore, how can projects in Beirut have a set of pauses to re-engage people with their surroundings, reinforcing the notion of urban citizenship and belonging? 

A hypothesis of using spatial engagement strategies was explored to produce spatial pauses in the city, defining “pause” as an experiential moment of engagement with the built environment. It is not about physically stopping, but a shift in experience. 

Jeanne d’Arc Street, a prominent street in Ras Beirut, has witnessed the loss of its sociocultural spatial practices compromising its experience. To reinvigorate its public realm and engage the citizens, a design system of folding was employed. Through extending, elevating, and twisting the ground plane, Jeanne d’Arc is integrated into the site, serving as a theatrical vertical extension of the street, compelling pedestrians to pause and engage with the building. The folded surfaces serve as interactive connectors, seamlessly linking the underground, ground, and vertical planes, transforming individuals into active engaged performers in the urban experience. 

This project was the First Prize Winner of the Areen Projects Award for Excellence in Architecture

Instagram: @ard_aub

The Architectural Sublime in Artificially Intelligent Mobility Systems by Wayne Li & Jack Zhang, BS (Bachelor of Science in Architecture) ’24
Washington University in St. Louis | Advisor: Constance Vale

Our project aims to redefine urban mobility, shifting from private car ownership to a shared, autonomous vehicle (AV) system. This initiative tackles LA’s infamous traffic by converting parking lots near public programs into dynamic AV hubs, creating a network of connected nodes across the city. The project’s design embodies the sublime, with intricate structural frameworks that evoke a sense of awe and, at the same time, foster an enlightening experience to let people understand how AV works. AVs move around the intricate circulation, recharging as they move through the long trajectory before returning to circulate in the city, thus eliminating the need for circulating and increasing traffic in the city. Its adaptable structure allows pedestrians to witness the inner workings of AV operations, fostering engagement and education. Through transforming static spaces into active educational hubs, the project promotes a cohesive, efficient, and forward-thinking urban landscape, guiding Los Angeles into a new era of connectivity and communal urban life.

This project was collected for Washington University in St. Louis’ student work publication, Approach.

Instagram: @wayne_li_0611, @jack_arch_, @constancevale, @washu.architecture

Dream House by Meisam Dadfarmay, M. Arch ’24
Pennsylvania State University | Advisor: DK Osseo-Asare

“Dream House,” is a project I designed for myself as a personal home and workplace, examining how these spaces adapt and transform to reflect the dynamic nature of dense cities and the architect’s life, and a vision for the future of architecture, where design transcends traditional functionalities and purposes. It is also a proposal for vertical city growth in Tokyo, which is a dialogue with my precedent project, ‘Tower House,’ designed by Takamitsu Azuma in 1966. Tower House, a project designed for architecture itself, is located close to my project site, and both are situated in tiny sites with almost the same geometry. Tower House stands as an impressive example of innovative architecture, illustrating how limitations in space can lead to creative and functional design solutions. It remains a testament to Azuma’s architectural vision and the adaptability of urban design in response to societal changes.

The Dream House concept, influenced by Slavoj Žižek’s theories, delves into homes composed mainly of secondary spaces, highlighting the importance of spatial arrangement in architectural design. Žižek’s critique of contemporary architecture, focusing on “Architectural Parallax” and “interstitial space,” his perspective connects Jameson’s “political unconscious” to the architectural realm. This viewpoint sees underutilized spaces as potential solutions to social issues, particularly class struggle, scrutinizing the ideological underpinnings of architectural projects and their claims of “anti-elitism.” 

The connection between the “Dream House” concept and architectural critique lies in their shared interest in the ideological ramifications of architectural design. Both perspectives view space not just as physical dimensions, but as carriers of socio-political and cultural narratives. The “Dream House” concept focuses on individual architects’ choices, while the broader critique examines architectural trends and their societal impacts. 

Together, these perspectives seek to uncover deeper meanings in spatial design, questioning how these designs influence or challenge the prevailing socio-political dynamics in both personal homes and public structures.

This project received the Haider Award for Design Excellence – Honorable Mention.

Instagram: @meisamdadfarmay

Gateway Park and Arts Center, Camden, NJ by Philip Edmonston, BS Architecture ’24
University of Virginia | Advisors: Peter Waldman & WG Clark

Situated between two industrially important rivers, Philadelphia was laid out on a grid plan in 1682 by William Penn. The city is organized around two axes and is punctuated by four public parks, each within walking distance of the others. While Penn’s ideal city was historically planned for its residents, its partner city Camden was not.

Camden, [located] on the east shore of the Delaware (A), began as an industrial zone serving Philadelphia. After the twilight of American urban industrial centers in the latter half of the twentieth century, Camden fell into deep poverty as a result of disinvestment. No longer used for manufacturing, Camden became a center for cheap office space – more affordable than Philadelphia while still benefiting from proximity to the larger city. This shift in Camden’s financial basis caused a shift in urban planning, where former industrial space was razed and new offices were built. Further, new highways bisected Camden’s neighborhoods, allowing non-residents to work in Camden’s downtown, but sectioning off some neighborhoods from others. Because of historic disinvestment and continuing urban renewal, Camden has become hostile to its residents, who are alienated from their city. 

Camden has been treated as culturally secondary to Philadelphia – while there is a strong “Philly” identity, Camden’s identity has not been cultivated and protected in the same way. Because it is culturally undervalued, historic preservation is not seen as vital in Camden as it is in Philadelphia. This in turn causes a pattern of razing and building new, and it is because of this pattern that Camden is losing connection to its historic spaces. We connect with our cities through historic spaces and the weathering apparent in the material of old buildings. This project proposes not a clean-slate renewal, but rather a care for and celebration of weathering, history, and the industrial space that facilitated Camden’s development.

The Gateway neighborhood (B) in Camden is one such example. Lying between the I-676 highway to the West and the Cooper River to the east, the neighborhood is relatively isolated from Camden’s downtown and from the city’s public space. Further, the Campbell’s Soup headquarters to the North cuts Gateway off from the rest of the city. The project becomes a new Northern boundary for Gateway and connects it to the larger Cooper River Park.

At the site scale, the project exhibits a series of methods for environmentally conscious use of formerly industrial space. These three methods: infill, excavation, and bioremediation through aeration, are shown in sequence as visitors walk across a path connecting the Gateway neighborhood to the Cooper River Park. The excavated and infilled areas are designed as park spaces, while the bioremediation space lies under a series of raised pathways. 

In addition to providing residents with a new boundary and park, the project proposes an art space serving residents and visiting artists. The space, designed using principles taken from the industrial context, consists of three components: a residence and service space for visiting artists, a workspace for artists and residents, and a meeting hall for local groups.

This project was recognized as a 2024 Exceptional Thesis Project at the University of Virginia.

Instagram: @philip.edmonston, @aschool_uva

Into the [dys]utopian maze, the case for subterranean spatial re-organization and dis-orientation by Sarah Karam, B. Arch ’24
American University of Beirut | Advisor: Sinan Hassan

Inspired by Italo Calvino’s Invisible Cities and Fritz Lang’s Metropolis, this thesis envisions a novel architectural and urban morphology to uncover hidden (dys)utopian experiences within our environments. Recognizing that our mental depiction of the physical world is limited by societal conventions, this project introduces the concept of a “third space,” — a realm where conscious and unconscious aspects merge, allowing for a deeper exploration of our urban landscapes.

Drawing upon Sigmund Freud’s Oedipus complex, it is posited that humans possess an intrinsic desire to get lost, a need that can be facilitated through the architectural form of a maze. The maze acts as a connective tissue, enabling individuals to encounter new perspectives and engage with the (dys)utopian layers of their environment. The research begins with a theoretical investigation into the interplay between dystopian/utopian experiences, the third space, and the maze. This involves analyzing case studies and testing strategies to select a suitable site, ultimately choosing Sassine, Ashrafiye, Lebanon. The final intervention includes a subterranean spatial reorganization aimed at uncovering a (dys)utopian world, with the third space mediating between utopian and dystopian elements.

The project employs the maze to challenge conventional spatial orientation and organization. It rethinks circulation and spatial distribution, creating unpredictable encounters and perspectives. The maze, both above and below ground, facilitates diverse (dys)utopian experiences, blending formal and informal activities, and connecting the disjointed urban fabric of Sassine.

Concisely, this thesis proposes an architectural framework that integrates (dys)utopian thoughts into a third space through the labyrinthine design, addressing the human desire to get lost and reimagining the urban experience. Through this, the project aims to create a dynamic and multifaceted urban morphology that transcends traditional spatial conventions.

This thesis was nominated for the Areen Projects Award for Excellence in Architecture.

Instagram: @ard_aub

Beyond The Wall by Zili He & Wenan Hu, B. Arch ’24
Southern California Institute of Architecture | Advisor: Maxi Spina

In the past, the wall offered both contextual and functional performances by unifying the interior programs and the exterior experience along the wall. The purpose of the wall here is its security and infrastructural nature, as well as a social and organizational one. A wall is not only a figure full of turns and edges but also a linking device that connects all the spaces and experiences associated with it.

This thesis borrows from, learns from, and adopts strategies from ancient city walls and therefore transfers them into a new generator for architecture, which can be applied through articulation in multiple layers and multiple scales. Challenging the efficiency-oriented cliche of the convention center, letting the wall typology generate a sequence of experiences while responding to the large, this thesis offered a new perspective looking at large civic buildings with urban ambitions.

“The wall is what contains. defines. channels. constraints, limits. stops, articulates and divides.” —A field of walls, Dogma.

Instagram: @luke_hezili2001, @olllihu, @maxispina

Midnight on the Stairs by Shun Sasaki, B. Arch ’24
Southern California Institute of Architecture | Advisor: Karel Klein

This project explores the reinterpretation of societal norms, architectural spaces, and individual identities homogenized by modernization by investigating the diachronic transformation of architectural elements. The fusion of modernism and capitalism suppressed behaviors conflicting with their doctrines under societal hygiene, leading to an obsession with cleanliness and, in architecture, the “theatricalization of architectural spaces.” Recently, the architectural doctrine of Program Blocks, exemplified by OMA, has disregarded individual activities that do not fit the intended program, considering activities within architecture only through the combination of programs.

This project, “Residential Stadium,” is based on the brief of the public competition “Residential Stadium: Adaptive Reuse,” held in 2018 on a site in Brooklyn, New York. In this thesis, I first examine the ‘stoop’—a distinctive architectural element observed on the facades of Brooklyn rowhouses—investigating how a generic stair typology acquires its unique ‘stoop’ identity. Next, by overlaying the semi-public nature of the stoop with the function of stadium seating, I designed a program that integrates stair/stoop/stadium seating within a single stair typology. Furthermore, by extending this architectural element to other features characteristic of Brooklyn rowhouses, such as fire stairs, balconies, cornices, and windows, the design aims to create architectural devices that mediate between residential and stadium spaces. The activities occurring within these spaces are intended to expand the discussion beyond what traditional design methods with program blocks can capture.

At the massing scale, the relationship between the residential and stadium programs transforms into three typologies based on their degree of integration with the adjacent urban street.

In Chunk 0, typical rowhouses line North 12th Street, showcasing a standard Brooklyn rowhouse configuration. In Chunk 1, the floor plan of a generic stadium superimposed with Brooklyn rowhouses creates an unusual spatial relationship, with the adjacent roadway extending into McCarren Park. In Chunk 2, the roadway disappears, leaving Brooklyn rowhouses floating above the park’s meadow, detached from the urban street. The space is completely open at the ground level, with the stadium field connected to the park’s field.

This thesis reveals enigmatic objects from architectural and societal shifts, enhancing our understanding of their impact on society and identity.

Instagram: @ssasaki636, @karelnyla

Stay tuned for Part XI!

2024 Study Architecture Student Showcase - Part VI

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In Part VI of the 2024 Study Architecture Student Showcase, we take a look at projects that address various agricultural concepts. For these projects, agriculture is much more than just farmland. From agrotourism and community-centered food banks to using Twitch streaming to cultivate a transparent farming process, viewers are encouraged to expand their thinking about what agriculture encompasses. Scroll down to browse the award-winning projects!

Seed to Seed by Elyssa Hines, Bachelor of Science in Architecture ‘24
Washington University in St. Louis | Advisor: Zahra Safaverdi

Within Garden City, Kansas, industrial agriculture is the bones of the community: the land is dedicated to farming and much of the population works directly with industrial agriculture. While sustaining human life, this drains Garden City’s ecosystem. To name a few examples, the watershed is shrinking, soil health is decreasing, and the better part of four years has been spent in drought. Legislation to allow for positive environmental action is unclear, misleading, or both, resulting in no progress. This creates a need for a place-based community resource such as Seed to Seed.

Seed to Seed is a live-work research institute that explores the life process of crops in the arid grassland with the intention of redesigning the farming process. It merges typical laboratory work with collaboration in other fields and in-situ work with the farmers who will implement the community’s findings. Within the spirit of collaboration and transparency, researchers will use the streaming services Twitch and Nebula to live stream their work within the lab and create curated content to share with researchers globally. Seed to Seed weaves seamlessly between the need for transparency regarding agricultural practices in Garden City and the larger system of sharing knowledge globally, not only through digital practices, but also with academic, industry, and government partners at a variety of scales.

The institute is designed around the circulation of inhabitants physically and digitally. Physical reality is organized around inhabitants’ interactions and deliberation between public and private. Digital reality is designed through what is visible to the streaming services and curated content. The curated content’s audience is Nebula, and they interact with Seed to Seed through 360° cameras. These cameras are within spaces the in-person public cannot access, but the digital audience has a full view of these spaces. Twitch content is streamed using immobile cameras in public spaces that constantly have people moving through them, becoming dynamic through what is within the camera frame. All cameras ensure that the inner workings of Seed to Seed are transparent to all audiences, encouraging everyone to work towards a reimagined farming process.

This project was featured in Washington University in St. Louis’s Year End Show.

Instagram: @elyssa.lyssa.lys

Suspending Urban Farm by Kai Chen & Qiuxiao Tang, M. Arch ’24
University of Pennsylvania | Advisor: Simon Kim

“Suspending” is emblematic of the project’s essence—representing the delicate balance between innovation and tradition, the elevation of community aspirations, and the support extended to those in need. It encapsulates the project’s endeavor to uplift and sustain. Both metaphorically and literally, as it seeks to suspend not just the structures of agriculture and art within its bounds, but also the collective hopes and dreams of a diverse community. The aim is to ensure they are nurtured and allowed to thrive amidst the urban expanse of New York.

In this studio, we propose to design a vertical farm to grow and equitably distribute fresh food to those in need, while also serving as a cultural promotion platform. It will not only cultivate and provide culturally varied foods but also host performances and productions from diverse nationalities, addressing food security and celebrating global cultural heritage. Efforts to combat food insecurity will be enhanced by a diverse fair-pay workforce aiding any group in need, overcoming language barriers, and ensuring accessible, culturally relevant food. Situated in Seneca Village, this project pays tribute to its historical roots, provides a haven for the needy, promotes cultural diversity, and bolsters the tourism economy, aligning with New York’s commitment to equity and inclusivity.

Instagram: @yohey.kim, @kaichen.architecture, @qiuxiaot

Revitalizing an Industry: Jute and Communal Empowerment, Bangladesh by Iana Ishrat, B.S. Architecture ‘24
University of Virginia | Advisors: Peter Waldman & WG Clark

The fibrous plant jute has an important history in Bangladesh. The once-thriving industry has seen closure and difficulties in recent years. But the high demand for plastic alternatives has rekindled interest in the natural fiber that plastic helped replace. 

This project uses architecture and design to revitalize an abandoned jute mill to establish a place of living-working space that can help the surrounding communities. Inspired by the communal traditions around rice cultivation, the project reimagines the arduous process of jute milling as a communal activity to create spaces that can inspire community and traditions around the production of jute products. 

The expansive and repetitive colonial-era factory invokes ideas of mass production. These structures are broken up strategically with alleys and courtyards to allow spaces that reflect a more human-scale work environment. 

The construction consists of two key parts. The first is a visitor center that can help educate the population about the important history of jute and its potential in the future. The second is the renovation of the factory and the construction of the central communal workspace. This area includes a mosque, library, office spaces, Bath house, indoor-outdoor workspaces and courtyard with a water-pool. The Mosque at the center of the site helps establish the factory as a central hub for the surrounding prominently Muslim population.

A small brick kiln is also established on site. This will provide material for the renovation and construction of the factory. With time, parts of the farmland surrounding the factory will be used for other crops like rice and vegetables to provide food for the workers. Some of this land will also be distributed among workers. They can utilize the brick from the kiln for any construction needs in their new communities. This initiative will help foster a sense of ownership and community building among the workforce.

Overall, the project seeks to revitalize the legacy of jute while empowering the local communities who play a vital role in its revival.

This project received the 2024 Exceptional Thesis Project accolade at the University of Virginia.

Instagram: @yana_ishrat, @aschool_uva

The Seed: A New Farming System that Bridges Urban and Rural Areas by Ziheng Li, M. Arch ’24
SCAD (Savannah College of Art and Design)| Advisors: Andrea Bertassi, Aaron Wilner & David Gobel

The project is set in a broad expanse of land in Chengdu, a city characterized by its basin topography and predominantly cloudy weather. Addressing the challenges of rural depopulation, declining farmland, and the appeal of urban migration, the goal of this thesis is to create a new type of farming system that incorporates both traditional and modern farming techniques while also adding additional characteristics to help farmers gain revenue and close the urban-rural divide, preserving cultural heritage while enhancing sustainability. The design integrates residential modules with farming units, creating a cohesive and interactive community space that fosters rural culture within an urban context and contributes to urban food production. This system can grow and expand between urban and rural areas.

Instagram: @henoao_li, @andre_bertassi

A Framework for Regeneration by Lyric Barnik, Bachelor of Architectural Studies ’24
University of Waterloo | Advisor: Jaliya Fonseka

The Cambridge Food Bank is a 1,500sm food bank that integrates social services, food processing facilities, and community spaces. It is in Cambridge, Ontario with a continental climate that is relatively cold and temperate, with significant precipitation. The site, a contaminated brownfield with light-industrial infrastructure, was given to the Food Bank as a potential location for their new facilities. The proposed design explores a compact envelope, incorporating a pre-existing warehouse building and readapting the site into a communal greenspace. The design explores the regenerative multiplicity of food housed within a robust architectural framework.

The food bank sits at this unique intersection of food and community, partaking in duties of both production and social enrichment. The question underpinning this project begins by asking: How can the act of food heal us? How can the act of eating, making, shaping, growing, studying, and sharing food help to regenerate the body, community and land? The act of food is multi-faceted and its modes of expression are in constant flux. Thus, the proposed food bank looks at creating a set of infrastructures that can nurture this regeneration in whatever form it takes in the future.

The architectural manifestation of these guiding principles relies upon a reciprocal exchange between landscape, building and community. The site is divided using the physical and social forces of the site and a matrix of programs are formed, with the food bank radiating from the center of the grid. With a regenerative and circular landscape strategy in mind, the proposed programs study how new energy can be collected, old energy can be reused and long-term growth can be accommodated. In addition to traditional plot urban farming, alternative agricultural systems like a permaculture food forest, a livestock farm and a bio-filtration pond are proposed. The architectural concept proposes a compact square enclosure structured with a robust mass timber column grid, decoupled from the wall assembly. Four porches are created, establishing an interstitial zone between outside and inside as a lightweight shading canopy. A regular saw-tooth structure rests upon the timber frame, spanning across the entire building providing solar energy, collecting rainwater, and dispensing soft daylighting year-round. The spacious grid allows for programmatic flexibility, placing activities with a public appeal along the perimeter to best use the porches.

This project won the Soprema Award. 

Instagram: @lyriclmiracl

Centro de Agroturismo by Montserrat Sánchez Villaseñor, B. Arch ’24
Universidad Anáhuac Querétaro | Advisors: Patricia Cutiño & Jorge Javier

The focus of the Agrotourism Centre is primarily on the cultivation of wheat as a raw material. Integrating the whole process, from the sowing and harvesting of the wheat to the production of high-quality flour and the elaboration of artisan bread. The latter, characterised by its unique particularities rooted in the local culture, with the aim of becoming a true emblem that identifies and distinguishes Tejocote. 

A crucial element of this project is the integration of tourism in each of the production stages. The aim is to generate controlled and sustainable tourism in a decisive and strategic manner. The primary objective is that the main beneficiaries will be the inhabitants of Tejocote, who will experience a significant boost to their local economy thanks to the economic spillover from this agrotourism model. 

This centre not only offers an authentic and educational experience for visitors, but also contributes to the economic development and strengthening of the cultural identity of Tejocote.

Instagram: @arqwave, @arquitectura_anahuac

Red Mountain Pavilion by Daniel Icaza Milson, M.Arch ’24
University of Texas at Austin | Advisor: Nichole Wiedemann

With support of El Camino Real de los Tejas National Historic Trail Association, Tonkawa Tribe and Blackland Collaborative, this studio focused on Milam County, Texas, which straddles the Blackland Prairie and Post Oak Savanah traversed by three rivers –Brazos River ((Río de los Brazos de Dios), Little River and San Gabriel River– flowing to the Gulf of Mexico. In addition to the Camino Real, the area is punctuated by settlements including the Rancheria Grande, Spanish Missions and Freedom Colonies. The area is a place of convergence, connecting diverse peoples (and places) for over 10,000 years.

The Brazos River and its tributaries define the undulating, verdant landscape that surrounds Red Mountain, a sacred mountain for the Tonkawa tribe. These lands are still plentiful today – supporting the farms and ranches of Milam County. Embracing the economy and ubiquity of prefabricated metal structures, the Red Mountain Pavilion is arranged so that the visitor is reoriented from the restored Blackland Prairie and Little River toward Red Mountain, the origin of the Tonkawa. The building is staggered so that the landscape completes the experience of the visitors.

Instagram: @nicholewiedemann, @dash.ing.dash

Aloha Permaliving: Bridging People, Flora and Fauna by Chris Caracena, B. Arch ’24
Cal Poly University – Pomona | Advisor: Pablo La Roche

This permaliving project in Hilo, Hawaii, promotes sustainable and symbiotic agricultural living in the  Hilo Community, by integrating agricultural practices that coexist with the local flora, fauna and residents, the project creates an environment where ecological balance and human well-being go hand in hand addressing food security issues in Hawaii. This affordable housing project creates a sustainable and interconnected ecosystem that thrives on agricultural abundance and collective well-being. 

Instagram: @pmlaroche

Beetecture: Connection between Bees and Architecture by Yaimi L. Cartagena-Santiago, B. Arch ’24
Pontifical Catholic University of Puerto Rico | Advisor: Pedro A. Rosario-Torres

Throughout history, architecture has primarily focused on solving problems related to humans; however, humans consistently overlook the fact that they are part of a much larger world than themselves. In the current context, there is a steady increase in bee mortality worldwide. Various media outlets have attempted to draw attention to this issue, but the efforts of environmentalists, journalists, and a political minority have not generated a strong enough impact to effectively address this phenomenon. The purpose of the APIC (Apiculture Production and Investigative Center) project is to develop an architectural proposal that addresses the challenges faced by apiculture, focusing primarily on the devaluation of this practice and its impact on the scarcity of agricultural production.

The project’s location is the municipality of Hatillo, in the north coast of Puerto Rico. Currently, there is the Puerto Rico Institute of Beekeeping Education, Research, and Development (Hatillo School of Beekeeping), which offers theoretical and practical courses in beekeeping management. The place in turn offers a balance between tropical and subtropical climates, allowing for versatile beekeeping and the possibility of collecting beehive products for much of the year.

The APIC project, as a proposal, is based on the integration of various architectural programs. The main objective of the project is to bring together in a single facility all the activities related to beekeeping, which are currently very fragmented. This installation offers the opportunity to address the challenge of reconnecting architecture with nature. The project aims to maintain the bee population through responsible beekeeping practices, monitor and safeguard the pollination service for multi-floral agriculture, limit damage caused by pests and diseases to ensure bee safety, provide accessibility to the public encourage community sensitivity, and guarantee and promote the future of the local beekeeping industry. Social programs that can be developed within the facilities are proposed to integrate society into the beekeeping culture. The programs are classified into four general zones: beekeeping education, beekeeping production, apitourism, and apitherapy. In conclusion, this project represents a commitment to sustainability, biodiversity, and environmental consciousness while emphasizing the vital importance of bees in our delicate ecological balance.

Instagram: @yaimilizz

Río Verde & Parques del Río Verde Corridor by Hector Michael Miranda Sanchez, M. Arch ’24
University of Puerto Rico | Advisors: Omayra Rivera Crespo & Jose R Coleman-Davis

The sustainable Río Verde project consists of three buildings and a floating greenhouse interconnected through an agora and bridges, with a prominent focus on mixed-use. Most of its space program was determined based on the needs of the community. For instance, the Zoology department at UPRRP required a herbarium, laboratory, and storage space. Similarly, the Río Piedras community needed a place to promote their farmers’ market (agromercado). These spaces were provided, connecting the entire community system while preserving existing green systems. On the other hand, this project also introduces new urban and social public spaces. Additionally, the site borders two green areas: the University of Puerto Rico and the Plaza de la Convalecencia. As a result, the ecological corridor Parques del Río Verde is proposed, integrating directly with the proposed building. Its purpose is to implement a new green system in the urban area of Río Piedras, improving environmental conditions in a highly urbanized and paved city while serving as a bridge between other existing green systems. Furthermore, Río Verde and its corridor aim to promote biodiversity, sustainable and resilient elements, and integration with community agriculture, cultural and economic activities, visual landscapes, and the pre-existing urban fabric of Río Piedras. Ultimately, this project aspires to be an exemplary reference in sustainability, offering a solution within the green construction industry to address the current environmental crisis and mitigate accumulated impacts over the years in Río Piedras, San Juan, Puerto Rico.

Instagram: @mike_mird, @uprarchitecture

Stay tuned for Part VII!

2024 Study Architecture Student Showcase - Part V

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Welcome to Part V of the 2024 Study Architecture Student Showcase! In today’s installment, materiality plays a pivotal role in the functionality of buildings, designs, and various architectural processes. 

Cork, acrylic, steel, concrete, wood, timber, and wires – for many, they may seem like mere materials for building. However, the projects below invite viewers to think about these materials through a different lens. 

From rethinking raw material standardization to highlighting the benefits of mass timber, viewers are encouraged to think deeply about sustainable production and opportunities for innovation. Other projects focus on the use of cork as a sound-insulative and the integration of natural materials such as clay and man-made elements such as steel. 

L-Shape Modular Cork Shelving System by Suna Choi & Sara Mohamed, B. Arch ‘24
American University of Sharjah | Advisor: Tania Ursomarzo

This installation is designed to create a double-functional partition that provides sound insulation and serves as a shelving system. It will be installed between the open studio spaces in our architecture, art, and design college building (CAAD) to reduce noise while offering students a place to store their items. Additionally, it serves as an aesthetic decoration for the space.

We chose cork as the main material due to its excellent sound-insulative qualities. Plywood was initially selected as the secondary material to create the shelving planes; however, we later decided to use only cork to fulfill both sound insulation and shelving purposes. Cork is not only sound-insulative but also biodegradable and aesthetically pleasing with its natural color.

The L-shaped modules, consisting of three rectangular patterns, are strategically stacked to form a shelving system that can be used on all sides. To connect the cork L-shaped modules together, we experimented with different materials such as thin plywood and acrylic to create simple connectors. After multiple iterations, we chose acrylic for its transparency, which would not distract from the natural aesthetic of the cork, unlike plywood.

Finally, we painted the top view of the model (the shelving surfaces) using primary colors: red, yellow, and blue, inspired by Mondrian’s compositions.

Instagram: @suliman.studio, @suna.choi_i, @triptychnyc

MODULAR CORK ACOUSTIC INSULATION AND FURNITURE SYSTEM by Rabab Al-Ali & Razan Almajid, B. Arch ’24
American University of Sharjah | Advisor: Tania Ursomarzo

In approaching this project, our primary objective was to address the disruptive noise levels at the College of Architecture, Art, and Design (CAAD), where our site will be located. These noise levels are highly distracting for both students and visitors, necessitating an effective solution to enhance the acoustic environment. Our considerations for the site location are based on the noise levels. We identified the two loudest areas as the spaces between studios and the main entrance. These areas are particularly disruptive during pinups and reviews, necessitating a strategic approach to mitigate the noise and improve the overall environment.

Our aim is to design a flexible, easily movable, and rebuildable structure, ensuring multi-functionality. We sought to develop a solution that could be effortlessly relocated and reassembled multiple times, providing adaptability and improved acoustic management throughout the space. An additional benefit of our modular design is its versatility; the modules can be easily reconfigured into different types of furniture, demonstrating their efficiency and practicality.

We have selected cork as the primary material for our project due to its numerous advantages. Firstly, cork possesses excellent sound absorption properties, effectively addressing our main noise concern by significantly reducing noise levels and minimizing sound transmission between spaces. Secondly, its lightweight yet durable nature facilitates the easy construction, deconstruction, and relocation of our structure. Lastly, cork is a natural and sustainable material, harvested from the bark of cork oak trees without causing harm, making it an environmentally friendly choice.

Instagram: @ralali.arch, @rnm.arch, @triptychnyc

Wheel House by Tilden Reid Puckett, B.S. Architecture ‘24
University of Virginia | Advisor: Peter Waldman

I designed the Wheel House after experiencing land and water I know to be beautiful. Its sleek, sailboat-inspired lines and lotus flower aesthetics evoke a sense of tranquility and orthogonal organic beauty. The building’s foundation integrates seamlessly with the dam’s robust concrete structures, enhancing the synergy between natural and man-made elements. Inside, large windows and open spaces ensure an abundance of natural light, crafting an atmosphere reminiscent of being on an open ocean or beneath a cascading waterfall. Every detail, from the material strategy of utilizing the natural erosion of corten steel to the proportional light/heaviness that attributes to its vertical and horizontal harmony. 

The design draws inspiration from the works of renowned architects such as Frank Lloyd Wright, known for his integration of structures with their natural surroundings; Tadao Ando, whose use of concrete and light creates spaces that are both minimalist and profoundly serene; and Peter Waldman, my studio professor of whom’s work intelligently collages materials into profound sculptures of place. With its placement, the Wheel House defines the nature around it. Built on a steep slope, its terracing and retaining walls allow it to seamlessly rest under, on, and above its environment. This project reimagines the home and presents a more careful architectural attention to beauty and art. I believe that when one looks at this structure, they can start to imagine the coarse roar of the water falling down the dam and feel the rippling wind stream across the reservoir. I designed the Wheel House to express further land and water I know to be beautiful. 

This project won the Duncan J. McCrea Memorial Award.

Instagram: @tilden.reid, @aschool_uva

Epiphytic-Retrofitting: Wooden Structures to Top Out Unfinished Constructions on the Galapagos by Paula Cano-Vergara, M. Arch ’24
University of Texas at Austin | Advisor: David Heymann

Epiphytic-Retrofitting: Wooden Structures to Top Out Unfinished Construction on the Galapagos Research explores potential applications of lightweight timber members to envision design possibilities that might lead to more environmentally responsive architecture, endemic to the Galapagos Island in Ecuador. 

The study focuses on ten wood species, both endemic and introduced—Avocado, Bamboo, Black Carob, Cascarilla Cinchona, Guava, Galapagos Guava, Machinel, Mahogany, Matazarno, and Spanish Cedar—to explore how timber can replace conventional construction methods and address rapid urbanization and the prevalence of unfinished concrete structures.

The title emphasizes two concepts: “Epiphytic,” referring to plants that use other vegetation for physical support rather than nutrients, and “Retrofitting,” a sustainable method for vertical growth and densification. The project aims to protect the fragile ecosystem by reducing the exploitation of natural resources and restoring endemic vegetation. The proposed vertical expansion utilizes lightweight timber from six selected species to complete unfinished buildings, up to 5 floors total.

The structural capacity of each species is determined by grain structure, categorized into three main types: 1) Curvy and wavy, 2) Irregular, and 3) Straight grain. Structural elements are designed based on standard branch and trunk diameters and lengths, with Mahogany and Matazarno ideal for joints, Spanish Cedar and Guava for primary and secondary elements, and Avocado and Carob for cladding and decking planks. The proposal also includes three vertical growth strategies that prioritize efficiency by branching to the nearest points from the top element to the next floor, based on [the types of] tree branching: Dichotomous, Monopodial, and Sympodial. Additionally, trusses integrate the vertical elements and transfer loads to concrete frames ranging from 3x3m to 9x15m.

Despite common perceptions of timber as an unsafe and inferior material compared to its competitors, this research advocates for its potential in developing safe, low-carbon buildings. Timber supports better forest management, curbs deforestation, and promotes the use of locally-sourced materials. Additionally, the research serves to protect and contribute data records of remote geographies like the Galapagos Island, the “living museum and showcase of evolution.”

This thesis was selected for the Innovation and Material category, Fall 2024.

Instagram: @utsoa

De-Framing the Built Environment by Drew Dunphy, M. Arch ’24
University of Miami School of Architecture | Advisors: Christopher Meyer & Joachim Perez

To design is to challenge what has come before to create something new. In today’s modern era of architecture, there has been an explosion of new programs and materials that facilitate the design process and have increased the production rate exponentially. In doing so, the profession has accepted standard practices as rules and allowed material use and industry to become rigid.

Challenging what makes architecture function as a profession is not easy, but it is necessary to continue driving innovation. Using mass timber as a case study, De-Framing the Built Environment looks holistically at manufacturing, architecture, and construction to break down what is immediately accepted as best practice. 

De-Framing the Built Environment breaks the process by which design goes from raw materials to an inhabitable space into three focus areas. Starting with the manufacturing process, it challenges the current centralized system of material sourcing and calls for a regionalist approach that emphasizes sustainable sourcing. From there, it stresses the importance of integrated design that reorients the cost from strictly economic to include ecological and temporal design costs. Finally, De-Framing the Built Environment rejects the accepted lifespan of a building by focusing on architecture that is easy to assemble, inhabit, and disassemble with a low margin of wasted material. 

Design, by its very nature, should be synonymous with innovation. While this thesis focuses on mass timber, questioning the process by which raw materials are transformed into space is a universal principle that must be applied across disciplines and building practices. You, as architects, designers, and construction professionals, are integral to this change.

This project was awarded an Honorable Mention by the University of Miami School of Architecture Faculty Award for Outstanding Thesis Work in the Master of Architecture Program. 

Instagram: @dunphy_27, @LU_lab_miami, @ateliermey 

Turning Tree Forks into Structures: An Experimental Analysis of a Minimally Processed Material Within the Age of Standardization by Zachary Chartrand, M. Arch ’24
Lawrence Technological University | Advisor: Scott Shall

Since the Industrial Revolution, the building industry has dedicated enormous energy to developing processes that can take raw, idiosyncratic materials and produce highly controlled, specifiable products. This has served the building industry well for years. Material standardization allows for standardized structural details and procedures that can be easily followed by the common builder, [allowing them] to produce structures that can be analyzed and designed based on the uniform properties of the building product. Unfortunately, this process rejects those materials that do not meet the uniformity required, regardless of their unique structural potential.

Recent advancements in digital analysis allow for the ability to identify unique qualities within raw materials. Advancements in computational technology allow for the optimization of a structural design to accommodate for these idiosyncratic properties. The development of a platform, involving digital analysis and computational design, would make this method of design available to the common builder and architect. The development of a process, using common construction techniques, would allow the common builder to build structures using these idiosyncratic pieces. The development of this platform for design, and system of construction, would demonstrate that advancements in technology can initiate a movement towards more sustainable architecture by reducing the amount of processing necessary to use raw materials in a structural capacity.

This will be studied by obtaining an inventory of tree forks and scanning them into a digital inventory. A script will then be developed that optimizes fork fitment to different assembly logics for shell structures. Next, a joinery system and system of construction will be developed that processes the forks based on data outputs from the script. Success will be measured in joint precision and structural rigidity.

This thesis won the 2024 CoAD Deans Award. 

Instagram: @scott_shall

Moore Square Indie Music Center by Daniel Knorr, Bachelor of Environmental Design in Architecture ’24
NC State University | Advisor: Zach Hoffman

Moore Square Indie Music Center gives a home to the indie musicians of Raleigh, fulfilling their three core needs: practicing, recording, and performing. The center contains practice and recording room clusters in addition to a main performance venue space. The center embodies the spirit of the indie music community through the use of rhythm and movement and a familiar gritty materiality that alludes to the idea of “garage” or “basement” bands. 

Interstitial spaces generate chance encounters between musicians and fans. This not only strengthens the indie music community, but more importantly, allows musicians to engage and grow their fan base.

The Stitch / Chance Encounters

The most important elements of the Center are the interstitial spaces that occur between major programmatic elements. These spaces act as an environment where chance encounters can happen between musicians and fans. This is especially important for indie music, a culture that thrives on strong interpersonal connections, and a strong dedicated fanbase. 

The entire Center is split down the middle, with the left theater half belonging to the community, and the right practice and recording half belonging to the musicians. The atrium space, “the stitch,” bridges the two halves of the Center together.

Materiality

The idea of a garage band has pervaded indie music culture since its inception. To capture this spirit, the Center uses materials such as cast-in-place concrete and raw metal, alluding to the origins of indie music. On the other hand, wood is used in the interiors of the practice studios to create a homey atmosphere, alluding to the idea of a sole musician practicing in their bedroom.

Texture and material are also used to signify the function of the spaces within the Center. The interiors of both the theater and the studios have highly textured acoustic paneling systems, whereas their exteriors are seamless and perfect. The exterior wood cladding of the theater serves to create an inviting presence that guides visitors into the theater. On the other hand, the monolithic concrete used in the exterior of the studios creates a fortress-like feeling, “protecting” the musicians inside.

This project won the ​​2024 AIA Triangle Student Design Award.

Instagram: @daniel.knorrr 

The Clay Huts and Metal Shed by Shixian Zhang & Ruozhao Cui, B. Arch ’24
Cal Poly University – Pomona | Advisor: Claudia Wainer

The Clay Huts and Metal Shed is a community-oriented ceramic arts and design center located in Elysian Valley. It is positioned with its north side facing the LA River and the future Taylor Yard development, and its south side overlooking the Lewis MacAdams Riverfront Park. The rich history of Elysian Valley, marked by a blend of manufacturing facilities, single-family homes, and a flourishing artist community, forms a distinctive backdrop for this project. The design merges existing industrial elements with new, organically inspired clay volume, aiming to create not just an artistic space for ceramic artists but also a vibrant community hub for the Elysian Valley neighborhood. 

This project involves the adaptive reuse of an existing industrial building, which serves as a shell for the newly proposed clay volumes. The design strategy begins by categorizing program spaces into enclosed and loose types. Each clay volume, distinct in its form, encompasses a variety of enclosed functions. The interstitial spaces between these volumes, designated as loose programs fostering interaction and community engagement. Additionally, the design incorporates two sculptural gardens within these volumes. The clay huts deform the metal shed perimeter and break down the scale of the building, making it more approachable and relatable to the community.   

The material palette is a harmonious blend of clay and steel, symbolizing the integration of traditional craftsmanship with industrial production. The clay walls, constructed of rammed earth, feature a scalloped facade that lends a tactile, organic feel to the design. The primary structure utilizes the existing metal framework, altered and updated to support the new programmatic volumes. This interplay of materials is a defining characteristic of the design, with some areas showcasing an overlap of clay and steel through openings, while in others, the metal shell stops short, allowing the clay volumes to peek through. 

The juxtaposition of the clay huts against the metal shed highlights the contrast between stereotomic and tectonic, creating varied transitions in different spaces. For instance, upon approaching the building, one can see both the clay and corrugated metal cladding simultaneously. Entering the building through the open programs, visitors experience the interplay of the metal shed, steel structure, and clay huts. Once inside a clay volume, the surroundings are entirely enveloped by clay finish, offering a distinct spatial experience.

Instagram: @claudwain

Debunking the Myths of Wood: Mass Timber Contemporary Architecture to the Rescue of Cultural Heritage by Neftalí X. Luciano-Castillo, B. Arch ’24
Pontifical Catholic University of Puerto Rico | Advisors: Manuel De Lemos-Zuazaga & Pedro A. Rosario-Torres

Wooden architectural heritage represents an invaluable asset in the cultural and historical narrative of Puerto Rico. With its unique characteristics, craftsmanship and carpentry of a bygone era, it stands out from other architectural styles. Moreover, wooden heritage serves as a catalyst for reevaluating our approaches to designing and constructing buildings. As society gravitates towards sustainable practices, the resurgence of wood as a primary construction material offers a promising opportunity. This resurgence not only revitalizes historical structures but also enables a harmonious coexistence between traditional wooden architecture and contemporary design. However, this traditional architecture is often misjudged and misunderstood due to the poor knowledge and involvement of people in their culture, and the lack of legislations in favor of heritage preservation. Due to these and other external threats, these structures have begun to disappear from our urban fabric, leaving not only a void in space, but also in our culture and identity.

As a response to these factors, the proposal seeks to promote the preservation of wooden architectural heritage through community engagement, tourism, education, testing and manufacturing, in a design that serves as a living laboratory that combines historic structures with mass timber construction. The synergy between historic preservation and the incorporation of contemporary architecture signifies a unique chance to embrace the past while paving the way for a more sustainable future. The project’s location is the Central Aguirre Historic District in Salinas, Puerto Rico, an old sugar cane company town that houses a collection of historic wooden structures. The design is organized into three main volumes: a restored and repurposed historic building that houses museum spaces; a second volume that contains a manufacturing laboratory; and a taller volume that functions as a school of wooden architecture design and conservation. The main goal of this project is to serve as a catalyst for the preservation and restoration of historic wooden structures in Aguirre and all around Puerto Rico.

Instagram: @neftalixavier

Harmonic Convergence by Nicholas Owens, M. Arch ’24
Lawrence Technological University | Advisor: Masataka Yoshikawa

This project explores spatial and structural design, inspired by the concept of a ‘Cabinet of Curiosities’ and music. The initial phase focused on finding objects and integrating music, using guitar strings and thick wire to symbolize sheet music, representing order in chaos.

In the representation phase, the project incorporated methodologies from Neil Denari and Borges. The transition to 2D representation utilized Maya to create music stand models linked by chains, with six layers of wire illustrating chaos and order visually.

During development, Rhino was used for initial designs and Zbrush for refinement, creating a wire mesh structure. This phase emphasized materiality and spatial dynamics, resulting in a unique architectural design facilitating gallery spaces and visitor pathways.

The final phase integrated the structure with its landscape, showcasing LED wires and spatial potential. Interior renders highlighted the gallery space’s unique characteristics, creating a quasi-moiré effect with overlapping glass structures. The project envisioned future enhancements, including wire animation to visualize music flow, enhancing the visitor experience and reflecting the project’s foundation in music and organized chaos.

Overall, the project is a sophisticated blend of design, representation, and development, creating an innovative space that intertwines musical and structural elements to find order in chaos.

Instagram: @owensarchitecturaldesign, @masataka.yoshikawa

Stay tuned for Part VI!

2022 Study Architecture Student Showcase - Part I

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Welcome to the first installment of the 2022 Study Architecture Fall Student Showcase series! To give you an insight into what it is like to study architecture, we are taking a closer look at student thesis and capstone work from 2022. Throughout this series, we will feature work from recent graduates of ACSA member schools across the globe, highlighting a wide array of unique architectural explorations. For the next couple of months we will feature weekly installments of design student’s final projects covering a range of topics. This week we take a look at the intersection of architecture and climate change, specifically as it relates to sea level rise.

We will be sharing these projects on Instagram at @studyarchitecture and @imadethat_ so let us know your favorite there.

Floating Omnitopia by Jessica Smith, M.Arch ’22
University of Virginia | Advisor: Mona El Khafif 

Norfolk, Virginia, is staring climate change in its full force as many residential areas are experiencing flooding throughout the year. These residential areas range in value of social vulnerability. The risk of flooding is not considered when determining “vulnerability.” It is observed that many areas of high vulnerability are also areas prone to flooding and are not protected by flood resilience projects. Other areas of low vulnerability are also affected by the flooding, but these residents have the resources to relocate out of Norfolk if needed. If they move, this will have a negative effect on the local economy. As more of Norfolk is taken by rising sea levels, where will these residents go?

FEMA has identified areas of recurring flooding, which will be called blue-fields. The homes within these blue fields are eligible for the FEMA Home Buyout program where a home-owner may sell their home to FEMA for that lot to be cleared. This project proposes another relief effort beyond this, in which this buyout funding from FEMA is used within a partnership to form a common.

This is the current prompt, and the urgent response should be an alternative to retreating, reject-ing both the utopian and dystopian models commonly associated with efforts to combat climate change. All the people in this area have a shared goal of protecting their homes, which creates a common ground. This is the basis needed for a new common of Norfolk of both shared assets and stewardship, existing on the water. It is a place for all, or the omnitopian common.

Inspired by projects carried out in the Netherlands, the omnitopia typology of housing is being implemented in Norfolk to create a collective partnership between residents and rising water conditions. It comes in the form of a common, a water-based community within which land(/water) and certain assets ownership is redefined as shared at the block-scale. Shared stewardship allows for growth / development / maintenance at a more concentrated (therefore, more effective) scale.

Forming the common of their choosing, the residents and various professionals are presented with a card game. The game is used to sculpt the form, congregate the residents, metabolize the system, compensate those involved, and restore ecological relationships. The players of the game hold various roles, from FEMA funding to the architect and residents. Select cards of the system are chosen to piece together the policies and creation of the common, making it adaptable to various people groups and sites. A sample common is formed to present an example of the omnitopia, using cards such as the medium density option in a cluster typology.

Instagram: @jessc.smith

Beyond the Barrier: The Resilience of Connecting People to Place by Eric Resnick, M.Arch ’22
University of Maryland | Advisor: Michael Ezban

Atlantic City, New Jersey is globally cited as one of the most vulnerable cities to the effects of climate change and sea level rise, representing the socioeconomic, cultural, and ecological threats that all coastal communities will face within the next half-century. 2060 projections indicate that Atlantic City will experience up to 155+ flood events per year and 50% of the city could be uninhabitable.

In leveraging the city’s coastal location, current institutions, and historic tourism-based infrastructure, the Resilient Transect becomes a framework for adaptation and growth, engaging the public and attracting an international cohort of researchers, designers, and policymakers to test and implement globally applicable and revolutionary strategies for coastal resilience. The iconic Atlantic City Boardwalk is abstracted as a beach-to-bay datum to catalyze adaptation, support, research, and participation along the transect, adaptable to environmental change and socioeconomic needs within and beyond Atlantic City.

Rising Seas: Cataloging Architectural Response in the Conch Republic by Christine Sima, M.Arch ’22
University of Cincinnati | Advisor: Edward Mitchell

Thesis research focused on architectural and environmental responses to sea level rise. Following this research, a catalog of architectural responses was created as a design framework for future architects.

The selected site of Key West Florida helps show the utilization of the four major response categories from the catalog; Evacuation, Protection, Adaptation, and Adoption. All included images show theoretical implementation of the catalog across different zones of the island.

Instagram @christinesima.arch

Demo-Polis for Athens, Greece by Maria Lazaridis, B.Arch ’22
NY Institute of Technology | Advisor: Jonathan Friedman

Athens, Greece occupies a significant role in the history of architecture as the birthplace of classical order. Its associated role in history however, developed a sprawling city ignorant of its ancient architecture and organizational urban plan order . This congested metropolis is filled with brutal concrete apartment blocks and lack of green space, overall contributing to larger issues of congestion and heat island effect due to climate change.

This thesis explores a development of a resilient Athens, equipped for its density whilst promoting sustainability. This thesis explores the design of an efficient city plan that no longer ignores un-excavated archaeological sites to create a poetic relationship of old city to new city, while overall improving quality of life.

Pale Blue Dot: Adaptation in the Flux of Chaos by Jasmin (Minji) Kim, Taylor Marshall, Jeannette Wehbeh, M.Arch ’22
Toronto Metropolitan University | Advisor: Marco Polo

The impact of climate change will not spare a single aspect of life as we know it and adaptation is our only option at this point in the trajectory of the world’s demise. Although we will be experiencing similar climate catastrophes around the globe, each region will have its own adaptation method dependent on location and culture. Synthesizing our research resulted in a new map of adaptability conceived of Goldilocks Zones deemed habitable lands. These Goldilocks Zones will be the most vulnerable to the elements of chaos and the most significant regions affected by the year 2100. Fez, Morocco was selected as the geographical area of study due to its numerous elements of chaos, including natural disasters, high land surface temperatures, wildfires, air pollution, rising air temperatures, and an influx of migrants.

Flux is chaos-seeking balance through adaptive processes. Our research towards the year 2100 and the layers of the climate chaos we will face, combined with conceptual theories on adaptation, shows no ‘single’ solution for adaptability. To adapt to our current and future evolving environment, a series of fluctuating initiatives that tackle issues at various scales is instrumental for present and future change. Nine strategies, applied to Fez, Morocco, can be applied to any other city within the Goldilocks Zone. It is a framework to guide the evolution of architecture through climate change while maintaining tradition, meaning, and comfort.

Instagram: @jasminkimm, @taylormade.arch

LIVE CORAL: Science & Living District by Wilmaliz Santiago, B.Arch ’22
Pontifical Catholic University of Puerto Rico | Advisor: Pedro A. Rosario

At the global level, climate change has brought with it several transformations, among them the rise in sea level. There are two main reasons why this happens, thermal expansion and glacial melting, both caused by global warming. Scientific research points out two important dates for this situation, in 2030 changes in sea level will begin to be felt and/or noticed significantly in all parts of the world, leaving a few years on the way to 2100 where we will have sea level at its peak. For that year it is estimated that hundreds of cities will be under flooded areas and many of them will disappear. All this has great consequences for all forms of life on the planet. And it is that not only humanity would be suffering the ravages, but also the flora and fauna, especially marine life. Sedimentation, the offset of nesting waves, high temperatures, the bleaching of coral reefs and endless situations that leave us with great consequences.

The project located in Rincón, Puerto Rico, is one based on scientific theories and predictions. The LIVE CORAL proposal seeks to provide a safe place for both humanity and marine life. A building is created where marine life can be researched and protected through this process of adaptation to sea level rise. In the same way, human life will have a safe place to live without limiting its quality of life, in addition to creating awareness and educating humanity about these changes and the effects it will have on other species and how this ends up affecting us.

The future in some way will always be uncertain and difficult to predict. However, thanks to the technological advances of our time there are many things that can help us foresee it. For this reason, this proposal seeks a complete adaptation over the years from the present to the imaginable 2100. Maintaining its efficiency, quality and use in its best state.

Instagram: @wilmaliz_santiago

A Residential Guide for Redesigning Coastal Homes in Hawai’i for Future Sea Level Rise: Punalu’u, O’ahu by Josephine Briones, D.Arch ’22
University of of Hawaii at Manoa | Advisor: Wendy Meguro

The ongoing consequences of climate change, due to human activity, have created a need for a shift in the ways we live, think, and build (Oppenheimer, 2019). For sea level rise, its effects like beach erosion, flooding, and inundation continue to persist; impacting coastal communities, especially those that lie on the shorelines, that will remain at risk if adaptive measures are not used (Oppenheimer, 2019).

On Oahu, Hawai’i, there has been a shift to increase resilient communities, however, small-private landowners, such as single-family homes along the shorelines have been left with limited guidance, education, and resources compared to large public/private landowners (City and County of Honolulu, 2020). As O’ahu’s efforts cater to large-scale development, like high-rises and/or mixed-use commercial structures for sea level rise adaptations, there is a demand for localized adaptation for communities not described by current guidelines and local land use ordinances. 72% of potential economic loss with 3.2 feet of sea level rise will be residential structures and land (Hawaiʻi Climate Change Mitigation and Adaptation Commission, 2021). As coastal communities prepare to adapt for sea level rise, new design thinking is necessary to exceed the requirements and recommendations that are currently practiced.

In alignment with the 2017 Hawai’i Sea Level Rise Vulnerability and Adaptation Report that states, “More research is needed to improve understanding and projections of localized vulnerability of beach and coastal environments to combined impacts of poorly sited beachfront development and erosion and flooding with sea level rise” (PacIOOS, 2021). This research uses a case study home along the shoreline of Punalu’u/Hau’ula to envision a new coastal typology in Hawai’i with adaptation solutions that are phase-able for living with increased sea levels. By providing shoreline homeowners of Hawai’i, especially those who own detached single-family homes that are at risk to the effects of sea level rise, with building adaptation guidance, practical design solutions, and accessible knowledge gives individuals the insights needed to protect their property, increase communities’ resilience to sea level rise impacts and, globally, provide solutions as incremental change that can be used to inform future shoreline homes on a large-scale.

Instagram: @jojo_briones

Shifting Sediments: Inhabiting the Land, the Sea, and the Space In-Between by Natasha Zubricki, M.Arch ’22
Dalhousie University | Advisor: Catherine Venart

The coastline is a dynamic edge between land and sea ruled by natural forces and illustrated through material processes of erosion, accretion, and deposition. As our climate warms with an increase in storm conditions and sea levels, the natural forces at work accelerate. Cycles of growth and destruction are an inevitable aspect of our environment that can be analyzed through hydrological impact, geological structures, and ecological networks, all forming ruins off fragments of the earth.

This thesis examines Prince Edward Island as a case study of how to shift our perspective and embrace the ocean as an instigator of opportunity. Three locations along an edge are investigated exploring various material and programmatic relationships that can be utilized as a layered strategy to become a catalyst for new life. A temporal architecture that works as both measure and armature is implemented as an infrastructural approach aimed to adapt to inevitable uncertainty.

The thesis focuses on the relationships between humans and oysters as main actors for adaptation while engaging with the natural forces at play. The project moves through time adapting to rising seas and the changing environment, allowing new possibilities to be formed off a ruin of the past. Through engaging with natural forces instead of fighting against, we can create new edges, establish home for both humans and oysters, as well as use inevitable decay to provoke new life.

Instagram: @tash_zubri

Check back next week for Part II of the 2022 Study Architecture Student Showcase.

 

Workshops on Accessibility at UVA

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Workshop considers ways to improve accessibility to businesses, travel experiences for individuals with disabilities

Credit: Kayli Wren, Charlottesville Tomorrow

A Charlottesville-based nonprofit is working to create conversations about accessibility and travel.

The Blue Trunk Foundation recently held a workshop with the University of Virginia School of Architecture to reflect on what individuals with disabilities and their caregivers expect when they are traveling and what businesses can do to be more accessible.

Attendees also provided feedback to the Blue Trunk Foundation on mock-ups of its travel information website, which it is hoping to launch in the fall. The website will provide users with crowd-sourced accessibility-related information for businesses and feature curated content, such as blog posts.

“Charlottesville has so much to offer but one key ingredient is missing, and that’s accessibility,” said Susi Wilbur, community development liaison for Civic Access, a local business that provides sign language interpreters and closed captioning for people who are deaf and hard of hearing.

Members of community organizations, local business owners and others were among the approximately 30 people who attended the workshop, which was held at the UVa Licensing and Ventures Group office in the old Coca-Cola Building on Preston Avenue.

“It’s very important that [Blue Trunk] included us in this workshop because many people think, ‘Oh, we’re just going to focus on physical disabilities’ and they don’t think of disability that’s associated with being deaf, or having autism,” said Alissa Conover, community advocate for Civic Access. “Those are the types of disabilities that aren’t always included.”

Attendees weighed in on numerous accessibility-related questions, such as barriers individuals may face when traveling and the types of amenities that can improve travel experiences.

Participants raised several points, such as the need for accessible restrooms, wheelchair accessibility, quiet spaces, Braille materials, healthy food choices and announcements clearly written on screens.

“When I did compliance with the city, you had minimum standards … [Businesses] didn’t go any further than meeting the minimum standards of the number of parking spaces or the minimum standards of the way the bathroom is built,” said Jim Herndon, a former Americans with Disabilities Act coordinator for Charlottesville. “What I see here is going a step further, and saying, ‘Rather than just meeting the minimum standards, let’s make it an environment that’s pleasant for everybody.’”

Some members of the business community in attendance said they found the workshop helpful in thinking about ways to improve accessibility.

“I’m definitely interested in learning some sign language, maybe teaching my employees some sign language, too. Maybe getting our menu printed in Braille,” said Kathryn Matthews, who opened Iron Paffles and Coffee earlier this year.

Brian Ball, the general manager of retail operations at Carter Mountain Orchard, said recent paving has improved wheelchair accessibility to their facilities and that he would like to find ways to make the orchard more accessible.

“A lot of business owners could probably just get distracted by everyday business and not really even realize there are people out there who have specific special needs that you could probably easily cater to,” Ball said. “I’d like to make those changes to accommodate as many folks as possible.”

“It’s always good to have this type of meeting to open people’s minds to accessibility because as a person with a disability, it means a lot to be able to feel comfortable where you’re at,” said Brandon Rush, a peer advocate at the Independence Resource Center.

When asked how Blue Trunk could work with businesses to view accessibility as a good practice, attendees suggested holding training seminars for local business owners and certifying businesses that make an effort to be inclusive.

Blue Trunk founder Rupa Valdez, who is also an assistant professor in the Department of Public Health Sciences at UVa, said she found the feedback on a potential business rating system for the website to be particularly helpful. Some concerns were raised about whether a strict rating system — such as a numeric scale found on some travel sites — could conflict with the goal of getting businesses on board with improving accessibility.

“We want to be a space where interactions are positive,” Valdez said. “It’s not about shaming or blaming or anything like that.”

One idea that came up at the workshop was to provide different accessibility-related icons on the Blue Trunk website and use brighter icons to indicate available services.

“What I really appreciate about Blue Trunk is that it’s also positioning itself as a company that seeks to both be an advocate and at the same time a provider of services that are ultimately all-inclusive,” said Anselmo Canfora, an associate professor of architecture at UVa.

“The dream is really large for what this could look like,” said Valdez, who also cautioned that they do not want to overextend themselves too quickly.

“What could we do now and then how could we build that out systematically?” she asked.

Blue Trunk plans to initially launch its services in Charlottesville and Madison, Wisconsin.

Claire Wellbeloved-Stone, vice president of Blue Trunk and a research coordinator at UVa’s Department of Public Health Sciences, said the fall launch in Charlottesville would be accompanied by a series of events to engage the community.

Check out UVA’s School of Architecture.